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The FCC’s desire to make alerts issued over EAS available in more languages is raising some technical concerns about the capabilities of the current technical architecture in EAS devices. 

At its monthly meeting in February, the FCC will consider a draft proposal that, if eventually adopted, would create template alert scripts that would be pre-translated into the 13 most commonly spoken non-English languages in the United States — Spanish, Chinese, Tagalog, Vietnamese, Arabic, French, Korean, Russian, Haitian Creole, German, Hindi, Portuguese and Italian — as well as in English. 

“If you are watching or listening to a program when an emergency alert is issued, you want that potentially life-saving information delivered in a language that you will understand,” said FCC Chairwoman Jessica Rosenworcel. 

The pre-translated template-based announcements and audio files would be produced by the commission, and would be pre-installed in the EAS equipment operated by EAS participants. 

However, comments on a listserv maintained by the Society of Broadcast Engineers shows some broadcasters are worried the current technical framework in EAS equipment at radio stations might be strained carrying out the FCC’s goals.

The draft proposal (PS Docket 15-94) if adopted would seek comment on the feasibility of “removing the technical and logistical barriers associated with EAS alert translation by proposing and seeking comment on a simplified multilingual alert processing approach for EAS alerts.

The proposal says any new template-specific event code would be added to the EAS protocol for each template alert type, for example an earthquake or wildfire. “We propose that alert originators would initiate the template alert in legacy or CAP like any other EAS alert, using the applicable template event code,” the draft proposal states.

An EAS device would then use that event code to tap into the appropriate template using the stored or linked audio in the languages that correspond to the language of the EAS participant’s programming content, according to the FCC. 

The commission says participants would download and store the prerecorded audio files for the language(s) of their programming content, and any other languages they wish to include in their template alerts, in their EAS device. 

The commission asks what storage capabilities would be required for 30 second messages created with 16 template audio files for each of the 13 proposed template languages, in addition to the English language version. The total would be 224 audio file

The FCC also would need to establish a process by which radio stations could broadcast the required English-speaking alert — or a language corresponding to its programming — then have the option to initiate a template alert in one of the supplied foreign languages if the local population within its listening area warrants it.

Among the questions the FCC will ask in the Notice of Proposed Rulemaking (NPRM) is how long would manufacturers likely require to develop, test and release updates, and at what cost to EAS participants? And if storage of template visual script and audio files in EAS device models would require addition of memory capacity via firmware update and at what cost? 

The commission’s questions continue: “Would implementing the template alert processing approach present any unique challenges or require modifications with respect to EAS participant transmission processing systems upstream or downstream from the EAS device that would impact the time required for implementation?”

With so many unanswered questions, estimating the cost to make upgrades to EAS boxes is difficult, according to the FCC. It uses an aggregate of labor costs to arrive at an estimate of $12 million for the broadcast industry. 

In addition, the FCC recognizes that there potentially could be costs associated with adding memory capacity, firmware and/or other modifications to EAS devices, and changes potentially could be required to downstream transmission processing systems.

It is also conceivable that there are some older EAS devices in use today that could not be updated or modified to enable template alert processing and transmission, the FCC says. 

Commenters on the SBE listserv question the capability of existing EAS equipment to handle the proposed multilingual upgrades and the cost of modifying existing EAS boxes to do so.

Adrienne Abbott, chair of the Nevada State Emergency Communications Committee, questions the practical application of the FCC bilingual EAS plans.

She says it’s possible the FCC sees the language templates “living” in FEMA IPAWS OPEN office, where the CAP Aggregator would automatically translate the text and audio before passing the activation to the EAS Participants. “Broadcasters would preprogram their EAS equipment for the appropriate language for their audience. Is that possibility realistic?”

Abbott says the plan, if approved, would mean EAS equipment would need to be updated. “Of course, CAP programs will also need to be updated which takes the FCC into FEMA territory,” she says. 

In addition, the draft NPRM is rather vague on the tangibles, Abbott says, including questions on how the language templates would be developed, and whether the languages used would be appropriate for the foreign language community.

“East Coast/Puerto Rican/Cuban Spanish is very different than TexMex Spanish, is very different than California Spanish, is very different than Nevada Spanish. There’s Puerto Rican Portuguese, Brazilian Portuguese and North African Portuguese. And there are multiple, individual dialects within the Chinese and Vietnamese languages,” Abbott says.

The FCC in the draft proposal concedes there is no single “Chinese” language, but rather a multitude of dialects, such as Mandarin and Cantonese. It asks in the proposal what mechanism would be practical and efficient for the commission to employ in identifying specific dialects in which to prerecord the audio messages?  

The FCC will consider the NPRM and likely vote on it at its next meeting on Feb. 15.

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The post The FCC Is Considering More Bilingual Upgrades for EAS appeared first on Radio World.

PARAMUS, N.J. — The Democratic Member of Congress serving Bergen County, N.J., due west of New York across the Hudson River and home to one of the nation’s most prominent retail corridors, on Monday took new action designed to protect AM radio in electric vehicles.

In doing so, he has singularly called out Tesla as a manufacturer of vehicles that are “unsafe in emergencies.”

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For the second consecutive year, the parent company of brands such as The Weather Channel, Local Now, Pattrn, TheGrio and HBCUGo and the owner of 28 broadcast TV stations that seeks to grow exponentially will be hosting an Upfront event this spring in New York.

Allen Media Group (AMG)‘s “AMG Upfront” is planned for Wednesday, April 24, from Noon to 2pm at Avra Rockefeller Center. At the event, AMG will present its latest programming news, technology partnerships, new content, and platform innovations to advertisers.

“The continued steady growth and expansion of Allen Media Group is phenomenal,” said Byron Allen, the founder and Chairman/CEO of Los Angeles-headquartered Allen Media Group. “Our strong portfolio and innovative advertising solutions deliver immense value to our clients, and we are incredibly excited to showcase our unparalleled programming, events and technology to advertisers during this year’s Upfront.”

AMG produces, distributes, and sells advertising as one of the largest independent producers/distributors of first-run syndicated television programming for broadcast television stations.

In 2023 AMG became the first media company to successfully transact its entire 2023-24 Upfront season on alternative currency, Video Amp.

In related news, AMG is welcoming Nancy Eagle as its new SVP/Business & Legal Affairs. Eagle will focus on business and legal affairs related to the development and production of movies, television series, and other premium content for distribution via Allen Media Group Television, Allen Media Group Motion Pictures (AMGMP), the AMGMP digital distribution unit Freestyle Digital Media, the free-streaming service Local Now, and external streaming services and distribution platforms.

Eagle was formerly with Boat Rocker Studios, where she held the position of SVP/Business & Legal Affairs. Prior to that, Eagle spent 25 years with NBCUniversal, also as SVP/Business and Legal Affairs.

Audio is building the future – beyond the algorithm, beyond devices, and beyond the playlist. It knows YOU, what you need—and what you want.

That’s how Audacy Inc., which last week formally filed FCC paperwork to become a debtor-in-possession of AM and FM radio stations, opens what the audio content creation and distribution company calls “a new series offering a bold look at the innovative shifts and trends redefining how we experience and interact with audio content.”

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In a newly released report, Audacy considers important trends for audio platforms. It envisions a world where technology such as facial recognition, omni-targeted ads, AI and voice recognition will help make audio “the hardest working asset in the media arsenal.” 

Sound unrealistic? It may not be all that far away. 

Notably, the report explores HI, or Human Intelligence, in which it says humans will matter more in an algorithmic world. The report envisions devices that anticipate consumer desires, for instance determining moods through facial recognition or whether the kids accompany you for a car ride. Innovations discussed include bi-zonal audio for customized content in vehicles and advanced targeting techniques like “moment marketing” for media buyers.

The report mentions Gen. Alpha, those individuals born from 2010-–024, as already making an impact on listening trends, and considers the capability of AI to identify and target new customers in “completely different ways.” 

The Future of Audio includes targeted programming to “tribes of every shape and size”

[Related: “Here’s How Audacy Is Navigating Chapter 11 Bankruptcy”]

By understanding consumers on a deeper level, this could in turn leverage advertisements that are less intrusive and more relevant. The metrics of tomorrow, the report states, will be beyond impressions and will favor audio that cuts through clutter and successfully captures attention spans. 

Additionally, the report explores the potential of wearable devices in delivering “personalized wellness” content and foresees voice assistants evolving into more interactive companions. It reassures the reader that broadcast radio will adapt through increased programmatic buying in response to these trends.

Audacy owns radio stations as well as podcasting and other digital audio businesses. It frequently posts reports and other insights aimed at advertisers and others, advocating for the role of audio. While the report doesn’t specify their strategies or a timeline for these developments, the report invites businesses to engage with Audacy experts for insights on adapting to these future trends. 

The Future of Audio – Main Graphic

Read Audacy’s The Future of Audio report

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The post Audacy Takes on “The Future of Audio” appeared first on Radio World.

From Stranger Things and Beef to Ted Lasso and Silo, subscription video-on-demand services such as Netflix and Apple+ have counted on original programs to drive interest — and revenue — for the pay-for-access OTT platforms that many homes across the U.S. have embraced.

Interestingly, newly released data from Nielsen suggest original programming isn’t as popular as acquired shows — presenting a fresh concern for a platform rapidly evolving to include advertising … and more programs that are purchased, rather than produced.

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MIAMI — A veteran Hispanic market media executive who today is the longtime leader of Telemundo Puerto Rico has been selected to serve in the bigger role of President of Telemundo Station Group.

He takes a role last held by Manuel Martinez, who retired in 2023.

Now in command of the Telemundo O&Os under NBCUniversal Telemundo Enterprises is José Cancela. He reports to NBCUniversal Local Chairman Valari Staab, and oversee Telemundo stations in 31 markets across the U.S. as well as Telemundo Puerto Rico. Cancela will work closely with Luis Fernández, Chairman of NBCUniversal Telemundo Enterprises.

“José is an experienced leader who has earned the respect of his colleagues and peers during a successful career dedicated to the Spanish-language marketplace,” said Staab. “We are pleased that he will expand his impact and influence across our Telemundo stations to guide their continued growth and act as a resource and mentor to our established and emerging leaders across our division.”

Cancela has more than 35 years in leadership roles and more than four decades of media experience. He served as President & General Manager of WKAQ for nearly 12 years, where he led the expansion of local news and entertainment content from 15 hours a week in 2012 to more than 70 hours today.

Cancela joined WKAQ from KVEA / Telemundo 52 Los Angeles, where he was President & General Manager. Previously, he was President & COO of Telemundo Station Group from 1992 to 1998. A published author of the book ‘The Power of Business en Espanol,’ Cancela began his career as a sales trainee for Miami’s WLTV after serving in the U.S. Air Force, eventually rising to President & General Manager of the Univision station.

With Cancela’s promotion, Staab has selected Migdalia Figueroa to succeed Cancela in San Juan as President/GM of its WKAQ-2, the hub for Telemundo Puerto Rico.

Figueroa relocates to Puerto Rico after serving as President/GM for Telemundo-owned properties in Orlando, Tampa and Fort Myers-Naples, Fla.

WKAQ-TV has not been associated with WKAQ Radio for several years, with WKAQ-AM and sibling “KQ105” owned by WAPA Media Group.

 

Figueroa, who has an extensive background in Spanish-language television, will oversee all aspects of WKAQ. Reporting to Cancela, she will manage the station’s leadership team across news, sales, technology, human resources, programming, production and public relations.

“Migdalia is a seasoned local leader who has distinguished herself as a strategic and dynamic executive over her nearly two-decade tenure with our Telemundo and NBC stations,” said Staab. “She’s the ideal person to take the helm in Puerto Rico and build on the outstanding foundation José and his team have established. I’m excited she’s returning home to take on this very important position and add to WKAQ’s rich history.”

Figueroa has spent nearly 35 years in media and has held several news and leadership roles for NBC- and Telemundo-owned stations since 2005. She led WTMO / Telemundo 31 Orlando for nearly four years, beginning in 2020, and added WRMD / Telemundo 49 Tampa and WWDT / Telemundo Ft. Myers-Naples to her responsibilities in early 2023, leading all three stations simultaneously since.

Prior to joining WTMO, Figueroa served as Vice President of News for WTVJ / NBC 6 Miami for eight years after two years as Telemundo Station Group’s Senior Vice President of Content & Branding. She was previously Vice President of News for WSCV / Telemundo 51 Miami after nearly 15 years with Univision. She began her career as a producer for Puerto Rico’s WSJN after graduating from the University of Puerto Rico.

WASHINGTON, D.C. — The Chairwoman of the FCC has chosen who will succeed Deena Shetler, who has formally departed the Commission.

The role, Jessica Rosenworcel revealed, has worked in various roles at the FCC since 1999.

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The author is associate professor and chair of the TV/Film Department of DeSales University at Center Valley, Pa.

As the faculty manager of WDSR Campus Radio, DeSales University’s online and on-campus Part 15 radio station, my primary tasks are populating the station with students who handle the on-air functions, ensuring the equipment is functioning and up to date, and monitoring the internet feed as well as the FM broadcast.

Chuck Gloman

Jarret Brown, our part-time engineer and adjunct professor, teaches our students the concepts of radio in his TV230 class and troubleshoots any problems that may arise.

My goal over the last 20 years has been to find those students interested in radio (very easy), training them to operate the equipment in our station (not too difficult), have them willing to spend a block of time as on-air talent (a little more difficult), and replacing the veteran talent once they graduate (very difficult).

Do college students still listen to radio? They have many options, including SiriusXM, AM, FM and internet. College students watch videos on their phones, but do they still listen to music, sports or the news in just an aural format? With CDs no longer being the trend, vinyl and MP3s seem to be the formats of choice. 

My question still stands: How do we get students excited about listening to radio — on their phones, computer, or in the car? Does anyone still have a desire to work in radio? 

Once that question is answered, how do we get our leaders of tomorrow interested in becoming radio broadcast engineers? 

I reached out to Jarret and asked how he believes we can get students excited about listening to or possibly working in radio. 

“It’s important that we expose young people to radio’s versatility and uniqueness,” he told me.

“Radio gives listeners and industry professionals things they can’t get anywhere else. Even in this era of podcasts, social media and streaming video, radio has an immediacy that allows for discovery for listeners, and creativity from presenters, in a platform accessible to everyone. That combination simply cannot be matched by any other current means of communication. 

“When young people recognize this, they become more receptive to the idea of listening to radio and perhaps even exploring a career in the field.”

Ally Agnellino, Joe Biello, Ben Bateman and William Borusiewicz are among the team keeping the station on-air 24 hours a day.

William Borusiewicz, our student station manager and 2023 DeSales theater graduate, had this to say when I asked the same question: 

“Younger people are more interested in what radio provides than they think. It provides a way to express your voice and who you are to the public at large through the comfort of a studio and allows for listeners to connect on what can feel like a personal level,” he said.

“These are the exact things that social media like Instagram and Tiktok are built on. The difference is that radio has a structure and form that can be built on to fit a creator’s or broadcaster’s voice.”

I asked William if he thought we could get students interested in becoming radio broadcast engineers.

“I think that they can be. I think there is still a feeling of prestige when broadcasting on air,” he replied.

Jarret Brown

“When students broadcast here, you can see them understand the weight and for some, the rush, of putting themselves out there. I think it is very much about showing younger people that the format is alive, well, and willing to accept their unique and interesting perspectives more than any other entertainment industry. 

“On-air is still the glamourous job. Engineering is behind the scenes. Each student who uses our station acts as an engineer too. A few prefer the behind-the-scenes aspects and don’t want to be on the air. This number of students is much smaller, but there are still a few who would rather work on the technical aspects and be an engineer.”

Jarret Brown thinks that not enough young people are even aware of the radio engineering profession.

“When we do take the time to explain it to students, we can easily find ourselves barking up the wrong tree trying to promote engineering to aspiring on-air talent or radio producers. These are not necessarily the most likely folks to be interested,” he said.

“The nature of modern engineering relies heavily on a combination of computer/IT and technical skills, and I find more interest among computer science majors rather than those majoring in TV, film or journalism. I think we should spend more time making a case for engineering by reaching out to those passionate about computer technology.” 

Freshman Michael Dugan starts his shift during the lunch hour.

At WDSR, Jarret continued, he tries to emphasize to students the many opportunities that college radio offers.

“The freedom to express themselves in a thoughtful way to an audience of their peers. The spontaneity and creativity associated with a truly live platform and the opportunity to learn the preparation/presentation skills needed to do a radio show. Skills that are useful to all students going forward regardless of their career choice. 

“Combined with the sense of camaraderie that develops among the students over time, all help make for a successful college radio station.”

So what makes a college radio station work? I believe it’s the passion students have and their willingness to share that passion with others. Putting our radio station in a prominent spot on the campus attracts the attention of other students. 

“How can I be a part of that?” The more we can get students to ask that question, the faster our station will grow — and yours can too.

[Related: “College Radio Is Not a Right, It’s a Privilege”]

The post What Makes a College Radio Station Work? appeared first on Radio World.

As Tom Johnson sees it, recent U.S. Supreme Court decisions could impact the FCC’s enforcement work — including potential reforms that the Commission could consider to its current processes.

Johnson is particularly well-versed on the subject, as he served as General Counsel at the FCC from 2017 through 2021 and today serves as co-chair of the Issues & Appeals practice at key Washington, D.C., communications law firm Wiley Rein LLP.

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Ben Dawson is former managing partner of Hatfield & Dawson Consulting Engineers and now a senior consultant to the firm. He is a recipient of the Radio Engineering Achievement Award from the National Association of Broadcasters.

This interview is excerpted from the ebook “Maximizing Your AM Infrastructure.”

Radio World: What technical changes could the FCC make to help U.S. AM stations that it has not already made? Is it realistic to think the commission will ever change nighttime and critical hours protection of Class A AMs?

Ben Dawson: The FCC has simply been derelict in not moving forward with most of the allocation changes proposed in the AM improvement rulemaking. FM translators are nice, but they don’t solve the basic allocation problems of AM stations attempting to make improvements or lower operating costs by changing sites or antenna configurations.

Ben Dawson

The change from 0 dB to 6 dB first-adjacent-channel protection in the previous rulemaking created enormous amounts of overlap, and using the 1 mV/m rather than 0.5 mV/m as the protected contour had already been the case under the previous version of §73.37, not to mention the power increase for Class C (Class IV to us old-timers) to 1 kW. 

FEMA’s concerns for the Class A allocation standards were nearly paranoid, given the federal government’s powers in true emergency situations. But even if the Class A standards aren’t changed, the standards for all other stations should be. 

Parenthetically, once digital transmission on the “medium-wave” begins to proliferate, the implications for allocation standards need study as well.

RW: It became easier for U.S. broadcasters to deploy MDCL 10 or 15 years ago. How widely has it been adopted?

Dawson: A modest percentage of users of modern high-power transmitters — 10 kW and above — have begun to employ MDCL. In the United States, the use of Amplitude Modulation Companding (AMC) with either 3 or 6 dB compression is essentially universal. 

Although a few companies have discontinued its use at some stations based on putative fringe-area coverage issues, many others report no coverage issues. One user did make field tests and comparative recordings in a very low-signal area with important demographics and discontinued AMC as a result. 

Modern audio processing has proven to be very beneficial to users of AMC, according to the reports we’ve received. And of course in areas where AC power is very costly, it results in significant savings. 

In a few cases, MDCL has been used to reduce or eliminate voltage stress on old antenna systems (arcing and other VSWR cutbacks), since peak voltages with AMC are the same as peak carrier, substantially reduced from peak DSB modulation values.

[Here’s a link to the National Radio Systems Committee usage guidelines for AM modulation-dependent carrier level technology. –Ed.]

RW: What impact have you seen on AMs from increases in the land value of their tower sites?

Dawson: For the past decade or more, many licensees have found that AM antenna site real estate had substantial value and that the rate of return on that value was not competitive with other investments. This has led to consolidation by diplexing (and triplexing) operations of multiple stations on a single site, and to turning in the licenses of once significant AM stations. It has also led to sales of antenna towers and sites to tower management and development companies. 

We expect these activities to continue, and it may be an industry benefit. Some stations have been able to make improvements in facilities because others have gone dark or reduced their frequency allocation footprint.

RW: How can stations determine if they are getting the best performance from their ground systems?

Dawson: It’s not well known, but it’s important information that many AM station ground systems are overkill. 

The “120 ninety-degree radial” specification does not properly consider the actual requirement for a given ground system loss. The original ground system study from the 1930s that led to the erroneous specification was not evaluated properly by its authors but was taken as gospel without any corroboration. 

Particularly at the low end of the AM band, where the radials would normally be physically long to meet the quarter-wave requirement, substantially less ground system is fully adequate in many cases. This is clearly shown in at least one standard reference “Radio Electronic Transmission Fundamentals” by Whit Griffith. 

Determination of the condition of an existing ground system can be made by careful field strength measurements and analysis of them, and conditions around tower bases can be determined with a sharp shovel. A field strength meter can also be used to locate ground radial wires. 

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The post A Call to Resolve Basic AM Allocation Problems appeared first on Radio World.

“Radio continues to be a viable and vital channel for advertisers, as it has been for the past 100 years.”

That’s how Marketron, the radio industry ad sales software maker, opens a just-released 2024 outlook for radio revenue in the U.S. In short, Marketron believes that “the outlook is bright for the most part, with radio’s resiliency shining through” — even as one major publicly traded radio station owner is a debtor-in-possession and another is rapidly paring down debt with property and non-broadcast-unit divestments.

To bolster its pro-radio arguments, Marketron declares that AM/FM broadcasting (and its associated audio streams) “remains a pillar that engages and reaches a majority of the population across demographics and geography.”

It shares that, based on present data, 91% of people 18 and older listen to radio monthly. “This devoted listening equates to 10.9 hours weekly,” Marketron notes. “It continues to be the leader in ad-supported audio and the preferential choice for in-car listening.”

With that, Marketron seeks to break down the stereotypes some marketers have about the medium, thus pushing ad budgets to other consumer touchpoints. “Radio has much to provide its advertisers and fans, yet many misconceptions exist about its value as an advertising vehicle,” Marketron says. “It’s easy for this fallacy to permeate a world where some think digital listening and watching are the only media worth discussing. Digital may get the headlines, but it’s hard to beat radio’s reach and ability to engage and drive buyer intent.”

Marketron also uses many of the Radio Advertising Bureau and NAB statements seen of late regarding Radio’s resiliency, in particular its reach and sales lift capabilities.

What does all this mean for the 2024 radio revenue outlook?

“The short answer is that it will be an interesting year with plenty of opportunity,” Marketron concludes, based on data from multiple sources regarding projections for 2024 radio revenue.

TO VIEW THE MARKETRON 2024 OUTLOOK AND KEY TAKEWAYS PLEASE CLICK HERE.

Add the broadcast media company led by President Norman Shapiro and President of Content and Networks Neal Sabin to the TV station owners that will be bringing the local  National Basketball Association team’s telecasts to a free-to-air channel.

It marks the first time in 17 years that Milwaukee Bucks games not nationally televised have aired on a broadcast channel in Wisconsin’s biggest market.

 

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The SVP of Sales for iHeartMedia‘s properties serving the San Francisco-Oakland market now has two VPs of Sales to assist with boosting advertiser support of the company’s radio stations and associated digital properties.

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Once again, a leading quick-service food brand known for its pizza has demonstrated just how important spot cable is to building its sales and revenue. For the week ending January 28, Domino’s delivered — in a most-dominant way.

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The MPB Compact Spectrum Analyzer

The Compact Spectrum Analyzer (CSA) from MPB srl of Italy is a real-time FFT handheld spectrum analyzer. It features a 7-inch color touchscreen and coverage of spectrum from 10 Hz to 4 GHz. It supports a dynamic range of 105 dB across the full frequency spectrum.

The CSA weighs less than 3 pounds (1,350 grams) and features user-replaceable 18650 lithium-ion batteries. Its rapid-startup allows engineers to begin taking measurements within 3 seconds of startup. It relies upon proprietary firmware to manage data processing, visualization, and the user interface.

The unit is designed for use in maintaining or installing transmitter systems, finding interference in the RF signal, checking amplifiers and antennas, assessing signal quality, measuring field strength, and other common tasks.

The MPB CSA’s 3D real-time spectrogram screen

[Check Out More Products at Radio World’s Products Section]

The post MPB Packs Spectrum Analysis into Compact Unit appeared first on Radio World.

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