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Industry News

Your Power, Your Transmitter and You

Radio World
3 years 4 months ago

This week Radio World is featuring highlights of our 2021 ebooks. This article appeared in “Mission-Critical: Maintaining Your Transmitter Site.”

One hundred years is an impressive lifespan not just for any human but for any American industry.

The modern radio business has crossed that demarcation and, for us broadcast technocrats, it’s a moment of self-celebration, as our industry remains dependent on the technology that we supply.

In its first years, radio was so novel that it needed an understandable simile. Radio was like a newspaper without paper. It was like a town crier, delivering an abundance of useful information, interesting voices and sounds through the ether to everyone, everywhere.

To continue the romantic analogy, the voice of that crier is our transmitter, arguably the most important element in any station’s success story.

Like a lover, we want our transmitter to be reliable, durable and faithful.

But little useful or good happens in life by accident. Achieving high performance and trouble-free transmitter operation takes a thoughtful, attentive design and maintenance program.

Good engineering practice (GEP) in any discipline usually is a function of refinement. A century allows a long journey of refinement, inculcating a plethora of detailed methodology and techniques, culminating in a distilled corpus of best practices.

[Check Out More of Radio World’s Ebooks Here]

Let’s start at the beginning.

What does a transmitter do but take electric power and turn it into radio? Like baking a cake, bad components usually make a bad cake. Similarly, poor electric power makes for bad transmissions.

Let’s discuss power and best practices to achieve the goal of “perfect” power utilization.

Power to any broadcast installation can be divided into two universes, hard and soft. The former is supplied by a commercial utility, usually regulated by the government; the latter is generated locally and can come from a variety of sources.

Hard power

Gather and have ready access to all details concerning your electric supply. If power is lost, having information at hand will help you get your power back much more quickly.

The list includes direct phone numbers to the trouble section of your utility; your account numbers; whose name is on the account; the exact service address; your meter number; the format of your supply (e.g. 480 volt 3 phase in wye); who else might be on your supply (e.g. the two cell operators on your tower) and on common poles and transformer; the pole numbers; your priority position for restoration; the phone numbers of other site users so you can coordinate your complaints and requests, etc.

  • Be aware of your power system. Inspect and review it routinely. Remove temporary connections and attachments soonest. Address points of failure and eliminate potential safety issues.
  • One of my confreres tells a story of arriving to work on a hop system at a large common tower site. Looking around for a place to plug in his drill, he was told not to unplug a particular extension cord that ran from his hop equipment closet, out the door, through the hallway, into another station’s transmitter room, where STL equipment was plugged into this line.
  • Seems they’d run out of outlets and this was the most convenient location to plug in — a point of failure for both users.
  • Maintain your power system. Since your transmitter system will be on hard power 99.9% of the time, check at least annually for hot spots, especially around suspect locations including terminations in circuit breaker panels, on the CBs as well as on neutral and ground bar screws.
  • Review grounding. Whenever you are inside your electrical system, review the wiring arrangements and take amprobe measurements such that the separation of neutral and ground paths are maintained.
  • Our mantra is that current should flow in the neutral, no current should be flowing on the grounding paths. The last place where ground and neutral are common is most often in the main breaker panel or main metering where neutral is firmly bonded to (earth) ground. After this selected point, they must be kept separate.
  • At least three ground systems should exist at every transmitter site, for power, signal and lightning grounding; we want them to function as separate entities. If these systems become intertwined, current flow becomes unpredictable and can be downright dangerous. Interconnections of these grounding systems, if necessary, should always be at just one point.
  • Make certain in original installation as well as retrofits that your conductor and fusing sizes are appropriate. Remember that the National Electric Code addresses minimums to achieve a threshold of safety. More capacious systems are encouraged to accommodate your continuous and critical needs.
  • Surge and lighting protection. Utility power is perfect as it leaves the power plant. It’s the haphazard distribution and ugly user loads in the real world that make for the noise, sag, phase imbalance and unattractive sine wave that we have to live with or correct.

Reactive loads (usually operated by others) on your supply system, especially if nearby, can produce horrible surges and sags that can be highly destructive to your plant.

Protection from these power energy extremes, like most electrical system design, is progressive: You have a main circuit breaker to protect the overall system, a panel board main circuit breaker to protect appliance branches fed from that panel, individual circuit breakers for each significant device, and then usually small current fuses on each piece of gear.

The best surge protection is similar in design, where a main surge suppressor to protect the site system is followed by panel board units and internally on critical individual items. Any piece of powered gear in the main stream of your signal should have surge protection.

Soft power

Your standby power source uses the same distribution system discussed in hard power, so we’ll focus on the actual power source.

Choose your source of supply carefully. Remember that a soft supply system may be overwhelmed by factors that a commercial electric supply, with its copious energy reservoir, can manage easily.

The issues most often overlooked are power factor, waveform and load variation.

Power factor usually is expressed as the ratio difference between the apparent power passing through the consumption system and the actual power consumed. The cause of the peak power which appears to be consumed is reactive components in the system.

An expressed number of 0.9 would let us know that about 10% more power appears to be consumed that actually is consumed for the operation of your transmitter site or some specific device like the transmitter.

This power is not lost, it is essentially returned to the generator. In commercial power, it goes all the way back to the hydro or nuclear plant’s generator that made the power; in your station, running on soft/standby power, this “reactive power” is returned to your UPS supply or engine-driven generator.

Although not consumed, this power still needs to be generated.

The prevalence of switching power supplies makes waveform purity a critical item.

A tremendous variation in this quality exists among soft power sources, and manufacturers now carefully annotate this as a separate performance specification. If it is not listed on the generator or UPS supply sheet, insist on having this data. Many UPS and switching supplies will not operate with dirty waveforms.

Just as critical to the selection process is the character of the load’s consumption.

Let’s take a simple example. Many years ago on a due diligence trip, we got to the transmitter at night, and in the course of the inspection we asked to see this station’s operation on their generator. With a 250 watt night signal, the notable varying load of two sets of beacon flashing caused the generator to gun every time the 2400 watts of beacon bulbs were brought online.

Although the generator ostensibly could handle the power demand on a nameplate basis, the varying load caused a hysteresis effect as the engine was stimulated to produce more horsepower to then produce more current and still maintain voltage.

Obviously this rhythmic up and down was not helpful to the plant’s overall performance and ultimately changes were made.

Today many FM stations still have Class A transmitter loads, where the transmitter draws essentially the same current all the time. However, many stations use transmitters (an abundance of AMs particularly) with amplifier classes going to digital Class D (or even E) where the power demand can go from nothing to max at a megahertz rate with even that extreme pulsing varying a time basis.

Between the factors delineated above, you should identify the capacity for handling power factor and complex loads carefully.

Broadcast operations are specialized. Even with the best outside professional help, sample the experiences of your peers and equipment manufacturer before you design, purchase or install any significant soft system.

Exercise and test your soft/standby system regularly on a disciplined periodic basis. As we learned from the space program, if you want the rocket to work perfectly one time, you need to design and build it to work a thousand times.

An important key to this is regular exercise under the total loads that will need to be supported if you lose commercial power.

At least annually but better quarterly, shut off commercial power and observe the entire procedure. How long does it take for the control system to recognize the power loss, for the engine to come to speed and acceptable voltage, for the station to stabilize and go through the steps to bring the station back on?

Support systems are an equally important part of the operation. Observe and inspect them at the same time. Do the louvers open properly and fully? Does the day tank pump bring up fuel correctly?

A long run of at least an hour in hot weather is appropriate to see if cooling and lubrication are functioning correctly.

Needless to say, but we’ll say it: Change oil and coolants on an annual basis. Test or change gasoline or oil annually.

A generator that does not run when needed is a monumental capital waste.

UPS batteries have a finite life.

Sealed, wet dielectric batteries have an optimal charging pattern. Because of the limited charge and deep discharge demands, they usually have a limited life.

To ensure reliability, there is no substitute for an actual deep discharge test where the batteries are taken to the voltage point where the UPS disconnects. Note the time time this takes under the expected loads and compare with the previous exercise. The battery and/or the UPS manufacturer should be able to supply performance data that will guide you in creating your replacement plan.

Change all batteries in an UPS at the same time.

Clearly mark all components.

The National Electric Code requires that all commercial outlets be identified as to panel and overcurrent device (fuse or circuit breaker).

In addition, clearly identify your various system components and their source of supply, especially when you make changes.

A quick if imperfect example of this came during the fast change-out of an FM transmitter. The main supply breaker (marked “FM transmitter”) was turned off and conductors in the conduit were being pulled out. For a few seconds, a scary shower of sparks flew out of the ceiling.

The first transmitter in the space had a separate circuit for its crystal heaters. This circuit was never removed and never turned off as it was not marked in the panel or rig.

Luckily no one was hurt.

Charles S. Fitch, P.E., is a longtime contributor whose articles about engineering concepts, DIY projects and radio history are a popular recurring feature in Radio World.

The post Your Power, Your Transmitter and You appeared first on Radio World.

Charles "Buc" Fitch

ISS HPR.0990 AM Antenna Does a Quick Stand-In

Radio World
3 years 4 months ago

The Dec. 22 issue of Radio World features our Buyer’s Guide for antennas, RF support and power products. Buyer’s Guide features application stories like this one.

Information Station Specialists says its newly available HPR.0990 Antenna is a temporary, auxiliary or emergency solution for AM broadcasters that need an affordable means of remaining on the air when a situation demands it. That might be because of loss of primary site, tower rebuild/failure, maintenance of translator authorization or a tower site move.

Pictured is the antenna in temporary use by KNBI(AM) in Monterey, Calif.

The station, which is branded as KMBY, was silenced due to reduced revenues during COVID and was donated to a nonprofit that then was unable to renegotiate the tower lease. So a temporary antenna solution was required. ISS says the 1240 signal is back on air from a commercial building’s roof in Monterey.

The HPR.0990 can transmit with up to 270 watts (carrier) with no ATU requirement due to its 50-ohm resonant design. A generous loading coil and capacitive top hat allow the antenna to be shorter (32 feet) and more efficient than antennas of similar design.

Its efficiency rating is up to 170 mV/m/km/1 kW. A 25-foot radius ground plane provides the required counterpoise. The antenna is tunable across a frequency range.

Local engineer and installer Mark Carbonaro said the antenna is relatively lightweight at 30 pounds and has durable, stainless steel assembly parts, important in a marine environment. The anodized finish is designed for harsh conditions. The sustained wind rating exceeds 100 mph. KNBI’s antenna survived 65-mph gusts from recent coastal windstorms.

The antenna is in stock at common frequencies for fast shipment. ISS said Carbonaro offers to answer questions about the antenna at markcarbonaro1@gmail.com.

Info: theRADIOsource.com, 616-772-2300 ext. 102, or email bill@theradiosource.com.

The post ISS HPR.0990 AM Antenna Does a Quick Stand-In appeared first on Radio World.

RW Staff

Radio World’s 2022 Source Book & Directory

Radio World
3 years 4 months ago

Here’s your 2022 Radio World Source Book & Directory.

Each year the Radio World editorial team compiles a directory of companies that offer products and services to support radio broadcast professionals.

Here is your 2022 edition. It includes an alphabetical company listing as well as a cross-index by types of product or service. The companies you’ll find here are your source for audio processors, remote control systems, transmitters, microphones, air lights, contracting, integration services, the list goes on.

We hope you find this a helpful resource. Thank you for being a Radio World reader!

Read it here.

The post Radio World’s 2022 Source Book & Directory appeared first on Radio World.

RW Staff

The InFOCUS Podcast: Dave ‘Chachi’ Denes

Radio+Television Business Report
3 years 4 months ago

Dave “Chachi” Denes, the President and co-founder of radio imaging, production library, programming and jingles company Benztown, is the latest audio content and distribution industry executive to share why he’s attending CES 2022.

What is Chachi looking forward to by traveling to Las Vegas to the mega-conference and expo? Is there one thing in particular that radio industry executives should keep their eye on?

Chachi shares his thoughts in this InFOCUS Podcast, presented by dot.FM.

Listen to “The InFOCUS Podcast: Dave “Chachi” Denes” on Spreaker.

RBR-TVBR

Looking for a FAST+AVOD Solution? Just rlaxx

Radio+Television Business Report
3 years 4 months ago

An international linear advertising-based video on demand service headquartered in the far north of Germany is launching both its web application and an app for Android devices as it looks forward to a 2022 arrival in North America.

Kiel-based FAST+AVOD entity rlaxx TV in early December launched its app for iOS and the iPad. As such, it is now available on nearly every smart TV in target markets across Europe and the U.K., as well as Turkey, Brazil, Australia and New Zealand.

“What we have achieved since September 2020 makes us very proud,” says Ronny Lutzi, CEO and founder of rlaxx TV. “Within a year, we have launched our app on almost every internet-enabled device, in addition to the 24 countries we will be available in by the end of the year. With these final 2021 launches we are keeping our promise and very ambitious annual goal to offer a laid-back experience for viewers in all forms of presentation.”

By the week, rlaxx TV hopes to have services to Mexico, Chile, Colombia, Argentina, Belgium, Luxembourg, Netherlands, Sweden, Denmark, Norway, Iceland and Finland up and running. This makes NATPE Miami, from January 18-20, 2022, a potentially important event for rlaxx TV. A rollout in the U.S. and Canada is planned for the first quarter of 2022.

The marketing team at rlaxx TV calls its content “premium niche.” Current media partners include international holders of video and TV rights for Vevo Pop, Nitro Circus, Gusto TV, Street League Skateboarding, Comedy Dynamics, People TV, New KPop, New KFood, and PowerNation TV. Thus, rlaxx TV relies on a global network of content partners.

NATPE Miami could bring new relationships.

Adam Jacobson

A Learning Opportunity for the Audio Engineer

Radio+Television Business Report
3 years 4 months ago

Unlike other design disciplines, sound design is partly created live during a show.

The cast can change. A performer isn’t 100%. Perhaps there’s a sub in the band. Even the size of the audience, or the weather can have a huge impact on the sound of a show.

It’s no wonder that most sound designers were sound engineers. The upcoming Entertainment and Performing Arts Industry Conference (EPIC), a virtual affair, will offer fresh insight into how the person behind the mixing board is both an artist and an engineer — one who needs all their right and left brain power to create the best audio landscape.

AUDIO ENGINEERS & DESIGN: TECHNICIANS & ARTISTS is one panel that Weekly Tech Roundup readers may have a particular interest in.

This panel of engineers, technicians, and designers (including Jessica Paz, the first woman to win a Tony Award for sound design, with “Hadestown”) will discuss the work they do in their dual roles as technician and artist.

The EPIC event offers four content zones across its upcoming live-streamed event, scheduled for January 10, 2022. Sessions will be available on demand until February 12. Among the better-known participants: Billy Porter, the acclaimed Broadway actor, in a Mainstage Session for all attendees. 

The sessions start at 9am Eastern on January 10.

 

More info and ticket information may be found at www.GlobalEpicEvent.com

RBR-TVBR

AES President’s Award Goes To Robert Orban

Radio+Television Business Report
3 years 4 months ago

Broadcast industry audio processing pioneer Robert Orban has been named as the recipient of the inaugural Audio Engineering Society President’s Award.

Orban and fellow collaborators were honored for technical achievement in drafting TC Document TD1008: “Recommendations for Loudness of Internet Audio Streaming and On-Demand Distribution.”

The award recognizes contributions to the goals of AES that are made collaboratively in groups; Orban shares this award with David Bialik, Rob Byers, Jim Coursey, Eelco Grimm, Bob Katz, John Kean, Scott Norcross, Shawn Singh, Jim Starzynski and Alessandro Travaglini.

“Bob’s work with his fellow industry luminaries will go a long way toward improving the user experience for billions of internet listeners,” said Orban President David Day. “His leadership and expertise in the processing arena are second to none. We are honored to work with Bob on a daily basis.”

Mr. Orban commented, “The process took nearly two years with weekly Zoom meetings. Our group was quite large and brought a wealth of ideas to the table, but it did take some time to sort out everyone’s thoughts and present a comprehensive recommendation to the AES. I enjoyed working with this prestigious group of audio engineering experts.”

The AES President’s Award was presented in an online ceremony in mid-December along with technical, fellowship and Board of Governors’ Awards.

RBR-TVBR

In 2021’s Final Week, Walmart Remains A Visual Media Champ

Radio+Television Business Report
3 years 4 months ago

The last seven-day period of 2021 has been measured by Media Monitors, the iHeartMedia-owned ad tracking service that covers broadcast and cable television and national radio activity.

The big takeaway once again? Walmart is, by far, the most active user of spot television, but not so much a big user of spot radio.

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Adam Jacobson

A Veteran Broadcaster Is Fined For Unauthorized Silence, OPIF Upload Delay

Radio+Television Business Report
3 years 4 months ago

In the late 2000s, he was an active buyer of radio stations. Among the stations acquired by Sima Birach and his Birach Broadcasting Corp. in that era is a Class B AM serving Little Rock with 5kw during daylight hours from 1 tower and 240 watts after dark from 2 towers.

Birach acquired the station in October 2007 along with a Tulsa AM in a $1.5 million deal brokered by John Pierce & Co. Now, that AM, which today has a FM translator bringing its Spanish-language programming some FM revitalization, is in the news. Why? An unauthorized period of silence and a OPIF filing deadline miss are set to cost Birach tens of thousands of dollars in FCC fines.

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Adam Jacobson

A Punjabi Entry Into The South Bay

Radio+Television Business Report
3 years 4 months ago

MILPITAS, CALIF. — A deal involving a FM translator has just been consummated that will bring, pending FCC approval, another South Asian voice to the San Jose radio market.

The programming will originate from the HD3 signal of KUFX-FM, a Bonneville International-owned radio station.

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RBR-TVBR

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