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Industry News

Lower Leverage and Audio-First Growth: Cumulus In Q4

Radio+Television Business Report
3 years 2 months ago

Following Wednesday’s Closing Bell on Wall Street, one of the largest audio content creation and distribution companies in the U.S. quietly released its fourth-quarter and full-year 2021 results. And, with no replay line for investors to dial-in to had they not become aware of the Globe NewsWire release of its numbers, Cumulus Media just may have whispered to the world that it’s off to a strong start in 2022.

But, just how is the company led by CEO Mary Berner faring compared to Q4 2019, the new bellwether for broadcast media companies given the super-strong political dollars seen in the final three months of 2020?

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Adam Jacobson

MPX in the Digital Age: A New Ebook

Radio World
3 years 2 months ago

A new Radio World ebook explores what radio engineers and managers should know about MPX in 2022.

It explores what MPX is and why broadcasters should care — the benefits and cost savings; the impact on infrastructure/signal chain integrity and security.

Is there an engineering advantage? What “flavors” of MPX are there? How have MPX and its applications evolved in recent years? What are important considerations in creating an MPX path over IP, and what misconceptions do users have about it?

Veteran engineering consultant Ed Bukont and experts from sponsors Telos Alliance, WorldCast Systems, Digigram and Thimeo Audio Technology provide insights into this important topic.

Read it here.

The post MPX in the Digital Age: A New Ebook appeared first on Radio World.

RW Staff

Organizations Join Forces to Create World Radio Alliance

Radio World
3 years 2 months ago

Promoting the power and reach of radio around the globe is the goal of the newly formed World Radio Alliance.

In celebration of World Radio Day 2022, trade associations in the U.S., Europe, Canada and Australia joined forces to form the new alliance. The group of 14 trade organizations represents radio companies and radio advertising bureaus, such as the Radio Advertising Bureau in the United States, Radio Connects in Canada and Radiocentre in the United Kingdom. The Association of European Radios, which represents 5,000 commercial radio stations across Europe, is also supporting the effort.

Lucy Barrett, client director at Radiocentre, will serve as inaugural president and will steer the group’s activities. Barrett will work in tandem with new World Radio Alliance Vice President Caroline Gianias, president of Radio Connects in Canada.

“The time is absolutely right to join forces and speak with a collective voice,” said Barrett. “Over the last decade we have seen the rise of more commercial audio formats such as music streaming services and podcasts, yet commercial radio’s dominance in the sector remains pretty much intact. As the world has become smaller, with media decisions often taken across whole regions and continents, it’s crucial we come together to tell the success story of radio in a consistent and unified manner.”

The group officially launched on Feb. 10, a few days before World Radio Day on Feb. 13, with the below video compilation highlighting the strength of radio. The organization’s website also includes resources such as testimonials and research tools.

The 14 inaugural members of the World Radio Alliance are:

  • Associació Catalana de Ràdio (Catalonia, Spain)
  • Audify (Netherlands)
  • Bureau de la Radio (France)
  • Commercial Radio Australia)
  • egta – Association of Television and Radio Sales Houses
  • FCP – Assoradio (Italy)
  • Radio Advertising Bureau (United States)
  • Radio Connects (Canada)
  • Radio Zentrale (Germany)
  • Radiocentre (United Kingdom)
  • Radiocentre Ireland
  • RadioMedia (Finland)
  • Verband Österreichischer Privatsender (Austria)
  • VIA – Association of AV Media (Belgium)

The post Organizations Join Forces to Create World Radio Alliance appeared first on Radio World.

Susan Ashworth

EBU Summit Closes With ‘Great Debate’ Over Radio Distribution

Radio World
3 years 2 months ago

One in a series of articles about the recently concluded EBU Digital Radio Summit.

When should radio leave AM and FM? Will DAB radios ever be cheap enough to woo consumers away from FM? Is IP distribution the future of radio or not?

These contentious questions were bandied about during the EBU Digital Radio Summit’s closing session, “The Great Debate: The future of radio distribution,” on Feb. 16 2022.

The Great Debate Panel (clockwise from upper left): Darko Ratkaj, Hanns Wolter, Peter Mac Avock, Lindsey Mack andx Roland Beutler

The Great Debate was moderated by EBU Senior Project Manager Darko Ratkaj. He began the session by asking Dr. Roland Beutler, who oversees distribution strategy at German regional public service broadcaster Südwestrundfunk, for his views on radio’s best distribution strategy.

Beutler pulled no punches in his reply. “I believe it’s necessary to shut down FM in order to reduce distribution costs,” he said. “Now the question is, how can you do that? How can you vacate the FM band, and how can you make it available to other services?”

In his home country of Germany, Beutler said that politicians need to make the case for a replacement service on the FM band that would win public support.

“One thing I could see is PPDR [Public Protection and Disaster Relief communications used by first responders], because they are using similar frequency ranges already,” he said. A second FM band user could be Smart City data services, for connecting to gas meters and other devices by radio.

Lindsey Mack was more measured when stating her view as BBC senior manager of DAB & BBC Sounds external affairs. “We do plan to close AM mid-2020s,” she said, due to a “consistent decline in listening making it really not viable, and we assume that trend will continue.”

According to Mack, the threshold for both the BBC and U.K. commercial AM stations to start winding down is when AM listenership falls to 3% of total U.K. listenership.

However, matters are not so clear when it comes to shutting down FM in Britain. “This is always a topic that causes quite a lot of alarm especially in the U.K. … and the reason for that is 36% of radio listening is still via FM,” said Mack.

“It remains really valuable to many listeners, particularly those who are older and vulnerable, and to those who may live in areas with limited DAB and/or broadband coverage, and also to the car listener where 50% of car listening is still tuned to analog,” she said.

“In terms of broadcast radio distribution, FM still dominates,” noted Peter Mac Avock, the EBU’s head of distribution, platforms and services. It also remains popular with local broadcasters as a vehicle for selling local advertising, aided by cheap, ubiquitous receivers. In fact, when the cost of FM and DAB receivers are compared head-to-head, “FM is dirt cheap,” he said.

On the other hand, DAB provides much more content variety for listeners and better advertising sales options for broadcasters, said Hanns Wolter, technical director at DAB Italia.

“If you have [targeted] local advertising, you will be able to deliver it locally [via DAB],” said Wolter. “You don’t need to go on the internet and compete with a hundred thousand IP stations. You’ll be able to get directly to your listener.”

At this point, Ratkaj stirred the pot by asking “if advocating DAB as an AM/FM replacement” and overall “good technology” actually makes much sense, given the belief that “it appears to be a transitional technology to an IP paradise — an IP-only future?”

On this point, the debaters agreed that the answer to this distribution question was not at all clear. For her part, Mack said she sees radio’s path lying in “a mixed future with broadcast and IP.”

Her uncertainty was echoed by Mac Avock. “It’s too early to call it,” he said. “It’s easy to say that it’s all going to be IP-based in the future, but there’s a whole host of problems associated with IP distribution. … IP will be a factor, for sure. How big? I don’t know.”

The only sure conclusion to be drawn from the Great Distribution Debate is that it will continue for years to come. As to whether broadcast will continue to hold its own against IP or not? Mac Avock’s summed up the current situation up nicely. “I’m not backing either horse for now.”

Related stories:
  • Human Connection Draws in Younger Listeners
  • In-Car Listening Influenced by More Than Music Taste
  • How CBC Radio Manages Its Wealth of Digital Content

James Careless is an award-winning freelance journalist with experience in radio/TV broadcasting as well as A/V equipment, system design and integration. He has written for Radio World, TV Tech, Systems Contractor News and AV Technology among others. Broadcast credits include CBC Radio, NPR and NBC News. He co-produces/co-hosts the “CDR Radio podcast” and is a two-time winner of the PBI Media Award for Excellence.

The post EBU Summit Closes With ‘Great Debate’ Over Radio Distribution appeared first on Radio World.

James Careless

iHeartMedia Dishes on Latest Financial News

Radio World
3 years 2 months ago

Top executives at iHeartMedia say the trajectory of its revenue is up even as it searches for ways to better monetize its digital assets.

Results released Wednesday, Feb. 23, show consolidated revenues for iHeartMedia were $1.062 billion in the fourth quarter of 2021, a year-over-year climb of about 14%, according to the company’s filing with the U.S. Securities and Exchange Commission.

Chairman/CEO Bob Pittman called it “another strong quarter and … a very strong year” and said the numbers reflect the “continuing digital transformation of iHeartMedia into a data-led digital business with important new platforms like podcasting built on the unparalleled scale and audience reach of our broadcast radio assets.”

He expects continued growth in 2022.

For the quarter, the company posted net profits of $111.9 million, compared to $2.9 million in Q4 2020.

Of the company’s three reportable segments, the multiplatform group, which includes its 850 radio stations, reported revenue growth of 9% in the final quarter of 2021 compared to the previous year. The segment, which also includes it network operations and live events, had $726.3 million in revenue in Q4 2021.

Pittman called the multiplatform group “a growth engine for the company” as the company continues to climb back to revenue totals established prior to the onset of the COVID pandemic. For comparison, iHeartMedia said its multiplatform group had revenue of nearly $849 million in Q4 of 2019 pre-pandemic compared to $726,292 in Q4 last year, a decline of 14.4% over the two-year span.

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iHeartMedia’s eye-popping podcast revenue growth continued in its Q4, according to the latest financial report. The digital audio group in the quarter grew revenue to $273.2 million, which was up by nearly 59% in Q4 compared YoY. Within that group podcast revenue was up 130% to $97 million in the final quarter of 2021.

“This company doesn’t have an audience issue. What we have is a monetization issue, and that is where we are focusing our efforts,” Pittman added.

Digital revenue growth continues to outpace that of iHeartMedia’s other groups, Pittman said on the earnings call. “In Q4 2021, digital revenue represented 26% of total company revenue compared to Q1 of 2019 when it represented under 10%. Clear evidence of our continued digital transformation,” he said.

The company recently announced it will use synthetic voice technology to extend its podcasting segment. iHeartMedia will use Veritone’s voice-cloning tool to convert English-language podcast series into multiple languages, dialects and accents for distribution across the iHeartPodcast Network. The company also recently announced an investment in the Sounders audio intelligence platform, which the company is using to match potential advertisers with podcast audiences.

Its Audio and Media Services Group, which includes which includes Katz Media Group and RCS, reported $65.5 million in revenue in the final quarter, a substantial drop from last quarter of 2020 when the segment recorded about $100 million in revenue. However, Rich Bressler, iHeartMedia president, COO and CFO, said that the dip was partly attributable to lower political ad spending.

Year-end numbers:

For the year ending Dec. 31, 2021, the company totaled $3.5 billion in consolidated revenue, up 21% YoY compared to $2.9 billion in 2020. The multiplatform group revenue grew by 13% YoY to nearly $2.5 billion in 2021.

The company posted a net loss for 2021 of about $158.4 million, which was down dramatically from its net loss the year before of $1.9 billion.

iHeartMedia’s capital expenditures for the year were $183.4 million compared to just $85.2 million in 2020. The company says its capital expenditures increased primarily due to its real estate consolidation initiatives aimed at reducing its structural cost base.

Bressler said iHeartMedia expects to have cap ex spending of between $150 million and $165 million in 2022.

iHeartMedia’s operating cash flow nearly doubled in Q4 2021 to $134 million, which it credited to consolidating real estate assets in certain markets. Cash on hand at the end of the quarter was $352.1 million. The broadcaster’s balance sheet listed $5.73 billion in total debt and $5.38 billion of net debt as of Dec. 31, 2021.

The post iHeartMedia Dishes on Latest Financial News appeared first on Radio World.

Randy J. Stine

NAB Speaks Out Against Forest Service Fee Plan

Radio+Television Business Report
3 years 2 months ago

Should broadcast media companies pay the U.S. Forest Service a proposed administrative fee for new and existing communications?

The NAB has something to say about that.

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RBR-TVBR

Hubbard Radio Leader To Get NAB Digital Leadership Award

Radio+Television Business Report
3 years 2 months ago

The VP of Digital Strategy for Hubbard Radio has been selected as the recipient of the NAB’s 2022 Digital Leadership Award.

He’ll be recognized at the 2022 NAB Show, scheduled for a live, in-person event between April 23–27 in Las Vegas.

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RBR-TVBR

NAB Opens Application Window for 2023 Broadcast Leadership Training Program

Radio World
3 years 2 months ago

The NAB Leadership Foundation has announced that it is now accepting applications for the 2023 Broadcast Leadership Training (BLT) program through May 31.

The BLT program is designed to prepare senior-level broadcast executives to advance as group executives or station owners. Women and people of color are encouraged to apply.

Now in its 23rd year, BLT is an executive MBA-style program that teaches the fundamentals of purchasing, owning and operating radio and television stations. As the foremost executive training initiative for the broadcast industry, the 10-month program prepares aspiring broadcast station owners and executives with the working knowledge to further their careers.

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The 2023 Broadcast Leadership Training program will consist of weekend sessions held in-person at the NAB Headquarters in Washington, D.C. The starting session will be held in September 2022.

Broadcast professionals from all areas of the industry, including general managers, experienced sales managers and seasoned department heads, as well as regional and corporate executives, are encouraged to apply. Fellowship opportunities are available for women and people of color, the NAB Leadership Foundation (NABLF) said.

“These talented broadcasters join the long list of industry leaders with roots in the BLT program,” said NAB Foundation president Michelle Duke. ” We look forward to watching their careers grow from this success and witnessing the positive impacts as new and diverse leadership advances our industry.”

With this class, more than 350 participants have graduated from the program. The 2021 Broadcast Leadership Training Class graduates are:

  • Melissa Begay, Operations Director, Native Public Media
  • Robert Brooks, Digital Solutions Specialist, WHUR-FM
  • Cathy Cangiano, Senior Vice President and Market Manager, Bonneville Seattle Media Group
  • Thomas Ciprari, Station Manager, KTMF-TV, ABC Fox 23/Cowles Publishing Co.
  • Leon Clark, Vice President and General Manager, KGTV ABC10/The E.W. Scripps Co.
  • Tina Commodore, News Director, WFTV-TV/Cox Media Group
  • Kate Doty, Director of Talent and Team Development, Morgan Murphy Media
  • Susie Doucette-Pyle, Vice President and General Sales Manager, KRIV-TV Fox 26, KTXH My20/Fox Television Stations
  • Alfredo Duran, President and Founder, Duran Media Management Services
  • Blanca Esparza-Pap, Station Manager, Arizona’s Family, 3TV/ CBS 5
  • Mariana Ferro, Regional Vice President, Sales Manager – National Sales, Univision Communications
  • Andrew Givens, Station Manager and Director of Sales, KMSS-TV, FOX 33/Mission Broadcasting Inc.
  • Ben Hart, President and General Manager, WJCL ABC/Hearst Television
  • Charity Holman, Station Manager and General Sales Manager, WVVA-TV/Quincy Media Inc.
  • Andre Holmes, Vice President, Financial Analysis, Gray Television
  • Kari Jacobs, President and General Manager, 10 Tampa Bay/TEGNA
  • Kim Parker, Vice President and Chief Financial Officer, Graham Media Group
  • Nicole Ovadia, Vice President, Client Success, HOT97, WBLS, WLIB/Emmis Communications

The 2021 and 2022 program sponsors included: Beasley Media Group, Bonneville International Corp. Cox Media Group, Fox Television Stations, Futuri Media, Graham Media Group, Gray Television, Hearst Television, Legend Communications, NAB, The Nielsen Foundation, Meredith Corp., Morgan, Murphy Media, The E.W. Scripps Co., Quincy Media Inc., TEGNA, Univision Communications, ViacomCBS.

The organization also said that 2022 class is currently underway. They will attend the NAB Show in April and graduate in June.

For more information about the NAB Leadership Foundation or the BLT program, please visit, nabfoundation.org.

The post NAB Opens Application Window for 2023 Broadcast Leadership Training Program appeared first on Radio World.

George Winslow

How CBC Radio Manages Its Wealth of Digital Content

Radio World
3 years 2 months ago

One in a series of articles about the recently concluded EBU Digital Radio Summit.

CBC’s Julie McCambly (left) and Kevin Siu

Canada’s public radio and television services have gone from being broadcast-only platforms to distributors of a substantial amount of live and on-demand content in cyberspace.

CBC Listen is the home for the CBC’s online audio content, while CBC Gem hosts the TV content. CBC.ca is the overarching structure for all things digital at CBC/Radio-Canada.

During the online EBU Digital Radio Summit held on Feb. 16, 2022, CBC’s Julie McCambley and Kevin Siu explained how Canada’s public broadcaster produces and serves programming and podcasts in a session entitled, “What to do with all of that content?”

McCambley is senior manager of planning & operations for CBC Listen, and Siu is CBC’s senior director of OTT video & audio for CBC Gem & CBC Listen.

From on air to on demand
Every week, CBC Radio produces and broadcasts 70 live local shows across the country for Radio One, its spoken word service. This content is broadcast on the CBC’s FM service, made available live on CBC Listen, and also provided to some third-party broadcasters.

CBC Radio’s local on-air content is a natural resource for after-the-fact, on-demand listening. This being said, “what we’ve learned from experience is not to publish on-demand versions of an entire show when it comes to local,” McCambly said.

Instead, the real value for listeners lies in selecting, posting, and promoting specific interviews and other show segments as standalone content. “That means local segments make up a significant portion of what we call our on-demand listening offer,” she said.

On average, each local show produces two segments per day for CBC Listen.

“Once the show has gone to air, the technician who operated the show will work with the digital producer to identify segments that they want to upload to CBC Listen,” said McCambly. “Then they’ll repackage those segments to make sure that they are clean from a ‘rights’ perspective, and then they’ll publish them into CBC Listen. They’ll also make a version that’s available for third parties.”

For the hour of work it takes to repackage two local segments for on-demand listening, CBC Listen (and sometimes CBC.ca too) gets content that will attract listeners for about a week, McCambly said.

A similar process is used to repackage network-produced on-air content for the web, after it has been broadcast in all of Canada’s six time zones.

Web-only content
In addition to repurposing broadcast content for the web, CBC Radio also produces a special web-only version of the national newscast “The World This Hour” and a variety of podcasts.

So the CBC has 94 podcasts available for on-demand listening. The topics they cover include range from true crime and human interest stories to investigative reporting, history, and more. Some CBC podcasts are original productions, while others are repurposed from CBC Radio programs.

Under Canadian law, CBC Radio isn’t allowed to make money from advertising. But its online platforms can. “We do monetize our podcasts,” said McCambly. “We monetize them by making a pre-roll and mid-roll available for advertising.”

Looking Ahead
With so much online content on offer, CBC Radio’s goal moving forward is to raise awareness of its content and give more people access to it.

Achieving these goals means answering questions such as “how do we improve the discoverability?” said Kevin Siu, and “how do we streamline our technical infrastructure … to allow us to move more quickly?”

In response to the first question, CBC Radio is launching a free membership platform for CBC Listen users to boost their use of CBC online content.

“One of the benefits that we see for users is to be able to get access to either exclusive content or to content early on,” Siu said. In the crowded world of cyber streaming, any tactic that boosts listener loyalty is a plus.

Related stories:
  • Human Connection Draws in Younger Listeners
  • In-Car Listening Influenced by More Than Music Taste
  • How CBC Radio Manages Its Wealth of Digital Content

James Careless is an award-winning freelance journalist with experience in radio/TV broadcasting as well as A/V equipment, system design and integration. He has written for Radio World, TV Tech, Systems Contractor News and AV Technology among others. Broadcast credits include CBC Radio, NPR and NBC News. He co-produces/co-hosts the “CDR Radio podcast” and is a two-time winner of the PBI Media Award for Excellence.

The post How CBC Radio Manages Its Wealth of Digital Content appeared first on Radio World.

James Careless

NPR Gets Extra Funding to Cover Ukraine Crisis

Radio World
3 years 2 months ago

To cover the political and military confrontation between Russia and Ukraine, NPR is getting a half-million dollars in emergency funding from the Corporation for Public Broadcasting.

CPB approved the grant Tuesday.

The money will help NPR add staff and resources. The broadcaster has had reporters in Ukraine since January and said it will use the funds to pay for increased staff there and for security and travel to the region.

NPR President/CEO John Lansing called the situation “one of the most complex and consequential stories of our time.”

CPB President/CEO Patrician Harrison said in the announcement, “As Russia accelerates its use of misinformation and disinformation in its invasion of democratic Ukraine, CPB is proud to support NPR reporters in their difficult and potentially dangerous work in bringing fact-based news and information to audiences in the United States and around the world.”

The post NPR Gets Extra Funding to Cover Ukraine Crisis appeared first on Radio World.

RW Staff

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