Aggregator

IBC2019 is almost here. Between now and then Radio World will conduct several short Q&As with manufacturers about their plans and offerings, to help you get the most out of the big annual trade show. Jay Tyler is director of sales for Wheatstone.

Radio World: How has business been for the company since last year’s IBC Show? 

Jay Tyler: One word: Up! Business is changing and we are seeing the last of the analog studios leap into the world of IP audio.

Radio World: What are you hearing from your customers about their business outlook this year? In what areas should we expect growth or the most interesting projects?

Tyler: Customers are still saying budgets are tight but that they have to keep progressing technology-wise or they will be left behind. We see people installing modern infrastructures as a way to leverage technology, and they are reducing cost with these systems.

Radio World: Within the last year or so the two large station ownership groups have emerged from bankruptcy. Are you seeing any increase in equipment sales or interest? What is your feeling for the overall health of the radio industry?

Tyler: If you were an outside investor, you might think that radio is not where you’re going to make a quick buck. But for those of us in the industry, we are seeing an increase in spending due to the fact that many broadcasters held off upgrading their studios for years and kept some equipment longer than they should have.

[Read: IBC Exhibitor Viewpoint: Werner Drews, 2wcom]

Radio World: You’ve been active in the equipment manufacturing market for years. What’s the biggest problem or challenge facing manufacturers right now? Does the trade row between the United States and China greatly affect you?

Tyler: I think the biggest problem manufacturers are facing is obsolete parts. The manufacturers of the parts we use in audio equipment is changing too, so at Wheatstone we have a full-time person who deals with finding new parts to replace the old ones and making sure they work with our current designs. The whole electronics industry has felt the pain of “trade wars” but we have adjusted and moved on and business is getting back to normal.

Radio World: What new goodies will your company be showing? Why should attendees visit your booth?

Tyler: We are showing at IBC for the first time our Glass LXE, which is a multitouch virtual console that is a studio-ready standalone UI into the WheatNet-IP audio network. We are showing a new AoIP appliance called SwitchBlade that anyone replacing ISDN lines or looking to expand the studio beyond the usual four walls will be interested in. We are also showing for the first time this IBC the Strata 32, our new TV audio console that packs 64 channels and the latest IP audio innovations into a very compact frame. We’ll have the new X5 FM audio processor, which is really something and all I can say is you’ll just have to hear it for yourself. Finally, we’ll show our VoxPro 7.0 audio recorder/editor, which has a few new moves that we didn’t have last year. Wheatstone is in stand 8.C91.

Radio World: Going by the interest on our website, AoIP technology is on the top of the list for product acquisition and upgrades. Is that something you are seeing and if so, how are you addressing that?

Tyler: We have been full on AoIP for over 10 years and we just see it as a continuing area of interest for all broadcasters. I think broadcasters are getting a sense that if they’re not AoIP, they’ll be left behind because so much of what they will be able to do to keep up with changes going on around them will start with AoIP.

Radio World: What do you anticipate will be the most significant technology trend at the 2019 IBC Show?

Tyler: More interoperability and control layers for AES67.

Radio World: You’re a show veteran, how has the show changed since your first visit?

Tyler: We are seeing many more visitors from Africa, Middle East and North America than years past and people wanting to extend AoIP outside the facility to connect cities and sites around the world.

[Subscribe to our newsletter and get it delivered right to your inbox.]

The post IBC Exhibitor Profile: Jay Tyler, Wheatstone appeared first on Radio World.

This ebook is nuthin’ but gear. It features editorial coverage of dozens of new products as introduced by the industry’s leading manufacturers in recent months, culled from Radio World coverage of the NAB Show, Radio Show, IBC, CES and other relevant trade expositions. You’ll find consoles, codecs, monitors, antennas, broadcast software, service providers and lots more. Technology ranges from analog to digital, including the latest in IP, with specs and company website information. You could almost build a whole radio station with the latest gear from these pages.

Sponsored by 2wcom, AudioScience, Bext, Comrex, Davicom, DJB Radio, Dielectric, ENCO Systems, Henry Engineering, Inovonics, Studio Technology, The Telos Alliance, Tieline  and Titus Labs.

The 2019 Fall Product Planner is free. Read it here.

 

The post 2019 Fall Product Planner appeared first on Radio World.

.

.

WCJB's Petition to add certain communities to its local satellite market is granted in part by the Media Bureau

.

.

.

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

This fall, the good folks at marketing consultancy Hearken will host their first Engagement Innovation Summit. It is one of those rare moments to bring together public-interest media of all kinds to talk about audience engagement and, more importantly, how to involve the communities we serve in bold ways.

Hearken is, in so many respects, the conscience of journalism. Jennifer Brandel and team have prodded everyone from commercial to nonprofit media groups to think differently about our work and the communities we cover. Whether it is working with journalism organizations abroad or showing up at the National Federation of Community Broadcasters’ Regional Summit in Grand Rapids, Hearken is ever present. The firm’s message is important: journalism must listen more, and newsrooms can help to cultivate a more engaged community in the process.

[Read: Community Broadcaster: Turning It Up]

Given the media landscape, such conversations could not come at a better time.

Countless case studies share the woes facing media organizations. Growing numbers of content providers, polarized coverage and income inequality all are contributing to less revenue. Layoffs and further audience attrition are the outcomes ultimately. On top of that, the public is saying more and more that the news cycle has them beleaguered and tuning out coverage.

For community media, often on the periphery of the journalistic ecosystem, these trends create calamity as well as opportunity. Shrinking donations for community radio mean we have to be more responsive in how we create content and develop our storytelling. Finding ways to reengage people in media and discovering what is important to their neighborhoods must be a priority for all of community media.

The times also demand that community radio stations be very frank when evaluating how their engagement work aligns with their strategic goals. Are we realizing our full potential? I ask because, in my professional life, I hear of many stations that say they simultaneously involve wide swaths of their communities, are diverse, and provide space to everyone, and yet are also struggling financially for even the most basic needs. In all but a few cases, I encourage stations to take a long look at these two matters — the large community supporting the station and the fact keeping the lights on is a real question — and find avenues to be most relevant. Sometimes, improving fundraising is as simple as asking. More often, it’s talking with the people we serve and exploring how we could more inspire their confidence, trust and investment.

Fortunately, journalism outfits everywhere are trying to solve the puzzle of audience and money, As Hearken shares, listening is proven to pay dividends. Groups like the Membership Puzzle Project offer plenty of examples of media organizations stimulate new conversations with a goal of making journalism sustainable. All of this research, and the October gathering, should give community radio a lot of hope. While big, for-profit newspapers and public radio may feel miles away, many of them are working on the subjects of engagement and membership. Their studies benefit everyone.

Community radio stations are finding our groove in a media saturated and increasingly difficult world. Fortunately, our media fellow travelers are lending the support we all need.

[Subscribe to our newsletter and get it delivered right to your inbox.]

The post Community Broadcaster: In It Together appeared first on Radio World.

WTOP and its sister stations Federal News Network and The Gamut recently moved to its new, spectacular studio plant on the D.C./Maryland border. Knowledgeable radio industry visitors are walking away marveling about it.

Now Radio World readers can visit too thanks to this special one-hour, multimedia webinar tour hosted by Radio World Editor in Chief Paul McLane.

We take our video cameras inside — to the Glass Enclosed Nerve Center, the WTOP editor’s desk, the specialized production and support studios, and the technical operations center of this big AoIP-based specialty media facility.

We learn from WTOP Technical Operations Manager Brian Oliger about the design philosophy behind the project, and from RadioDNA President Rob Goldberg about the installation and integration challenges.

WTOP is a special success story. It was again the nation’s top-billing radio station in 2018, according to BIA Advisory Services; it was the only station in the top 10 that is not located in New York, L.A. and Chicago, and the only one not owned by iHeart or Cumulus; and it is consistently the No. 1 station in Nielsen’s 12+ ratings in Washington, a market of almost 5 million people.

Originally airing Aug. 28, this 1.5-hour webinar is now available on-demand. See it here.

The post Inside WTOP: A Special Radio World Facility Tour Webinar appeared first on Radio World.

The new edition explores how to do emergency streaming on the cheap, as well as what’s new in broadcast studio furniture and accessories. It remembers the Mosquito Network, previews the fall AES Show and reports on the efforts by U.S.-based shortwave broadcasters to develop affordable DRM receivers.

REGULATION
Why I Believe the FCC Failed on Translator Interference

Engineering consultant Charles M. Anderson lays out his views on an FCC action that touches many users of the FM spectrum in the United States.

TECH EVENTS
AES to Shine in Big Apple

Conference No. 147 for the big audio organization is taking shape, and it again will be collocated with NAB Show New York.

ALSO IN THIS ISSUE:

• O’Rielly in Middle of C-Band Debate
• “Don’t Be Afraid of AoIP”
• Podcasting: Community Broadcast Rocket Fuel

 

The post Inside the September 1st Issue of Radio World appeared first on Radio World.

Randy Stine reports on current contention about the fate of the C-band. Fred Jacobs explains why he is paying close attention to the latest SiriusXM app. ConnectedTravel explains its vision for the dashboard, and why radio should care. All this and much more. (Oh, and Legos, too!)

FACILITY DESIGN
What Do You Get When You Combine Legos and Radio?

WLGO is a miniaturized radio studio, created by a passionate broadcast pro.

ROOTS OF RADIO
Broadcast History Cards Provide Peek Into Past

Available online, these images offer a trail of tantalizing bits of info over many decades of radio.

ALSO IN THIS ISSUE:

• VB-Audio Software: France’s Best Kept Secret
• Bad Electrolytic Capacitors Can Cripple Your Exciter
• Summer of Products

 

The post Inside the August 14th Issue of Radio World appeared first on Radio World.

The gas explosion that left 22 businesses homeless in Columbia, Md., last Sunday also wiped out a little bit of radio technical history.

The office and shopping complex that was so seriously damaged was also where HD Radio was invented and commercialized. Technology developer USA Digital Radio was based there in the early days of HD Radio.

“The entire system used today and approved by the FCC was developed there,” said Glynn Walden, the veteran broadcast engineer who was a key player in development of the in-band, on-channel digital radio technology.

“There were about 50 employees there. This was the home of USA Digital Radio during the development of HD Radio, which became iBiquity.” Walden’s office, other staff and leadership offices, and technical laboratories were located there at the time. The company later moved elsewhere and subsequently became part of DTS and then Xperi, which today maintains offices in another part of Columbia.

“All of the [IBOC] system that was approved by the FCC was developed in that building,” Walden continued. “The only real changes have been the implementation of the multicasting and data, which were part of the original design but were later added through the use of importers and exporters.”

The first IBOC test transmissions were done in the early 1990s. USA Digital Radio’s investors included radio broadcast groups seeking a way to deploy digital technologies that could coexist on the part of the spectrum where their existing AM and FM assets were licensed. The company filed a petition for rulemaking with the FCC in 1998, and the commission began the regulatory approval process the next year.

According to news accounts, the Lakeside Office Building and shopping center where the explosion occurred was home to a nail salon, day spa and an office for the Social Security Administration, among others. Residents at least a mile away reported their houses shaking from the explosion. No injuries were reported but parts of the complex were entirely wiped out.

Based on news photos, Walden believes that the second-story office space that USADR/iBiquity had occupied then was near the center of Sunday’s blast and probably totaled.

[Subscribe to our newsletter and get it delivered right to your inbox.]

 

The post Maryland Gas Explosion Site Was Birthplace of HD Radio appeared first on Radio World.

Win-Group Software says the WinMedia radio and TV automation software, on show at IBC2019, unifies the content chain by managing all aspects of media from acquisition and production, through to distribution, marketing, planning and dissemination.

The company promotes the software as a “complete solution,” which allows users to ingest and produce content for radio, TV, web and mobile in a single system.

By adding the WinCam module, the company offer its own visual radio system for radio broadcasters and easy-to-use camera management for visual radio.

WinCam allows users to handle up to eight cameras or inputs and broadcast the results on platforms such as YouTube and Facebook Live.

In addition, Win-Group offers the WinMam integrated newsroom computer system that is designed to let users manage library, logger, voice track or playlist functions via internet.

Finally, the firm’s WinSales web-based CRM manages all client sales activities. WinSales is a scalable solution that promises to streamline booking and billing operations by providing real-time online booking, tailor-made customer relationship management and a wide range of planning, management, billing and reporting options.

IBC Stand: 6.A26

Info: www.winmedia.org

[Want more information like this? Subscribe to our newsletter and get it delivered right to your inbox.]

The post IBC Sneak Peek: Win-Group Offers Scalable Solutions  appeared first on Radio World.

It can be a dreaded call: “The STL is down,” or “The stream isn’t functioning.” Usually the goal is to get something back up — fast. It may not be perfect audio, but good (and reliable), and at least you are back on the air. Consultant and projects engineer with Chicago’s Scope+Focus, Len Watson, has been down this road and offers a solution: If you can locate an old computer (desktop, laptop, Windows, Linux) you can put together an audio backup that can be fired up in little time, and for about zero dollars. Translation: You’re a hero to the GM.

For two different clients, Len has found old laptops in storage, and pressed them into backup service. One of these computers is a really old AMD Sempron (see Fig. 1) which actually took Windows 10. Len also converted a Lenova T42 (that’s not a typo) with Windows 10 and it works, too.

Fig. 1: Len Watson of Scope+Focus put together this emergency streamer kit.

Once you’ve secured that computer, head to Icecast and SourceForge and get Icecast 2 and the Icecast GUI and BUTT respectively. Install Icecast, customizing the XML file, changing passwords, etc. Then load BUTT (it stands for Broadcasters Using This Tool); and customize it, selecting the stream rate and format. You’ll also want to enter the same password you gave Icecast.

Note, too, that BUTT will record an archive on the local hard drive if you want. Now, run audio and Ethernet to the computer and you have a cheap standby streamer. Icecast will tell you what the address is, and you can make it public or private.

In short, it will “find its way” to the web. You may have to open a couple of ports in a firewall, but it’s aggressive in getting through. If your back’s against the wall, you’re on the air with just that. If you drag Icecast and BUTT into the startup menu (for Windows, run shell:startup), the machine will begin streaming when it boots up.

Here’s a neat idea for contract engineers. Len has set up an HP ProBook 450G as a loaner/rental for his clients. The equipment pouch includes the computer, power supply, Digidesign Mbox2 audio interface, a couple of Ethernet cables and a number of audio adapters. It kept one station on for about six days.

Of course, you can make it better. Adding a used Mbox2 will improve the sound over an onboard sound card. They’re about $25 to $35 shipped on eBay. Len suggests you don’t buy an Mbox1.

Another tip — changing the name of Kastor.exe to .ex_ will disable Icecast’s internal audio recorder/importer so it won’t go hunting for something to record.

Len also cautions to be prepared for the “Nag Screen” that pops up looking for donations to SourceForge. You can close it out but they’re just looking for 20 bucks. If this kept a station on the air, have the GM send ’em some money — it’s worth it!

If you don’t want a lot of control of the stream — fewer format choices and having to adjust audio with the computer’s software slider — you can go with NCH’s Broadwave Streaming Tool. It will set you up nicely, too. It’s a pay program, but NCH makes a pretty trustworthy suite of audio and video tools.

If you’re using this setup to get your signal to the transmitter, you may want to install a VPN for security, too.

Here’s the SourceForge link: https://sourceforge.net/projects/butt/

The link for Icecast: http://icecast.org/download/

Other helpful links include the Mbox2 driver download page: https://tinyurl.com/8b3gmdc; and the NCH Software Broadwave Streaming Audio Software page: https://www.nch.com.au/streaming/index.html.

Although not designed for full-time use, having one of these set up and ready to go as a backup is cheap, yet invaluable, insurance. Thanks, Len, for the great ideas.

***

 

Sealing conduit is a must to avoid vermin, water and trash from incursion. Although foam or putty are satisfactory, removing the “plug” to get other wires into the pipe can be messy. Plus, rodents will chew right through the foam unless you include a stainless steel or copper wool component.

Consulting Engineer Charles “Buc” Fitch, P.E. offers another idea especially for unused pipe or conduit — use a pipe stopper. These are cost-effective seals that you insert in the conduit or pipe and when you hand tighten the nut, the rubber gasket expands to seal the opening. Of course, these are ideal when you are capping off an end, because if you have cable entering the pipe or conduit, you will need to carve a small notch in the plastic to permit the cable to pass, but it will keep the rodents and snakes out.

These handy devices can be found at Newman Tools —http://www.newmantools.com/cob/nylon.htm.

But you’ll also find them at the big box stores as well as plumbing suppliers. Buc advises if you buy these plugs locally, to take a small piece of the pipe with you, to insure you get the right inner diameter size.

One last thought from Buc — if you have those metal coax feedthrough ports for coax at your transmitter site, these stoppers are ideal for plugging unused ports, and they are a lot quicker to remove than the rubber boots held in place with a hose clamp!

Contribute to Workbench. You’ll help y our fellow engineers, and qualify for SBE recertification credit. Send Workbench tips and high-resolution photos to johnpbisset@gmail.com.

Author John Bisset has spent 50 years in the broadcasting industry and is still learning. He handles Western US Radio Sales for the Telos Alliance. He holds CPBE Certification status with the SBE, and is a past recipient of the SBE’s Educator of the Year Award.

The post Emergency Streaming on the Cheap appeared first on Radio World.

DB4005 is the latest monitoring product from DEVA Broadcast.

The company explains that the unit makes use of sophisticated DSP algorithms and provides SDR FM tuner-based signal processing. “Its powerful digital filters are a guarantee of precision and enable the FM signal to be accurately and repeatedly analyzed with each device,” the company adds.

[Want more information like this? Subscribe to our newsletter and get it delivered right to your inbox.]

A standout feature of the DB4005 is the MPX input, which allows users to monitor external composite signals, regardless of whether they are from a composite STL receiver/stereo FM encoder, or from an off-air source. In addition, the Loudness Meter allows for measurements to be shown as defined by ITU BS.1770-4 and EBU R128 recommendations — the DB4005 supports both standards.

DB4005 is easy to use and packs a host of features. These include TCP/IP connectivity, audio streaming, and automatic alerts for operation outside of predefined ITU-R ranges, as well as GSM connectivity.

IBC Stand: 8.D79

Info: www.devabroadcast.com 

The post IBC Sneak Peek: DEVA Broadcast Brings DB4005 to IBC appeared first on Radio World.

In this document, the Federal Communications Commission modernizes the carriage election notice rules by permitting broadcasters to post their carriage elections online and send notices to covered multichannel video programming distributors (MVPDs) by email only when first electing carriage or changing their carriage election status from must carry to retransmission consent or vice versa. Additionally, all parties will be required to post their contact information online on Commission databases.

.

.

.