Industry News

Evertz, the Canadian media and entertainment technology firm, has successfully deployed its DreamCatcher BRAVO Studio live production replay platform for EA SPORTSTM FIFA 21 Global Series and Apex Legends Global Series broadcasts.

EA SPORTS FIFA 21 Global Series is an international tournament comprised of hundreds of matches played online using PlayStation 4 and Xbox One. Over several months, more than 1,000 competitors go head-to-head in hopes of being crowned FIFAe World Cup 2021 champion and claiming a portion of the $3 million in prizes Electronic Arts Competitive Gaming Entertainment (EA CGE) division will hand out to competitors.

Apex Legends Global Series is a competitive online and live event ecosystem produced by EA CGE and Respawn. Played on PC, PlayStation 4 and Xbox One, the Apex Legends Global Series competition format places teams around the world against each other within five global regions.

EA CGE division uses DreamCatcher BRAVO Studio as the preferred live production tool to match the scale of its largest events due to DreamCatcher BRAVO Studio’s ability to virtually operate in any public or private cloud environment over a low latency, low
bandwidth interface.

Using NDI, SRT, RIST, RTMPE and RTMPS protocols, multiple sources in different formats can be sent to a DreamCatcher BRAVO Studio in the cloud, where EA CGE operational staff can log in to access feeds, produce live shows, isolate replays, edit highlight packages, and send produced content to a Media Asset Management (MAM) service or distribution platform in the cloud for playout to content distributions networks (CDNs) – all from the comfort of their own homes.

To learn more about the DreamCatcherTM Live Production platform, visit evertz.com/applications/live-production/.

The integration of Fraunhofer IIS’s MPEG-H authoring workflow into The Telos Alliance’s Minnetonka AudioTools Server is now complete.

The toolset is suitable for a wide variety of audio-processing fields and is designed to bring benefits to terrestrial, IPTV, and satellite broadcast, as well as pre- and post-production.

The Minnetonka AudioTools Server is a collection of essential aids for file-based media work, and can be used for automating audio processes like loudness control, data encoding, and future-proofing of databases. The accompanying UI editor enables integration with the customer’s ecosystem and creation of new custom workflows. Over 1,000 audio functions come with the product.

The owner and operator of Pittsburgh’s NPR Member station and its long-running Adult Alternative noncomm has appointed a Director of Technology. He’ll be charged with leading the IT and engineering staff at the organization.

Pittsburgh Community Broadcasting Corporation, parent of WYEP-FM and WESA-FM, has named Jason Price to the post.

“Jason was by far the most outstanding candidate from a broad pool,” said Chris Capato, Pittsburgh Community Broadcasting’s Vice President of Finance. “I’m certain that Jason’s knowledge, planning ability and service approach will result in his continued success.”

Price began his tenure at Pittsburgh Community Broadcasting in 2018 as IT Manager.

In other moves, Tom Hurley is being promoted to Engineer. Hurley has worked with the organization as a freelance audio engineer since 2012 and joined the staff full time as Operation and Engineering Technician in 2018.

Effective immediately, she’s the new Station Manager of Chattanooga’s NBC affiliate.

In early 2022, she’ll further climb the latter of this Sarkes Tarzian station, taking the position of General Manager.

Consider it great job security for Callie Starnes.

The bump set to come is the result of President/GM Pam Teague’s pending rise to COO of Sarkes Tarzian, which the company previously announced.

She’ll continue in her role as News Director for WRCB-3, while assisting in overseeing the station’s operations across broadcasting, digital and mobile platforms.

“Callie truly deserves the opportunity to lead Channel 3 as its General Manager,” said Tom Tolar, Sarkes Tarzian’s Chief Operating Officer. “She is passionate about providing outstanding service to our viewers, community, and advertisers.  Her leadership and focus have produced impressive results for the Eyewitness News Team.  I am confident she will use those same leadership and decision-making skills to continue the strong performance of WRCB.”

Teague agreed, “Callie’s commitment to excellence in news and strategic thinking make her a natural for this new role. She is highly respected in the industry and by her peers. She will lead the talented staff of Channel 3 for years to come.”

Starnes first joined WRCB in 2008. After serving as an anchor and investigative reporter for several years, Starnes was named Assistant News Director. She has led the news department since being named News Director in 2016.

If there ever was a man true to his words, Byron Allen is perhaps the best example of one who turns bold statements into big deals.

He’s stated that his Allen Media Group intends to invest impressive amounts of cash on broadcast TV station purchases. The first deal struck: 10 spinoff sales tied to Gray Television‘s blockbuster $950 million merger with Quincy Media, Inc.

AMG’s deal for those spins has just closed, coinciding with the completion of the Gray/Quincy deal.

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On January 7, Illinois-based broadcast media operation Quincy Media Inc., owner of 24 over-the-air TV stations, confirmed that it was “considering” a sale of all of its assets. Less than one month later, a buyer emerged.

With today’s closing bell on Wall Street, the mega-deal was officially done. Gray Television is now the owner of the QMI stations not spun to Allen Media Group. 

And, it formally marks the end of an era — and the leadership of Ralph Oakley.

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If there’s a silver lining to the rapidly increasing number of COVID-19 cases in Florida, California and parts of Ohio and Georgia, it is this: Lysol has your back, broadcast TV.

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When the year started, influential Wall Street financial house MoffettNathanson was optimistic that the first half of 2021 was going to be “all blue skies” for broad patches of the traditional media and digital ecosystems.

After taking a close look at domestic digital advertising growth, Senior Analyst Michael Nathanson uses the word “only” to describe the acceleration in dollars for the GAFAN group.

What does this mean for broadcast media companies set to release their Q2 earnings reports?

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A Bay Area entrepreneur who once appeared on-camera at KGO-7 in San Francisco has been an active buyer of late of low-power TV stations across the U.S.

He’s at it again. Ravi Kapur has just snagged a pair of LPTVs serving two of the Sunshine State’s biggest markets.

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Black Lion Audio has launched its PG-P Portable Power Conditioner, built around its proprietary PG-P portable filtering technology.

It says the aim is to provide the same level of noise filtering as found in rack-mount power conditioners.

Black Lion says that the power conditioner is built using Panasonic capacitors, selected to help eliminate high-frequency noise. As a result, the unit provides studio-grade power-on-the-go via six wall-wart-spaced outlets, as well as Ground OK, Protection On and Clean Power On LEDs.

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PG-P is available to purchase through Black Lion Audio’s global network of dealers/distributors with a MAP of $69.

The unit comes on the heels of the new PG-2, a pro power conditioner that Black Lion recently introduced, offering a 120 V Power Grid of 14 outlets in a 2U rack-mountable chassis.

The PG-2 sports proprietary PG-99 Filtering Technology, alongside a suite of status and alert capabilities, all of which Black Lion says helps the unit provide an average of 99.7% of noise filtering.

The power conditioner features Panasonic and Wimi capacitors, and offers filtration with a reported power absorption rating of 2,775 joules. Also, the PG-2 features a bank of 12 switched, filtered, and surge-protected outlets on its back panel arranged as three groups — four digital audio outlets, four analog audio outlets and four high current outlets.

Send your new equipment news to radioworld@futurenet.com.

Info: www.blacklionaudio.com

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