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Industry News

A New Remote Contribution Tool, In The Cloud

Radio+Television Business Report
3 years 6 months ago
RBR+TVBR PRODUCTS AND SERVICES

Comrex is announcing a new cloud service called Gagl.

Gagl delivers conferenced audio from multiple contributors to Comrex hardware codecs in high quality and allows between one and five users to send and receive audio from computers and smartphones.

Participants can connect and send audio by clicking a link using any common web browser. Their audio is conferenced (if there’s more than one user), and delivered to a Comrex hardware codec such as ACCESS or BRIC-Link II. All participants can hear other
participants, and the codec can send audio back to them.

Gagl could be used as the hub for a round-robin reporting program or for a multi-host radio show to support multiple simultaneous connections at once. Because it offers low latency, it is appropriate for call-in talk radio.

Gagl could also be used to allow a single contributor to connect back to the studio from a computer or smartphone.

Designed with audio quality in mind, Gagl provides stable connections with limited bandwidth.

Gagl uses the Opus audio encoder, with a bit rate that delivers both voice and music in top
quality.

Gagl also delivers audio directly to a Comrex codec with all the stability enhancements,
pro-grade audio connections, and features that hardware codecs provide.

 

RBR-TVBR

Benztown Adds Two to its Production Leadership Team

Radio+Television Business Report
3 years 6 months ago

A company known for its radio imaging, voiceover, programming, podcasting and jingles business has added to its production leadership team.

Coming from YamanAir is a new West Coast Director of Commercial Production, while the company is also welcoming a Production Manager for Long Form Programming.

The former position is that of Darren Silva, who spent 22 years as a Network Production Manager for Radio Disney in Los Angeles who began his career as an overnight air personality in San Luis Obispo, Calif. In the late 1980s, he was “Dangerous Darren” at Heavy Metal rocker KNAC-FM 105.5 in Long Beach, Calif. Later, he worked at KEGL “97.1 The Eagle” in Dallas.

In addition to his Radio Disney role, Silva for the past 17 years has been an air talent associated with Sirius XM’s Hair Nation, Ozzy’s Boneyard and Classic Rewind channels.

Meanwhile, the Production Manager for Long Form Programming role is now being held by Jake Urbanek. He joins Benztown from Apple Music in Los Angeles, where he was
Assistant Producer of The Zane Lowe Show. Prior to that, he was Audio Engineer for
over 8 years Mr. Smalls Recording Studio in Pittsburgh. He was also Sound
Engineer for the Washington Symphony Orchestra in Washington, Pa.

RBR-TVBR

Nautel Brings Online Factory Acceptance Testing to Customers

Radio+Television Business Report
3 years 6 months ago

Global travel restrictions and time restraints in conducting Factory Acceptance Testing for new transmitters have been addressed by Nautel with a new online FAT program.

A FAT is a set of pre-defined tests that many customers must witness being completed in real-time as part of project specifications. “Many of our customers simply haven’t been able to travel to factory locations since late 2019 due to the pandemic,” said Charles Andrews, Nautel Test Supervisor, “and even in the absence of COVID many customers have cost or visa restrictions making it difficult to attend these tests in person.”

Andrews’ team leveraged the increasingly-versatile capabilities of online meeting platforms,
paired with virtual communications interfaces such as Teams or Team Viewer, to allow
customers to witness transmitter testing in real-time as part of their final acceptance process. The Nautel AUI and multiple pieces of measurement equipment are employed along with a suite of cameras, wireless microphones and personnel to conduct the tests. Customers are able to communicate with their transmitter(s) via the AUI and view performance measurements throughout the final testing process.

“We consider comprehensive communication with our customers critical to the manufacturing and testing process,” said Andrews. “Although we enjoy having our customers here in person, this new system brings a more affordable and immediate solution to them.”

A short video explaining the online FAT process is available via Nautel’s YouTube channel:
https://www.youtube.com/watch?v=o7v5MNA2Ncc .

RBR-TVBR

U.K. Review: AM Should Go, FM Stay Until 2030

Radio World
3 years 6 months ago
Photo: Dave Rushen/SOPA Images/LightRocket via Getty Images

Planning to shut down British AM (MW) radio should begin, while analog FM services should stay on air until at least 2030. These are some of the key recommendations in the just-released Digital Radio and Audio Review, which was commissioned by the U.K. government in February 2020.

Declining audience share is the reason for ending British AM. According to the Review: “AM — which according to estimates calculated for the Review now accounts for just 3% of all radio listening — has reached the point where the BBC, commercial radio and Ofcom need to prepare for the retirement of national services. However, traditional radio, including FM services, is valued by many listeners — particularly those who are older or vulnerable, drive older cars or live in areas with limited DAB or broadband coverage. On current trends, therefore, the Review’s conclusion is that FM will be needed until at least 2030.”

[Read: Swiss FM Shutdown Reverts to Original 2024 Date]

This being said, research conducted for the Review by the strategic advisory firm Mediatique estimates that analog radio “will account for just 12–14% of all radio listening by 2030.” As a result, the Review’s suggested reprieve for FM is time-limited: “the U.K. radio industry should begin preparing the ground for a possible switch-off of analog services at some point after 2030,” it said.

Strong, for Now
According to the Review, 89% of the U.K.’s population listens to radio every week, “a figure which has remained remarkably consistent in the last decade,” it said. These listeners have access to 333 analog (AM/FM) and 574 DAB stations, plus “over 300 analog community radio stations which collectively reach over 1 million listeners every week,” the Review reported. As well, a third of U.K. adults own smart speakers, with live radio accounting for 64% of audio they’re listening to.

The downside: Radio’s dominance in the U.K. market is expected to decline over time.

“While it is impossible to make entirely accurate projections too far into the future, the Review’s conclusion is that live radio will still account for over 50% of U.K. audio listening in the mid-2030s,” the document said. “Live radio dominates in-car listening, accounting for 82% of all in-car listening hours. However, the growing availability of connected audio services in cars (via phone mirroring or natively) represents an increasing challenge to the prominence of radio in the car as streaming services are presented alongside or even more prominently than radio services.”

The Review projected this decline in U.K. radio listenership based on the current audio source preferences of different U.K. age groups. “Among 15–24 year olds smartphones are the first choice, accounting for 38% of audio consumption, with DAB accounting for 22% and FM/AM radios just 11%,” it explained. “Among 25–34 year olds, smartphones account for 27% of audio consumption, against 26% for DAB radios and 19% for FM/AM. In contrast, among listeners aged 55 and over, DAB radios account for 41% of all audio consumption and FM/AM radios a further 31%, with smartphones accounting for only 5%.”

DAB Slows, Smart Speakers Surge
Since the launch of digital radio in 1995, more than 27 million DAB sets have been sold in the U.K., with two out of every three households claiming to have a DAB radio for in-home use, said the Review.  As well, “Around 40% of all radio listening, in-home and in-car, is now via a DAB device.”

Falling DAB receiver costs have helped to drive sales. “This trend is particularly apparent over the past 10 years, as the DAB module cost has reduced costs for manufacturers while module capabilities have improved — for example, in terms of signal attenuation and energy use,” the Review said.

The bad news: “In spite of the evident demand from listeners for the services delivered on DAB, recent years have seen a decline in radio device sales and a slowing of DAB take up,” said the Review. Worse yet, “Mediatique forecasts that the proportion of households that regularly use DAB will fall gradually year on year from 40% currently to 32% in 2035.”

“Estimates prepared by market research consultancy Futuresource Consulting show these trends from a different perspective,” the Review continued. “According to Futuresource projections, ownership of DAB radios has now plateaued and may start to decline as new sales fail to maintain the installed base, implying that some owners will not replace their device when it reaches the end of its working life. Futuresource’s five year forecast up to 2025 shows the annual market for DAB domestic radios will fall to 570,000 per annum.”

In contrast, the Digital Radio and Audio Review predicted a rosy future for smart speakers. “According to Mediatique’s forecast, smart speaker penetration will grow to 62% by 2035,” it said. “Futuresource has forecast that the market for smart speakers will be sustained, with shipments continuing at a rate of over 5 million units per year.”

In reporting these numbers, the Review acknowledged that this trend poses a potential threat to all U.K. radio broadcasters. “Traditional radio including DAB is being challenged by new forms of IP-based listening, including on connected audio devices,” it said.

The good news is that “there are steps which can be taken to address this,” said the Review. “There are, for example, significant benefits from strengthening the partnerships and cooperation between U.K. radio (and through partnerships with European radio broadcasters) with radio device manufacturers and with retailers (traditional and online) to promote the benefits of radio and the increased choice of services available.”

One thing is clear: Joint government/industry action is needed ensure the future of U.K. radio.

“Without a coordinated approach and support from U.K. radio,” the Review warned, “there is a risk that retail support — which has been critical to the success of DAB — may diminish, resulting in a slow but inevitable withdrawal of DAB radio devices from retail.”

 

The post U.K. Review: AM Should Go, FM Stay Until 2030 appeared first on Radio World.

James Careless

Comscore Selects Fink’s Successor as CFO

Radio+Television Business Report
3 years 6 months ago

Greg Fink joined Comscore in 2017. He exited as its Chief Financial Officer at the end of August 2021.

Now, the audience and advertising measurement company led by CEO Bill Livek has named Fink’s successor.

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RBR-TVBR

Urban One, With Its Stock Stabilizing, Sets Q3 Earnings Date

Radio+Television Business Report
3 years 6 months ago

Add another third quarter earnings call for a broadcast media company to an already crowded November 4 slate.

At 10am, company representatives from Urban One will share details of the multimedia operation’s three-month period ending September 30.

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Adam Jacobson

This Is London: No FM Switchoff Mandated For U.K.

Radio+Television Business Report
3 years 6 months ago

With RAJAR ratings due Wednesday for the first time since the arrival of COVID-19 in Great Britain some 19 months ago, many across the U.K. are biting their nails and praying that listening levels haven’t fallen for the nation’s privately operated radio brands or those under the BBC’s control.

At the same time, they’re perusing new rules “needed to protect British radio output on smart speakers” — regulations that do not put a mandatory switch-off date in place for analog FM transmissions.

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Adam Jacobson

R.I.P. Cliff Freeman: A Creative Master Of Broadcast Advertising

Radio+Television Business Report
3 years 6 months ago

There’s a good chance you are not familiar with the name Cliff Freeman. But, you should be. Why? He was a branding master. “Pizza, Pizza?” He’s responsible for it. “Where’s The Beef?” Yup, that, too.

Freeman passed away of pneumonia at the age of 80, and news of his passing started to trickle out in early October — first on a Sunday TODAY “A Life Well Lived” segment and on October 25 in the Tampa Bay Times, his hometown newspaper.

Broadcast media owes a debt of gratitude to Freeman.

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Adam Jacobson

A ‘Totally Amped’ Deal in North Dakota

Radio+Television Business Report
3 years 6 months ago

It’s a city of roughly 26,000 residents that bills itself as a “first choice for families” and a “great choice for opportunity.” This municipality, which is part of a DMA that includes Bismarck and Minot, N.D., is four hours to the west of Fargo and five hours to the south of Regina, Saskatchewan.

Here, a 100kw Hot Adult Contemporary FM is being sold. It’s a “totally amped” transaction, thanks to the station’s seller.

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Adam Jacobson

What is MRC Accreditation? This Webinar Will Explain All

Radio+Television Business Report
3 years 6 months ago

As the Media Rating Council sees it, its accreditation is “the primary mechanism for transparency and accountability in advertising and media measurement.”

But, what exactly is “accreditation,” and how does the process work? A webinar scheduled for Wednesday aims to explain all.

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Adam Jacobson

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