Skip to main content
Home

Main menu

  • REC Home
  • Apply
    • REC Services Rate Card & Policies
    • FM engineering & other FCC applications
    • New FM Booster Station
    • New Class D FM Station in Alaska
    • New Low Power FM (LPFM) Station
  • Initiatives
    • RM-11846: Rural NCE Stations
    • RM-11909: LP-250 / Simple 250
    • RM-11952: Translator Reform
    • RM-11843: 8 Meter Ham Band
    • PACE - LPFM Compliance
  • Services
  • Tools
    • Today's FCC Activity
    • Broadcast Data Query
    • Field strength curves
    • Runway slope
    • Tower finder
    • FM MODEL-RF Exposure Study
    • More tools
    • Developers - API
    • Toybox
  • LPFM
    • Learn about LPFM
      • Basics of LPFM
      • Self Inspection Checklist
      • Underwriting Compliance Guide
      • Frequently Asked Questions
      • FCC Rules for LPFM
      • HD Radio for LPFM
      • Transmitters certified for LPFM
      • Interference from FM translators
      • RadioDNS for LPFM Stations
    • 2023 Window REC Client Portal
    • myLPFM - LPFM Station Management
    • LPFM Station Directory
    • Spare call signs
    • REC PACE Program
    • More about LPFM
  • Reference
    • Pending FCC Applications
    • FCC Filing Fees
    • Radio License Renewal Deadlines
    • FCC Record/FCC Reports
    • Pirate Radio Enforcement Data
    • Premises Info System (PREMIS)
    • ITU and other international documents
    • Recent FCC Callsign Activity
    • FCC Enforcement Actions
    • Federal Register
    • Recent CAP/Weather Alerts
    • Legal Unlicensed Broadcasting
    • More reference tools
  • LPFM Window
  • About
    • REC in the Media
    • Supporting REC's Efforts
    • Recommendations
    • FCC Filings and Presentations
    • Our Jingles
    • REC Radio History Project
    • Delmarva FM / Riverton Radio Project
    • J1 Radio / Japanese Broadcasting
    • Japan Earthquake Data
    • REC Systems Status
    • eLMS: Enhanced LMS Data Project
    • Open Data at REC
    • Our Objectives
  • Contact

Breadcrumb

  • Home

Michi on YouTube

Other tools & info

  • Filing Window Tracking
  • Enforcement Actions
  • REC Advisory Letters
  • FAQ-Knowledge Base
  • U/D Ratio Calculator
  • Propagation Curves
  • Runway Slope/REC TOWAIR
  • Coordinate Conversion
  • PREMIS: Address Profile
  • Spare Call Sign List
  • FCC (commercial) filing fees
  • Class D FM stations in Alaska
  • ARRR: Pirate radio notices
  • Unlicensed broadcasting (part 15)
  • FMmap - broadcast atlas
  • Federal Register
  • Rate Card & Policies
  • REC system status
  • Server Status
  • REC Systems Changelog
  • Complete site index

Aggregator

Is the Car Dashboard Radio’s Next Battlefield?

Radio World
4 years 1 month ago

The author is chairman of Digital Radio Mondiale.

This often-rehearsed question resurfaces periodically, as radio is facing an uphill struggle against the digital giants ready to grab the dashboard. Hybrid radio is presented as a survival solution on the move, as cars remain a key driver of audio listening. The term, meaning many things to many people, is very fashionable just now, a bit like “digital,” “convergence” and the “multimedia” mantras of some years back.

Hybrid radio is a mixture of analog radio and digital broadcast sources, like streaming, or a mash between digital radio (mainly of the local variety) and IP-served radio services.

The current orthodoxy goes that, unless good old-fashioned radio or audio also gets all the “bells and whistles” offered by known digital companies and mimics the commercial streaming services provided by the Googles of this world, radio is doomed and will be eliminated from the automotive infotainment landscape.

[Read: Hybrid Described as Radio’s Best Chance]

In the U.S. car listening remains king and accounts for more than 50% of all radio listening. According to the recently unveiled annual 2021 Techsurvey Jacobs Media and Veritone, 58% of the 40,000 U.S. respondents listen to AM/FM radio in the car, 18% to satellite radio while personal music rates some 3%. Smartphones only come in second, after cars. But more interesting are the ranked reasons for radio’s enduring attraction: easy to listen to, familiar hosts, available for free (i.e. no money), while almost half the listeners agreed that being local is radio’s primary advantage.

Hybrid radio definitely addresses the challenge of “easy to listen to”: press a button or voice-activate your car radio and you are in business. If you leave the coverage area, an IP stream will ensure you can continue to listen to your favorite station or presenter, provided the station stream can be accessed and coordinated with the over-the-air broadcast service.

Hybrid can also paper-over the transmission gaps if your car is fitted with an analog or digital local coverage standard which is sometimes unavailable in the targeted coverage area.

And there are other positive considerations, too. Linking terrestrial broadcasting with IP ensures continuity and enhanced service, personalized and visually rich. This is all enabled by the metadata (song title, branding labels, ads, etc.) that accompany the audio on the mobile broadband connection. Above all, hybrid offers the attractive possibility of a back channel. If the hybrid receiver had, or will have in the future, an extra button for notifications: information, ads, tickets etc., these could be sent directly to your phone or email.

The two-way connectivity is the one thing radio has not been able to offer easily until now. The other is offering reliable data about who is listening to what and for how long. This is less of interest to listeners and more to advertisers and broadcasters. It is also the most valuable and remunerative information hybrid radio could provide.

[Read: Audi AG Launches Hybrid Radio in U.S. and Canada]

The proponents of hybrid radio stress that all these attributes, plus the podcasting possibility, are essential for radio’s survival and relevance on the new and flashy dashboards securing its place in the unequal battle with the apps, satellite and Big Tech services.

There are though some big caveats and questions on hybrid radio:

  • Are stations prepared to foot the bill for the streaming fees linked to the smooth transitioning from terrestrial to IP, not to mention the possible copyright fees incurred while the streaming runs in the background ready to pounce only when terrestrial fails?
  • Are broadcasters ready to share the streaming URLs and metadata and to make them available to open platforms or commercial entities, be they big patent companies or even car manufacturers?
  • Is the provision of podcasting essential, considering that in the latest Techsurvey, 6 out of 10 U.S. radio listeners are not bothered by this hot product still not flying after 15 years, not to mention that podcasting does not enhance radio listening but possibly diminishes the radio listening time.
  • If hybrid radio is the way forward, is this a U.S. and developed world project and commercial venture? According to the information released on the United Nations World Telecommunication and Information Society Day (May 17) 3.7 billion people, almost half the world population, remain unconnected to the internet.

From my own DRM perspective, the simpler question is: why hook up with IP, using extra effort and costs, analog and digital radio, when at least one digital radio standard, DRM, fulfills and satisfies already many of the aspirations of hybrid? DRM already includes SPI and what RadioDNS offers. It can connect broadcast and online, benefits from Journaline to ensure rich services, interactivity and personalized content.

A DRM receiver, in car, on a cell or in the kitchen can carry useful information: logos, maps, pictures, weather, traffic, disaster alerts and education material, addresses and ads.

DRM broadcasters can transmit on any analog frequency (AM or FM) up to three audio channels and one data channel, saving both energy, spectrum and money. One or two , or all three audio channels can be flexibly reassigned to data, so that less audio and more data is presented to users by easily programming the “four digital lanes” of DRM on one 96 kHz (FM) frequency or on an existing AM frequency. RSS feeds can be presented on DRM receivers without the need to publish and give somebody else your streaming URL and metadata information.

Does this mean that the big hybrid radio push will suddenly stop? Of course not, radio needs modern digital clothes, future proofing but also a reality check. Why reinvent the wheel when digital radio, DRM, has everything to benefit listeners and broadcasters?

If a camel is a horse designed by a committee, then hybrid is still a cute camel, not a horse yet.

 

The post Is the Car Dashboard Radio’s Next Battlefield? appeared first on Radio World.

Ruxandra Obreja

Meruelo Snags Montana, Who Concludes Lengthy Univision Run

Radio+Television Business Report
4 years 1 month ago

MIAMI — If one were to pen a “History of U.S. Hispanic Radio’s Programming Greats,” names such as the late Bill Tanner or Billy Forquet, or perhaps David Gleason, Pio Ferro, Alfredo Alonso and Enrique Santos may come to mind.

Another longtime programming leader, one based in Los Angeles, is also on that list of veteran Spanish-language radio cognoscenti. And, he’s just joined Meruelo Media after a long stint at Univision Communications.

Haz Montana, who had been Vice President of Content for Univision Radio since September 2012 and, before that, the Operations Manager for its Los Angeles radio stations, has taken the role of VP/Audio Brands for Meruelo.

This puts Montana in a key role overseeing what comes out of the speakers for those listening to Rocker KLOS-FM 95.5, Classic Hip-Hop KDAY-FM & KDEY-FM, Hip-Hop KPWR-FM “Power 106” and the lone Spanish-language FM in the Southern California stable, KLLI-FM “Cali 93.9,” a reggaetón-focused station in a direct format battle with Spanish Broadcasting System’s KXOL-FM “Mega 96.3.”

Registration is now open for the in-person, all-informative 2021 Hispanic Radio Conference. For full details, and to lock in your seat at the special Early Bird rate, click here!

 

In a statement released late Sunday (5/23), Meruelo Media President/CEO Otto Padrón explained that “after an exhaustive national search getting to know some of this country’s most amazing leaders in our craft of audio,” the locally based, highly respected Montana chose to accept the position.

“Haz brings the right balance of audio art and hard science perfectly nested within his steady brand of leadership, personal values and the confident entrepreneurial spirit we energetically embrace here at Meruelo Media,” Padrón said. “These very essential qualities are must-have requirements to steer our team and legacy audio brands.”

At Univision, Montana most recently had direct oversight of three national audio brands, found across six markets where Univision owns radio stations.

Montana joined Univision as its L.A. radio operations manager in 2005, following a six-year run as Program Director of the former KSSE-FM “Súper Estrella” — a massively successful rock en español-influenced Spanish Contemporary station that rode the Ricky Martin-to-Shakira wave. He launched KSSE under EXCL Communications, continuing through Entravision and winning a direct format war with the former operator Big City Radio’s “Viva 107.1” in L.A.

Before that SoCal success, which saw him steer KLVE “Radio Amor” and KRCD/KRCV “Recuerdo,” Montana had already made his mark in Hispanic radio. From December 1995 through August 1998, he served as PD of SBS’s WRMA-FM “Romance” in Miami, then a ratings leader following its debut under prior ownership led by Russ Oasis.

Furthermore, from 1991 to 1994, he was a “mental weapon” for Critical Mass Media, extensively traveling to consult with radio clients in their programming and marketing decisions. That experience led him to WRMA, and a career in Hispanic media.

A graduate of Michigan State University, Montana began his career in 1984 at Goodrich Broadcasting, a Grand Rapids operator of Rock and Top 40 stations that today owns a R&B station in the market.

“Hip Hop, Rock, Throwbacks, Latin Rhythm, and passionate talent — this opportunity is a dream come true,” Montana said. “I’m honored to be starting today with Team Meruelo. Above all, I’m excited about chartering a bold path in this newly reimagined role.”

Montana, who has won numerous Radio Ink honors, will be based in Los Angeles and reports to Padron.

Montana recently completed a course on Digital Business Strategy from MIT’s Sloan School of Management.

Adam Jacobson

Nielsen Proposes A $1B Refi Plan

Radio+Television Business Report
4 years 1 month ago

A plan has come to fruition that would see the issuance of senior notes due in eight years, and a series of senior notes due in 10 years, as a way the nation’s dominant audience measurement and data analytics company can prepay a series of term loans agreed to in June 2020.

Please Login to view this premium content. (Not a member? Join Today!)

Adam Jacobson

Television Broadcasting Services Albany, Georgia

Federal Register: FCC (Broadcasting)
4 years 1 month ago
On March 4, 2021, the Media Bureau, Video Division (Bureau) issued a Notice of Proposed Rulemaking in response to a petition for rulemaking filed by WFXL Licensee, LLC (Licensee), the licensee of WFXL, channel 12 (FOX), Albany, Georgia, requesting the substitution of channel 29 for channel 12 at Albany in the DTV Table of Allotments. For the reasons set forth in the Report and Order referenced below, the Bureau amends FCC regulations to substitute channel 29 for channel 12 at Albany.
Federal Communications Commission

Community Broadcaster: Going to the Doges

Radio World
4 years 1 month ago
Cryptocurrency symbols — Bitcoin, Ethereum and Dogecoin.

The author is executive director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

This has been a wild week in the world of cryptocurrency. Hints that the U.S. government will tighten up regulations and China’s crackdown sparked a precipitous fall of Bitcoin prices over the last few days. While there has been a mild recovery, attention on the speculative nature of this buzzy digital money persists.

For noncommercial radio stations, many of which rely on donations, the realm of cryptocurrency may seem weird. Indecipherable terminology and cryptocurrency named after memes are among the sideshows. Yet, thanks to Elon Musk, cryptocurrency has seen mainstream media coverage and massive growth. Is it too risky for noncommercial radio?

Cryptocurrency is all the rage in the nonprofit world. There’s Crypto Giving Tuesday to accompany the annual day of giving. This week, NPR joined the cryptocurrency movement as a verified publisher with Brave. Brave, a secure internet browser based on the Chrome core, has set up a plan where a publisher can accept a form of crypto called a Basic Attention Token. Users can opt to “tip” a publisher with BAT coins, which can then be traded for U.S. dollars and other real currency.

[Read: Community Broadcaster: Urgent Action]

As public media goes, the move is astonishing. Remember, this is NPR we’re talking about, not a fly-by-night unit. It may not be Tesla (which walked back its own jump into the crypto world), but for the biggest name in public radio to accept donations in this manner is unique.

What might a noncommercial broadcaster need to know if managers or the board of directors wants to get into accepting cryptocurrency in your donation portfolio? First, it is essential to understand that the finance community’s concern is based on crypto’s volatility. At this writing one Ethereum, a popular form of cryptocurrency, is worth $2,800. Less than two weeks ago, it was worth $1,000 less. That’s a bigger swing than even the riskiest stocks, and unfortunately its worth can be affected by far more random forces, such as tweets or Reddit speculation. Cryptocurrency can be exciting, but it may not be something to base a radio station’s capital campaign on, for instance. Consider it a long-term account that could be incredible in 10 years, or could be worth very little.

Setting up acceptance channels for your noncommercial radio station is not as cumbersome as creating other accounts, but will require diligence and forethought. Crypto “wallets” and other repositories for your donations may require complex security protocols. If you lose your passwords or other “keys,” you could lose access to everything.

Your radio station may wish to visit with your bank to see if they deal with cryptocurrency or have vendors they interface with, or recommend. There are many service providers that will accept crypto for your nonprofit and automatically convert to cash, if your banking institution shies away from it.

Your station may also wish to experiment with donation platforms, which make the setup for accepting cryptocurrency donations seamless. The trading site Binance is among many that provide a means for noncommercial radio stations to engage.

Cryptocurrency has taken many hits this week, but the hype is not going away anytime soon. Noncommercial radio looking to expand donation choices for audiences have a fascinating option, surely.

The post Community Broadcaster: Going to the Doges appeared first on Radio World.

Ernesto Aguilar

H&A AC50 Studio Broadcast Microphone

Radio World
4 years 1 month ago

H&A has unveiled its new AC50 Studio Broadcast Microphone, primarily intended for use on podcasts, broadcast, studio, vocals, narration, fish pole use and instrumentals.

Featuring a cardioid pattern, the mic is top-address, eschewing off-axis noise, making it appropriate for broadcasting, podcasting or vocal performances. Inside the mic, along with the mesh shielding, the internal pop filter helps eliminate distortion and allows for instant control of plosives when talking close to the microphone.

[Check Out More Products at Radio World’s Products Section]

A low-cut filter switch allows users to reduce low frequencies by –10 dB in order to maintain an overall flat frequency response when needed. The microphone features a shielded all–aluminum construction. With a dynamic capsule, it does not need phantom power.

The microphone ships with a mic clip, a standard mount adapter, and a molded ABS protective case lined with impact resistant foam for storage and transportation.

Available exclusively at Adorama, the H&A AC50 Studio Broadcast Microphone is available for $99.95.

Info: www.adorama.com

 

The post H&A AC50 Studio Broadcast Microphone appeared first on Radio World.

ProSoundNetwork Editorial Staff

Amendment of Section 73.622(i), Post-Transition Table of DTV Allotments, Television Broadcast Stations (Las Vegas, Nevada)

FCC Media Bureau News Items
4 years 1 month ago
Requests the substitution of channel 26 for channel 13 at Las Vegas in the DTV Table of Allotments

Broadcast Applications

FCC Media Bureau News Items
4 years 1 month ago
.

Broadcast Actions

FCC Media Bureau News Items
4 years 1 month ago
.

Actions

FCC Media Bureau News Items
4 years 1 month ago
.

Pleadings

FCC Media Bureau News Items
4 years 1 month ago
.

Applications

FCC Media Bureau News Items
4 years 1 month ago
.

Amendment of Section 73.622(i), Post-Transition Table of DTV Allotments, Television Broadcast Stations (Hannibal, Missouri)

FCC Media Bureau News Items
4 years 1 month ago
Licensee has requested the substitution of UHF channel 22 for VHF channel 7 in the DTV Table of Allotments

Goodbye, Gandy Blvd.: iHeartMedia Sells Tampa Station Studios

Radio+Television Business Report
4 years 1 month ago

The owners of a Macy’s warehouse located on Gandy Blvd. midway between downtown Tampa and St. Petersburg, Fla., have moved forward with buying the neighboring property due east of the facility facing the Selmon Expressway.

It’s a multimillion-dollar deal. And, it will see the relocation of iHeartMedia’s radio stations serving the Tampa Bay region.

According to the Tampa Bay Times, the company will pocket $3.8 million from the real estate deal for 4002 W. Gandy Blvd.

The iHeartMedia/Tampa station group is comprised of Top 40 WFLZ, once Jacor’s famed “Power Pig”; Adult Contemporary WMTX “Mix 100.7,” Rock WXTB-FM “98 Rock,” Country WFUS-FM “US 103.5,” Hip-Hop/R&B WBTP-FM 95.7 “The Beat,” Sports WDAE-AM and FM Translator W237CW, Talk WFLA-AM 970, “Impact Radio” WHNZ-AM, “Throwback Tampa Bay,” and Tropical WRUB-FM 106.5 in nearby Sarasota.

According to the Times, Hillsborough County property records indicate the iHeartMedia facility was sold on April 29 to LBA LVF VII XII Company LLC. It shares an Irvine, Calif. address with the buyers of a 39-acre Macy’s warehouse property just to the west of the iHeart facility.

The Macy’s property sold in late December 2020 for $32 million.

Adam Jacobson

Cumulus Integrates into DTS AutoStage Ecosystem

Radio+Television Business Report
4 years 1 month ago

Xperi subsidiary DTS and Cumulus Media have reached a deal that will see the integration of the audio media company’s AM and FM radio stations into a “connected car infotainment platform.”

That would be DTS AutoStage — described by Xperi as a global hybrid radio platform that’s currently coming to market in the new Mercedes-Benz S-Class series of vehicles.

The DTS AutoStage platform is open and available to all broadcasters at no cost, at this time.

Cumulus SVP/Technology Conrad Trautmann notes, “DTS AutoStage is helping elevate radio into the connected car future, while enabling our radio stations to benefit from economies of scale and service simplification.”

Cumulus station metadata will be represented in the DTS AutoStage in-vehicle infotainment ecosystem.

Among the content partnerships DTS AutoStage has with major broadcast groups and aggregators around the world are BBC, Bauer, Global Radio, NPO, Audacy, Beasley, Cox Media, Commercial Radio Australia, radiko, FM World, and Germany’s SWR.

RBR-TVBR

Profit Takers Trigger Circuit Breakers For Urban One Shares

Radio+Television Business Report
4 years 1 month ago

With Urban One stock exploding in value on Thursday, it was only natural that some investors may want to cash out and enjoy a handsome profit.

That’s exactly what transpired on Friday, as UONE went on a wild ride that saw shares jump and quickly recede, leading to a 13% dip for the day.

Please Login to view this premium content. (Not a member? Join Today!)

Adam Jacobson

A New Tech Tool for Connecting Remote Presenters Into Virtual Video

Radio+Television Business Report
4 years 1 month ago

A Chicago-based live and virtual event production company is the latest company to have adopted a “go to” solution for connecting remote presenters into virtual events.

It’s technology that broadcast TV executives may wish to consider for their own operations.

Signature Production Group is using Quicklink Studio and Quicklink ST102’s tools, provided to them through Key Code Media, a U.S.-based systems integrator for A/V, broadcast, and post-production solutions.

Joel Paige, General Manager of Signature Production Group, comments, “At first, it looked like the product we were looking for didn’t exist due to our simultaneous use of NDI video and Dante audio. But the Quicklink developers stepped up and customized a solution that fit our workflow perfectly. The collaborative relationship between our companies has been a big part of the key to the success we’ve had with the Quicklink solutions.”

For more information on Quicklink ST55 click here, and for more information on Quicklink’s ST102, click here.

RBR-TVBR

New York Cumulus AM to Go All-Digital

Radio World
4 years 1 month ago

Cumulus Media is giving all-digital AM a go by launching Digital AM 1230 HD WFAS(AM) in White Plains, N.Y., on Monday. The station is just north of New York City and can be heard in the northern suburbs of what is the top media market in the United States.

The 1,000 watt AM station, which is also changing to an all-news/talk format on Monday, has been informing listeners of the pending change on its website. Once WFAS switches to all-digital operations, only radios equipped with HD Radio technology will be able to receive the radio station. WFAS will no longer be available on analog-only radio, according to its website.

[Read: Cumulus Stations Support DTS AutoStage]

Conrad Trautmann, SVP, technology and operations for Cumulus Media, led the all-digital conversion process for the broadcaster and said a lot of technical consideration went into the project beginning with the existing tower.

“In order to run digital bandwidth through an AM antenna you need the antenna optimized. We worked with Carl T. Jones [a consulting engineering firm] to redesign the existing antenna so it would support running IBOC HD Radio,” Trautmann said.

The WFAS antenna is a “folded unipole, so it’s a grounded 450-foot tower with a skirt and the skirt stood 16 inches off the tower,” Trautmann said. “However, the modeling we did showed the skirt had to be 36 inches off the tower. That meant buying all the components and parts to stand it off further.”

It was also determined the tuning network in the antenna tuning unit was no longer usable for the broadband signal, he said, and had to be redesigned. “We ordered all the parts from Kintronic. We basically rebuilt the ATU at the base of the tower.”

The all-digital station will use a new Nautel NX3 all-digital transmitter and a Telos Omnia.9 audio processor with HD output, Trautmann said.

Cumulus engineering staff spent part of last week testing the all-digital signal and was “very satisfied with the results,” Trautmann says. The station’s website has been advising listeners of the coming changes and touting the advantages of all-digital AM: “Broadcasting in digital can eliminate static and interference and improve sound quality to equal FM radio. In addition, it can extend the range for clear AM reception.”

[Read: WWFD Conducts More HD2 Testing]

“In analog we typically had about 15 miles of Grade A signal, or city grade signal. WFAS is only 1,000 watts. On the drive testing we did with the all-digital signal it is solid all to the way 25-mile mark. So it seems we have added 10 miles of radius to the signal, which results in quite a bit of population coverage in the northern suburbs of New York City,” Trautmann says.

That increased signal reach will mean more penetration into the Bronx and Queens and the northern tip of Manhattan, he said, “but it’s by no means a New York City signal.” In addition, the test signal sounded like FM, Trautmann says, with “all the lows and highs. And it’s louder on the dial than the other AMs.”

The radio station is telling listeners they can find the station on Monday using an HD Radio-capable receiver, using the online stream or via its mobile app on a tablet or smartphone.

Trautmann, who had help on the project from Bud Williamson from Digital Radio Engineering, says Cumulus had been looking for a good candidate to experiment with all-digital AM and WFAS was chosen since it “wasn’t getting any ratings and not generating much revenue.”

WFAS featured the CBS Sports Radio Network prior to its Monday launch of all-digital. The station will now offer all talk programming, including “The Dan Bongino Show,” which debuts Monday on the Cumulus owned Westwood One.

Trautmann says Cumulus wants to see how WFAS performs before it commits to any more all-digital AM conversions. The project does coincide with Thursday’s announcement that Cumulus is partnering with Xperi’s DTS AutoStage connected car platform. The broadcaster says it will integrate its 415 radio stations into the hybrid radio system available on Mercedes-Benz S-Class vehicles.

[Read: Sweeten the Pot to Entice AM Digital]

“We are really hoping to see if the hybrid radio component of this becomes beneficial. If we get people to tune in and then when they get out of signal range have the car radio switch to the stream then we can demonstrate how AM radio can sound as good as any other platform. The switching from the over the air to the stream is really critical for that,” Trautmann said.

WFAS appears to be the third radio station in the country to convert to all-digital AM since the FCC authorized AM radio stations to do so. WWFD(AM) in Frederick, Md., and WMGG(AM) in Tampa, Fla., are the others.

 

The post New York Cumulus AM to Go All-Digital appeared first on Radio World.

Randy J. Stine

Amy Meredith Sends An FM Translator To the Dawgs …

Radio+Television Business Report
4 years 1 month ago

… and the Catz, too.

Meredith, who gained full control of Powell Meredith Communications Company in a 2009 divorce settlement, is selling a 40-watt FM translator serving an Arizona community to the northwest of Phoenix.

Please Login to view this premium content. (Not a member? Join Today!)

Adam Jacobson

The Face of North Carolina Public Radio Dies

Radio+Television Business Report
4 years 1 month ago

A longtime public radio leader who served as President and GM of North Carolina Public Radio has passed away.

She had been on medical leave since February. However, details about the cause of death were not shared by the family.

Please Login to view this premium content. (Not a member? Join Today!)

Adam Jacobson

Pagination

  • First page « First
  • Previous page ‹ Previous
  • …
  • Page 483
  • Page 484
  • Page 485
  • Page 486
  • Current page 487
  • Page 488
  • Page 489
  • Page 490
  • Page 491
  • …
  • Next page Next ›
  • Last page Last »

REC Essentials

  • FCC.TODAY
  • FCCdata.org
  • myLPFM Station Management
  • REC site map

The More You Know...

  • Unlicensed Broadcasting
  • Class D Stations for Alaska
  • Broadcasting in Japan
  • Our Jingles

Other REC sites

  • J1 Radio
  • REC Delmarva FM
  • Japan Earthquake Information
  • API for developers

But wait, there's more!

  • Join NFCB
  • Pacifica Network
  • MICHI-FM: slightly off the deep end
  • Report a bug with an REC system

Copyright © REC Networks/Riverton Radio Project Association - All Rights Reserved
EU cookie policy

Please show your support by using the Ko-Fi link at the bottom of the page. Thank you for supporting REC's efforts!