Industry News

It was interesting to read the shortwave article. It was also high time to address the issue of SW transmissions, as the death of radio, of shortwave and even of medium-wave is being aired again while the progress of streaming and podcasting is hugely hyped — again trumping global realities.

The article would have benefitted by stressing the actual huge size of SW listening. BBC World Service alone has an estimated weekly audience of 269 million, with radio delivering around 150 million.

This top international broadcaster has 200 transmitter sites, of which four are high-power AM, with 12 others hired. Content is distributed to 800 locations globally (often using SW) for direct broadcast or inclusion in partner broadcasts. And AM services reach many tens of millions across Africa and Middle East, the future potential audience of DRM shortwave as well.

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The Radio World piece clearly was aimed mainly at the enthusiasts, as indicated by the receiver prices mentioned. The average non-enthusiast listener who has a laptop with connectivity would probably just listen to radio via the internet.

There is definitely merit in portable SDRs, which (depending on price) will likely keep some of the audiences and make it easy for them to pick up analog shortwave but also DRM.

India, China, Russia, U.K., even Brazil, Pakistan and other countries are testing, broadcasting or seriously considering shortwave DRM at the moment.

The natural and only son of analog SW, DRM, with its huge spectrum, energy and audio quality advantages, does not get a mention in the article, though. This is definitely a missed opportunity, as some of the big public broadcasters mentioned — BBC, All India Radio, Radio Romania, etc. — are already in this space and report excellent reception and increasing listenership.

Most of the new DRM receiver solutions cater for both the analog and digital versions of shortwave reception. Work is afoot to deliver more affordable receivers aimed precisely at the huge and less affluent shortwave markets of Africa and Asia.

Ruxandra Obreja, Chair
Digital Radio Mondiale Consortium

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The post Letter: Shortwave’s huge audience appeared first on Radio World.

When I started doing radio back in 1994, a camera in the studio was unheard of, but now it’s pretty much mandatory to have a streaming component to your show. It helps get your listeners more engaged in what you’re talking about and it helps you do more things.

For instance here at “The Shannon Burke Show” we have a watchmaker as a sponsor. We can have him in to demonstrate his collection of watches to the listeners.

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Towards the end of last year we found ourselves looking for an efficient streaming camera system. A lot of stations around here have employed someone to switch their cameras manually, and that didn’t seem like a very good move to us.

That was part of what led us to a BroadcastPix system. RadioPix is microphone-activated and the cameras just follow whoever is talking.

Once we had the system settled in with our Wheatstone board it’s been fantastic. We haven’t had any issues.

The monitor that it runs off sits back in my engineer’s area; he turns it on at the beginning of the show and we’re off to the races. It just works.

On the rare occasions when we’ve had to call somebody about it, mostly when we were getting up and running, the BroadcastPix folks were attentive.

We have two moving cameras installed at the moment in high-up positions. We’ve got a small table with four positions, and the boom mics would be in the way if they were stationary on the table. But saying that, we’re looking at getting a third camera and we’re toying with a tabletop unit for the center of the table so we can get a closeup of myself or the guests.

I’ve not used any other modern systems, but when looking at other people’s shows, a lot of the time the picture is terrible. The quality is just not there. Our pictures are great, and it’s all from a system that we just set and forget. It’s just rock ’n’ roll, it’s fantastic.

For product information contact Patrick Murphy at BroadcastPix at 1-978-600-1100 or visit www.broadcastpix.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: BroadcastPix Brings the Video appeared first on Radio World.

The author is director of production technology for Vox Media.

Tieline Report-IT in use at Vox Media.

Vox Media is a leading independent media company, and the Vox Media Podcast Network is one of the largest collections of popular podcasts spanning technology, news, pop culture, futurism, current trends and more.

Our portfolio features the most relevant and respected editorial properties including Vox, New York Magazine, The Verge, The Cut, Eater, Vulture, The Strategist, Polygon, SB Nation, Intelligencer, Curbed, Grub Street and Recode.

Tieline’s Report-IT Enterprise app is an important tool within our technology offerings and it helps us tell stories that affect our audience’s daily lives and entertain as much as they inform. Podcast producers and hosts primarily use Report-IT to interview remotely located guests outside of the company, because the app facilitates high-quality recordings and simple file uploads.

How It Works

The Report-IT Enterprise app is a free Android or iOS download for guests. They download the app and then we send them a URL link created by Tieline’s TieServer Console.

When the prospective user clicks the link it launches the app and automatically authenticates and logs each guest in. The guest then just taps “Connect” to dial a secure Tieline codec (Gateway, Merlin, Merlin Plus, Bridge-IT) at one of our studios. When they connect they can communicate in real time with hosts at our studios in New York, Washington, San Francisco or elsewhere.

Sometimes guests have accessories they plug in to improve listening and sound quality during the interview, but often they just use the phone itself, which usually provides pretty good quality these days.

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High-fidelity audio is automatically recorded as a file on a guest’s device as they chat directly to Vox Media’s producers and hosts. At the conclusion of their interview it is securely uploaded directly to a server over Wi-Fi or cellular for ingest and editing as required.

In my experience, achieving high sound quality and simple file delivery are our biggest challenges. Uploading or sending files can be a huge challenge with nontechnical guests. Report-IT helps us deliver the best possible recording quality from our guests with simple file delivery to our servers. This is a great option for Vox Media Podcast Network producers.

We also use Tieline’s Cloud Codec Controller software, which provides remote control over critical Report-IT functions like input gain, as well as record functions on the app. This makes it easy to adjust settings remotely if a nontechnical person is on the other end.

Ease of Use

We use Report-IT multiple times each week and ease of use is everything with our external podcast guests. The simplicity of configuration regarding file uploads and connection points is crucial to the workflow. The app’s user interface is simple. Plus, it’s easy to connect, record and then seamlessly upload a recorded file.

Producers appreciate the reliable file delivery and quality of recordings. I particularly like the user interface and how you can have different user accounts configured for specific Tieline codecs and server folders etc. It’s very flexible for automation.

Achieving high-quality sound and reliable and timely file delivery of recorded interviews are our biggest challenges. Report-IT delivers superb features and a robust solution at a great price. The app helps achieve the best quality possible from our guests as well as easy file transfer, which keeps our talented producers happy.

Info: Contact Doug Ferber at Tieline at 1-888-211-6989. For international queries contact Charlie Gawley in Australia at +61-8-9413-2000 or visit www.tieline.com.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

The post User Report: Vox Media Uses Tieline Report-IT for Interviews appeared first on Radio World.

From April 2018 until July 2020, it had been in a simulcast with WLIR-FM and branded as “Real FM,” offering Classic Hits programming.

Soon, an FM translator with 10 watts of power covering such Long Island, N.Y., cities as Coram and Medford is set to be come a part of the WNET Public family.

The owner of NPR Member station WLIW-FM 88.3, which serves Suffolk County’s east end and is licensed to Hampton Bays, N.Y., is agreeing to purchase W245BA at 96.9 MHz, licensed to Manorville, N.Y.

The seller is Michael Aliffi, and he is earning $150,000 from the sale.

The deal negates a transaction consummated in November 2020 sale valued at just $10,000. It would have seen the translator become the property of former Big City Radio executive Michael Kakoyiannis.

With the translator, WLIW can expand its coverage westward into populous central Suffolk County.

WNET, known for its Thirteen PBS service, acquired WLIW-FM in October 2019, when it was known as WPPB-FM 88.3. It closed on the $944,834 acquisition in June 2020.

While the Dow Industrials and Nasdaq indices were both down on Friday, broadcast media stocks saw mixed activity.

Among the key gainers are Townsquare Media, TEGNA, Sinclair Broadcast Group, and iHeartMedia.

Decliners include Entravision, Nexstar Media Group, and Saga Communications.

For a look at all of today’s closing prices from the broadcast media sector, please visit the homepage of RBR.com. The Wall Street Report is updated in real time across each business day!

The New KSVY Antenna Setup with the Panels Aimed

Community radio station KSVY(FM) in Sonoma, Calif., recently installed a new directional antenna system that is delivering improved coverage.

Bob Taylor is chief operator and manager of the station, which features an all-volunteer air staff. He told Radio World the station wanted higher elevation for improved reach. It looked for a site that was non-residential and that could provide generator support.

“The old site was on the outskirts of Sonoma on a side road with mixed tree coverage in low residential,” he said. “The new site is approximately 620 feet higher on a bald mountain with an unobstructed view. Hammett & Edison was a major contributor in filing for the project and guiding us through the needs of the FCC.” The former site remains available as a backup location.

The station airs at 91.3 MHz. Its new array uses two Kathrein Broadcast SIRA line FMC 05 broadband circular polarized FM panels. The panels are vertically stacked, with one skewed 12 degrees and the other skewed 328 degrees to achieve the desired pattern.

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Each panel is fed equally in phase and amplitude. Panels are mounted to a 4.5 inch OD pipe. The harness and main 7/8-inch foam feed line are dressed to the mounting pipe and routed vertically out of the aperture of the antenna. The pipe is mounted on a wooden pole.

During Construction of KSVY’s New Antenna Setup

“The change has been dramatic,” said Taylor. “Elevation being the key here, dead spots and shadows in our area have nearly vanished completely. We also gained a population increase of approximately 120,000 due to the new pattern including the Petaluma, Cotati and Napa areas.”

A fundraising campaign included donations from a “Signal Booster Society” to support the project.

Taylor said KSVY has been an important resource for Sonoma Valley in the most recent emergency situations with severe fires and public safety power shutoff events.

“The local radio continues to be a crucial part of an emergency plan,” he said. “These situations where the first responders are busy doing what they do best require someone to get reliable information to the common person when the internet isn’t available.”

The Sonoma Index-Tribune recently wrote about the project and reported that KSVY first filed an application for a construction permit for a new antenna in 2008 but didn’t have the funds to build one at the time.

Radio World invites both users and suppliers to tell us about recently installed new or notable equipment. Email radioworld@futurenet.com.

The post Sonoma FM Station Ups Its Game With Panel Antenna appeared first on Radio World.

He’s been the General Sales Manager of Hearst Television’s ABC affiliate in Jackson, Miss., since 2017.

Now, he is the station’s President/GM. And, his successor as GSM has been named.

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New advertising spend forecasts for 100 markets worldwide show that the global ad market has largely weathered the impact of COVID-19, so far, and is on course to reach a value of $1 trillion in 2025.

Here’s the somber news for broadcasters: More than half of this money will be paid to just three companies: Alphabet, Meta and Amazon.

But, how are radio and TV poised to perform in the next five years? WARC, the international marketing intelligence service, has some new intelligence on the subject.

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The FCC is giving more time to people who want to comment in its “resilient networks” proceeding.

This is the NPRM that, among other things, could lead to a requirement for broadcasters to have backup power at their transmission sites.

The Public Safety and Homeland Security Bureau extended the first comment deadline by 10 days to Dec. 16, with replies now due Jan. 14. The Edison Electric Institute requested the extension.

[“FCC Disaster NPRM Discusses Backup Requirements”]

The FCC notice of proposed rulemaking asks for comment on proposed rules to improve communications reliability during disasters.

The proposal considers changes to the Disaster Information Reporting System, or DIRS, the web-based system used by broadcasters and other communication providers to report service outages to the FCC. Participation currently is voluntary; the proposal asks if it should be mandatory to participate following a disaster.

The NPRM also seeks ways to mitigate the effects of power outages on communications networks after major storms and other events.

The FCC in the proposal asks detailed questions about how backup power can be deployed to reduce the frequency of power-related service disruptions. The commission raised the possibility of requiring backup power for participants in DIRS and NORS, the Network Outage Reporting System, and that list includes broadcasters.

Comment on this or any article. Email radioworld@futurenet.com.

The post More Time to Comment in ‘Resilient Networks’ NPRM appeared first on Radio World.

In 2020, DuJuan McCoy-owned Circle City Broadcasting sued Dish Network on the grounds that it refused to offer fair-market compensation for airing WISH-8, Indianapolis’ home for The CW, and MyNetwork sibling WNDY-23. Central to McCoy’s argument is that Dish’s decision was racially motivated. In March 2021, a federal judge ruled the lawsuit could proceed, with a motion to dismiss the suit filed by Dish denied.

Now, an intriguing new twist in the case has emerged, and it sees Dish fail in its attempt to block supplemental expert testimony on behalf of Circle City from a key figure at BIA Advisory Services.

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