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MB revokes license for WGEA(AM), Geneva, Alabama, after licensee fails to pay delinquent regulatory fees or show cause why payment should be waived or deferred

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The National Association of Broadcasters has completed another step in its process of moving its headquarters closer to Capitol Hill and the thriving Washington neighborhood near Nationals Park baseball stadium and the developing waterfront Wharf area.

But there is still some uncertainty about whether the move will bring it much closer to the Federal Communications Commission’s headquarters, which may be moving, too.

On Monday, papers were filed at the District of Columbia Recorder of Deeds showing that 1M Properties LLC (a wholly-owned subsidiary of NAB) has acquired the 130,000-square-foot building, which is located at 1 M St. SE, for $62.76 million (about $483 per square foot).

[Read: NAB Sells Dupont Circle HQ]

An NAB spokesperson confirmed that the transaction was consummated now because the contractor Monument Realty has completed its work on the building. The interior architecture firm will now handle construction of office spaces, with an eye toward moving into the building in early 2020. The transaction has been in progress for more than four years.

NAB sold its current building near the Dupont Circle area in Washington in March 2018 for $31.6 million, and has leased it since then while awaiting completion of its new headquarters. The new structure has nearly twice the space of NAB’s 50-year old iconic curved building at 1771 N St. NW. For many decades, the NAB offices were about four blocks away from the Federal Communications Commission, until the agency moved in 1997 (after a long controversial delay) to The Portals complex in southwest D.C.

NAB’s new headquarters will put it closer to Capitol Hill and also closer to agencies such as the Federal Trade Commission and the current FCC offices, although there has been speculation for several years that the FCC is seeking to move from its Portals venue. The FCC has considered a move into a new building just north of the Capitol in a neighborhood called “Swampoodle,” which is the home of several other federal agencies and National Public Radio, among others. The General Services Administration will be involved in any FCC move, and such action appears to be facing the long delays that preceded its 1997 relocation.

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The post NAB Buys New Building For $62.8 Million appeared first on Radio World.

A small Alabama radio station has lost its license for failure to pay late regulatory fees to the FCC.

WGEA(AM), licensed to Shelley Broadcasting Co., is located in Geneva, Ala. Its license was for operation at 1150 kHz, with 1 kW daytime power. This license in fact had been revoked in 2017 and the station apparently has been off the air since, though the FCC briefly reinstated it this summer while the legal case was playing out.

Revocations are rare and considered a big deal; and this new order was signed by the chief of the Media Bureau as well as the managing director of the commission. According to the FCC, WGEA owed regulatory fees for every fiscal year from 2008 to 2016. The commission said it sent earlier letters demanding payment of the debt and said SBC did not respond or pay.

[Read WGEA’s appeal letter to the FCC.]

This June, it issued an order requiring SBC to pay, show cause why it could not, or face revocation for good. The company then told the FCC that it had not paid because the IRS had withheld a sizable refund owed to SBC’s president and his wife since 1987. According to a post on the station’s still-active website, the amount due to them is $2 million.

But the commission now has ruled that the station provided no documentary evidence that SBC itself is financially unable to pay the regulatory fee debt. “In failing to provide the required documentation, SBC has not met its burden of showing extraordinary and compelling circumstances outweighing the public interest to justify a waiver of its outstanding regulatory fee obligations.”

So the commission pulled the license and rejected the station’s renewal application. And, by the way, “We note that this Revocation Order does not relieve SBC of its obligation to pay any debt, including any regulatory fee, or any other financial obligation that is owed or may in the future be owed to the commission.”

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The post FCC Pulls License of Alabama Station a Second Time appeared first on Radio World.

Katz Media, “the nation’s largest media representation company” and part of iHeartMedia, has launched a programmatic sales division for digital audio.

The company calls it Audiology by Katz. “The new division and its programmatic digital audio marketplace was built with the mission to help advertisers and agencies leverage the power of audio to connect with consumers,” it stated. The effort will be headed by David Krulewich, senior VP of programmatic sales for Katz Digital; he reports to Scott Porretti.

The company says Audiology by Katz aims to provide “audio expertise in the programmatic space as well as access to a scalable, premium and brand-safe digital audio marketplace. With programmatic inventory across 120+ connected devices and smart speakers; Audiology is integrated with top Demand Side Platforms and is available in both self-service and managed-service capacities.”

Poretti said digital audio is “now the number one form of mobile media consumption.”

Audiology itself was created in 2017 to “educate the programmatic buying community and fill the digital audio gap in programmatic media plans.”

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The post Katz Launches Programmatic Division for Digital Audio appeared first on Radio World.

The author of this commentary is manager of communications and outreach for NPR Distribution.

Mike Friedman

Over the past few years, disastrous storms and wildfires have crippled public radio stations and taken them off the air in New Jersey, Puerto Rico, California and many other locations. At the same time, the forthcoming FCC repack and the constant threat of obtrusive construction projects leave many stations fearful that events beyond their control could impact and disrupt their broadcasts.

Fortunately, NPR Distribution, which manages the Public Radio Satellite System (PRSS), has created a solution to help stations plan ahead and protect themselves and their broadcast operations.

The PRSS Station Emergency Kit is a suite of emergency backup transmitter kits and portable studio systems that can be used by public radio stations in the event their on-air operations are disrupted by natural disasters, construction activities or other potential threats. The emergency kits are the product of a collaboration with the Corporation for Public Broadcasting (CPB), which provided the necessary funding, and comprise emergency transmitter, antenna and studio kits.

“One of our mandates is to deliver best-in-class technologies, business practices and support to help public radio stations reach their audiences, and these emergency kits are a unique and important way to provide assistance when it’s needed most,” said Michael Beach, vice president of NPR Distribution. “Station managers do themselves a favor when they plan in advance for technical contingencies, and we’re happy to offer another tool they can rely on in the event of a disaster or if they see one looming on the horizon.”

MODEST FEE

With funding from the CPB, NPR Distribution created, assembled and tested the kits with an eye toward making them available for a modest fee to stations on a temporary basis until their broadcast infrastructure is restored. The transmitter kit costs $275 for the first month and $550 for each subsequent month. The antenna kit fees are $100/$200 and the studio kit fees are $200/$400. Stations cover shipping.

Dale Williams helps set up the antenna.

NPR Distribution, which kicked off the project by developing three emergency transmitter and antenna kits and two emergency studio kits, will also be in charge of shipping the kits out to stations that submit a request and to maintaining them when they have been sent back.

A key component of the kits’ development involved field testing the kits at two stations in Virginia, namely WVTF in Roanoke and WCVE in Richmond.

“We made certain the stereo pilot worked, we accessed the transmitter remotely via the internet and then drove within a few miles of the site to evaluate coverage, which we found to be about four to six miles,” said Mike Friedman, RF engineer for WCVE, which is owned by VPM.

“The antenna is very simple to assemble. For the mast assembly, you will find everything you need, and the entire process probably took us a total of 30 minutes to erect.”

Friedman added that one person could set up each of the kits, though he said it eases the situation considerably to have a colleague help, particularly with the 30-foot antenna mast.

The antenna set up by WCVE

Asked if the kits as tested would provide a viable alternative if his station went off the air, Friedman replied, “Absolutely. It’s wonderful for NPR Distribution to offer an emergency broadcast alternative so that we can continue to serve our communities. In the event of a disaster at your transmitter site, you have to do what it takes to get back on the air. NPR is providing a bundled solution and the only question is what exactly do you need, given your situation.”

According to NPR Distribution’s policies on the kits, stations desiring to use a kit must contact the PRSS Help Desk with the dates needed, whether the need is immediate or one planned for several months in the future. They will have the option to use the kits for up to 90 days and may renew the contract if needed. Stations will be required to contact NPR Distribution, before the date when they originally agreed to return the kits, if they wish to extend the duration of their contract for the kits.

NPR Distribution has been striving to anticipate and address challenges faced by public radio stations before they occur. This is evident in its Public Radio Engineering Certification initiative, which seeks to help create the next generation of technical leaders in the industry, as well as the Future System initiative and its emphasis on a next-generation hybrid system of satellite and terrestrial content distribution.

More information on the station emergency kits, including pricing and how to order them, is available at http://prss.org/station-kit.

WHAT’S IN THE KITS

Emergency Transmitter Kit
Three emergency transmitter kits will be available. Each transmitter is air-cooled and runs on 120-volt, 60 Hz AC power using local power or a generator. Each kit will consist of the following:

● One Nautel NHB-VS300 300-watt FM transmitter with internal frequency agile exciter, which supports 87.5 to 108 MHz and integrated audio processor
● One INOmini 638 FM receiver for “off-air” monitoring with level meters
● One Furman Power Conditioner PL-Plus-C
● One 12’ N-N jumper cable
● Two 25’ Ethernet cables
● Three 30’ XLR cables
● One Pelican heavy-duty rack case

In addition, by request NPR Distribution can also provide a 1-5/8” to N adaptor or a 3-1/8” to N adaptor for connecting into an existing line and antenna

Emergency Antenna Kit
Three antenna kits will be available to the system that consist of:

● One Allen Dick Band II Broadband FM antenna
● One 75’ flexible transmission line
● One 30’ portable BlueSky mast with guy ropes

Emergency Studio Kit
Two emergency studio kits have also been developed, with each containing the following:

● One RODECaster Pro audio mixer and recorder
● Three Shure SM58S dynamic microphones
● Three Shure desktop microphone stands
● Three pairs of Audio-Technica ATHMx-40 headphones
● All necessary cables and adaptors
● Pelican road case with foam insert

The post NPR Distribution Offers Emergency Kits appeared first on Radio World.

IBC2019 is almost here. Between now and then Radio World will conduct several short Q&As with manufacturers about their plans and offerings, to help you get the most out of the big annual trade show. Frank Foti is the founder of Omnia Audio, now a part of the Telos Alliance and is executive chairman of The Telos Alliance; Tom Swidarski is CEO of the Telos Alliance.

Radio World: How has business been for the company since last year’s IBC Show?

Frank Foti: Business has been up for us across the entire portfolio. AoIP continues to grow as it migrates deeper into other sections of broadcast, especially television.

Tom Swidarski:  Broadcasters who have held out are starting to realize that there is no time like the present to convert to IP infrastructure. We invented broadcast AoIP, so we’ve got the most mature technology available on the market today, and the biggest names in broadcast trust us. This drives business. Our successes are also attributable to the increased alignment in our sales, marketing and product development teams. We’ve debuted a new product introduction process that decreases our time to market and we’ve standardized the manufacturing process. The result is a nimbleness that lets us both lead the industry in innovation and respond quickly to the evolving audio landscape. You’ll see that evidenced by the amount of new product introductions to the international market at IBC this year.

RW: What are you hearing from your customers about their business outlook this year? In what areas should we expect growth or the most interesting projects?

Foti: Well, it’s a multipronged dialog really. On one hand, we’re reconnecting with companies who reorganized for various business reasons. And on the other hand, we’re in deep discussions about platform migration and paradigm shifts. It’s exciting, and what we once saw as potential is now reality. For growth, the action is network and cloud-based.

Swidarski: Another challenge is the fierce competition for the ear. Our clients have to be wherever their customers are and embrace the ways in which their listeners consume content. They have to be ready to change course on a dime, and are realizing the advantage of being able to choose products from various vendors to “roll their own” systems. This underscores the critical importance of interoperability and manufacturer as a partner. For our part, we’re helping clients through these transitions by moving toward software, automated solutions, and virtualization.

RW:  Within the last year or so the two large station ownership groups have emerged from bankruptcy. Are you seeing any increase in equipment sales or interest? What is your feeling for the overall health of the radio industry?  

Foti: We sure do live in interesting times! It’s a good step forward when those companies are able to emerge from their challenges, and kudos to their teams for doing so. That’s not easy work. Those companies’ interest in our offerings was always there, and now we’re fortunately catching up on the business side with them. As for the health of the radio industry, we know it has a pulse!

Swidarski: The term “radio” used to be reserved for analog, terrestrial, over-the-air delivery. That model is still valid, alive, and well, but radio is evolving and diversifying into digital terrestrial delivery, streaming, and on-demand content. The popularity of smart speakers — the new table radio — is testament to this, as is the continued increase in podcast listenership. The good news is that radio is going through a renaissance, and the demand for audio content has never been higher. Our customers are producing quality and a large quantity of content like never before, and they are looking to companies that understand their evolving needs and pain points and who respond to them with innovative solutions. The broadcasters with the best tools and the most forward-thinking strategies and facilities are going to prosper.

RW:  You’ve been active in the equipment manufacturing market for years. What’s the biggest problem or challenge facing manufacturers right now? Does the trade row between the United States and China greatly affect you?

Foti: The goofiness between the U.S. and China has had a bit of impact. It’s unfortunate to see the leaders of these great nations act so childishly. (We sure could use Tony Soprano here.) Actually, there’s always some challenge in our world — components have life cycles that end, manufacturing schedules change, research/development can be a wildcard, and day-to-day business is as dynamic as an audio processor. We are used to being flexible and responsive enough to react to these challenges quickly and directly, leaving things for the most part, business as usual.

RW: What new goodies will your company be showing? Why should attendees visit your stand?

Swidarski: In Stand 8.D47 we’re again focusing on solutions rather than products, and thinking of customers as partners. Content is content, despite delivery method (whether it’s a podcast, radio, TV, or streaming), and our goal at TA is to inspire broadcasters to create the most exciting audio experiences imaginable.

 Foti: Well, if I told you, I’d have to kill you. There is indeed some stellar news that will be revealed on Day One of the show from Axia at our press conference. In addition to that, we’ll have the new Omnia MPX Node running in the stand. It’s the first hardware implementation that carries FM-Stereo MPX over IP at a bitrate as low as 320 kbps. We’ll have tons of new TV products, as well as a host of cool stuff for the growing Infinity IP Intercom platform, including Infinity Link site-to-site connectivity. It’s going to be a big show for us!

RW: Going by the interest on our website, AoIP technology is on the top of the list for product acquisition and upgrades. Is that something you are seeing and if so, how are you addressing that?

Foti: What you’re seeing in interest is on point. It is the hot topic. For those not working in the IP ecosphere, their days could be numbered.

Swidarski: Having brought this technology to the broadcast market, The Telos Alliance always has and will continue to be AoIP’s biggest champion. It’s one of our key pillars.

RW: What do you anticipate will be the most significant technology trend at the 2019 IBC Show?

Foti: Cloud, IP and web-based applications and products.

Swidarski: That’s right. The march towards virtualization in the broadcast industry continues each year with automation systems, call management software, and streaming processing offered with great flexibility. Virtualization is particularly possible with the wide adoption of audio over IP. Because AoIP converts audio signals into IP packets, it’s perfectly suited for routing and processing within virtual environments. Our own march to virtualization comes in the form of what we call the “Hyperstudio Experience,” which will be demoed in our booth again this year. We have virtualized streaming processors, AoIP AES67 audio drivers, phone hybrids, automation and control logic systems, remote control and mixing applications, and entire mix engines that could be used as a single Virtual Radio Production System. This could be deployed on a local server, external server, or used in conjunction with the cloud, creating a production environment that is scalable, adaptable, flexible, and future-proof while enjoying all of the sonic benefits that its rackmount counterparts are so well known for. Within a business model that makes it affordable by organizations large and small.

RW: Will you be attending any sessions or looking forward to any events?

Foti: We always look forward to the reaction of our clients as we share new offerings, but also like to lead with education. We’ll participate in the IP Showcase, where Martin Dyster will be leading “Reinventing Intercom with SMPTE 2210-30” on Sept. 14 at 2:30. Greg Shay will also be talking about “Investigating Media Over IP Multicast Hurdles in Containerized Platforms” on Sept. 15 at 3:30. We look forward to catching up with everyone at our press conference and reception on Sept. 13, 4:00 at stand 8.D47. Drinks and snacks will be at the ready after a long day on the show floor!

RW: You’re a show veteran, how has the show changed since your first visit?

Foti: IBC, like NAB, is a fraternity. A place to connect, network, share and gather information, and enjoy the comradery of those in our industry. In that regard, not much has changed, aside from those who’ve moved on or changed positions.

Swidarski: I agree. I’ve been in the industry a couple of years now, and I’m continually impressed with the spirit of the broadcast industry.

[Subscribe to our newsletter and get it delivered right to your inbox.]

The post IBC Exhibitor Viewpoint: Frank Foti and Tom Swidarski, The Telos Alliance appeared first on Radio World.

GatesAir is adding a video feature to its Intraplex Ascent IP audio multistream transport platform. The Ascent SRT Gateway, “SRT” for Secure Reliable Transport,” will transport any real-time video protocol, the company says.

It also has GatesAir’s Dynamic Stream Splicing which utilizes a secondary stream for signal reception assurance against errors or packet dropouts.

GatesAir VP and GM for the Intraplex Product Group Keyur Parikh explained, “Since our new Ascent SRT Gateway application supports stream splicing, we can effectively reduce latency for SRT retransmission, and optimize network redundancy for video distribution. … “This is especially useful for our customers who are distributing real-time video and audio over microwave, fiber and IP connections, and transporting those high-bandwidth streams to multiple studios or transmitter sites.”

He adds, “The Ascent SRT Gateway application scales very seamlessly with its multi-core hardware platform, opening a broad diversity of media transport applications to support national TV or radio networks.”

IBC Stand: 8.D60

Info: www.gatesair.com

The post IBC Sneak Peek: GatesAir Adds Intraplex Features appeared first on Radio World.

IBC2019 is almost here. Between now and then Radio World will conduct several short Q&As with manufacturers about their plans and offerings, to help you get the most out of the big annual trade show. Frank Foti is the founder of Omnia Audio, now a part of the Telos Alliance and is executive chairman of the Telos Alliance; Tom Swidarski is CEO of the Telos Alliance.

Frank Foti

Radio World: How has business been for the company since last year’s IBC Show?

Frank Foti: Business has been up for us across the entire portfolio. AoIP continues to grow as it migrates deeper into other sections of broadcast, especially television.

Tom Swidarski:  Broadcasters who have held out are starting to realize that there is no time like the present to convert to IP infrastructure. We invented broadcast AoIP, so we’ve got the most mature technology available on the market today, and the biggest names in broadcast trust us. This drives business. Our successes are also attributable to the increased alignment in our sales, marketing and product development teams. We’ve debuted a new product introduction process that decreases our time to market and we’ve standardized the manufacturing process. The result is a nimbleness that lets us both lead the industry in innovation and respond quickly to the evolving audio landscape. You’ll see that evidenced by the amount of new product introductions to the international market at IBC this year.

RW: What are you hearing from your customers about their business outlook this year? In what areas should we expect growth or the most interesting projects?

Foti: Well, it’s a multipronged dialog really. On one hand, we’re reconnecting with companies who reorganized for various business reasons. And on the other hand, we’re in deep discussions about platform migration and paradigm shifts. It’s exciting, and what we once saw as potential is now reality. For growth, the action is network and cloud-based.

Swidarski: Another challenge is the fierce competition for the ear. Our clients have to be wherever their customers are and embrace the ways in which their listeners consume content. They have to be ready to change course on a dime, and are realizing the advantage of being able to choose products from various vendors to “roll their own” systems. This underscores the critical importance of interoperability and manufacturer as a partner. For our part, we’re helping clients through these transitions by moving toward software, automated solutions, and virtualization.

RW:  Within the last year or so the two large station ownership groups have emerged from bankruptcy. Are you seeing any increase in equipment sales or interest? What is your feeling for the overall health of the radio industry?  

Foti: We sure do live in interesting times! It’s a good step forward when those companies are able to emerge from their challenges, and kudos to their teams for doing so. That’s not easy work. Those companies’ interest in our offerings was always there, and now we’re fortunately catching up on the business side with them. As for the health of the radio industry, we know it has a pulse!

Swidarski: The term “radio” used to be reserved for analog, terrestrial, over-the-air delivery. That model is still valid, alive, and well, but radio is evolving and diversifying into digital terrestrial delivery, streaming, and on-demand content. The popularity of smart speakers — the new table radio — is testament to this, as is the continued increase in podcast listenership. The good news is that radio is going through a renaissance, and the demand for audio content has never been higher. Our customers are producing quality and a large quantity of content like never before, and they are looking to companies that understand their evolving needs and pain points and who respond to them with innovative solutions. The broadcasters with the best tools and the most forward-thinking strategies and facilities are going to prosper.

RW:  You’ve been active in the equipment manufacturing market for years. What’s the biggest problem or challenge facing manufacturers right now? Does the trade row between the United States and China greatly affect you?

Foti: The goofiness between the U.S. and China has had a bit of impact. It’s unfortunate to see the leaders of these great nations act so childishly. (We sure could use Tony Soprano here.) Actually, there’s always some challenge in our world — components have life cycles that end, manufacturing schedules change, research/development can be a wildcard, and day-to-day business is as dynamic as an audio processor. We are used to being flexible and responsive enough to react to these challenges quickly and directly, leaving things for the most part, business as usual.

RW: What new goodies will your company be showing? Why should attendees visit your stand?

Swidarski: In Stand 8.D47 we’re again focusing on solutions rather than products, and thinking of customers as partners. Content is content, despite delivery method (whether it’s a podcast, radio, TV, or streaming), and our goal at TA is to inspire broadcasters to create the most exciting audio experiences imaginable.

Foti: Well, if I told you, I’d have to kill you. There is indeed some stellar news that will be revealed on Day One of the show from Axia at our press conference. In addition to that, we’ll have the new Omnia MPX Node running in the stand. It’s the first hardware implementation that carries FM-Stereo MPX over IP at a bitrate as low as 320 kbps. We’ll have tons of new TV products, as well as a host of cool stuff for the growing Infinity IP Intercom platform, including Infinity Link site-to-site connectivity. It’s going to be a big show for us!

RW: Going by the interest on our website, AoIP technology is on the top of the list for product acquisition and upgrades. Is that something you are seeing and if so, how are you addressing that?

Foti: What you’re seeing in interest is on point. It is the hot topic. For those not working in the IP ecosphere, their days could be numbered.

Swidarski: Having brought this technology to the broadcast market, The Telos Alliance always has and will continue to be AoIP’s biggest champion. It’s one of our key pillars.

RW: What do you anticipate will be the most significant technology trend at the 2019 IBC Show?

Foti: Cloud, IP and web-based applications and products.

Swidarski: That’s right. The march towards virtualization in the broadcast industry continues each year with automation systems, call management software, and streaming processing offered with great flexibility. Virtualization is particularly possible with the wide adoption of audio over IP. Because AoIP converts audio signals into IP packets, it’s perfectly suited for routing and processing within virtual environments. Our own march to virtualization comes in the form of what we call the “Hyperstudio Experience,” which will be demoed in our booth again this year. We have virtualized streaming processors, AoIP AES67 audio drivers, phone hybrids, automation and control logic systems, remote control and mixing applications, and entire mix engines that could be used as a single Virtual Radio Production System. This could be deployed on a local server, external server, or used in conjunction with the cloud, creating a production environment that is scalable, adaptable, flexible, and future-proof while enjoying all of the sonic benefits that its rackmount counterparts are so well known for. Within a business model that makes it affordable by organizations large and small.

RW: Will you be attending any sessions or looking forward to any events?

Foti: We always look forward to the reaction of our clients as we share new offerings, but also like to lead with education. We’ll participate in the IP Showcase, where Martin Dyster will be leading “Reinventing Intercom with SMPTE 2210-30” on Sept. 14 at 2:30. Greg Shay will also be talking about “Investigating Media Over IP Multicast Hurdles in Containerized Platforms” on Sept. 15 at 3:30. We look forward to catching up with everyone at our press conference and reception on Sept. 13, 4:00 at stand 8.D47. Drinks and snacks will be at the ready after a long day on the show floor!

RW: You’re a show veteran, how has the show changed since your first visit?

Foti: IBC, like NAB, is a fraternity. A place to connect, network, share and gather information, and enjoy the comradery of those in our industry. In that regard, not much has changed, aside from those who’ve moved on or changed positions.

Swidarski: I agree. I’ve been in the industry a couple of years now, and I’m continually impressed with the spirit of the broadcast industry.

[Subscribe to our newsletter and get it delivered right to your inbox.]

The post IBC Exhibitor Viewpoint: Frank Foti and Tom Swidarski, The Telos Alliance appeared first on Radio World.

Among the products that MultiCAM Systems is set to demonstrate at IBC2019 is its Multicam Server Box and Multicam Assist platform.

The Server Box has been updated to support ISO recording that allows operators to record individual sources as well as the live program. Graphics can also be added on top of the recorded materials.

The Multicam Assist, meanwhile, features an intuitive interface to manage content data and to operate the Scenes. There is also a second screen module available for operators and an import data section to automate the filling of content data.

Multicam artificial intelligence makes both of these products capable of being fully automated.

IBC Stand: 12.E56

 Info: www.multicam-systems.com

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The post IBC Sneak Peek: MultiCAM Priortizes Live Assistance appeared first on Radio World.

AMSTERDAM — Radio engineers and managers from around the world will once again be making the annual autumn trip to Amsterdam for IBC2019, which bills itself as “the world’s most influential media, entertainment and technology show.”

The statistics for the five-day event convey its scale — the exhibition covers 15 halls and hosts over 1,700 exhibitors spanning the broadcast industry. The accompanying conference features more than 400 speakers. In total, 2018’s event saw approximately 55,000 people from some 150 countries pass through the doors of Amsterdam’s RAI Convention Center.

This year’s IBC Conference is themed “Consumers First: A New Era in Media,” with keynote speakers examining the current state of the industry and sharing their visions for the future. These include Max Amordeluso, EU lead evangelist for Amazon Alexa; Cécile Frot-Coutaz, head of EMEA at YouTube; and Arnaud de Puyfontaine, chairman of Vivendi, the parent company of Universal Music Group and Canal+ Group.

Radio is well-represented. WorldDAB hosts a conference session on Monday morning, entitled “Radio distribution strategies for a connected world.” The panel will explore radio’s migration to digital and look at broadcast digital radio’s place in the distribution mix. It will offer recommendations and advice on how broadcasters can assess all digital distribution platforms, to make informed investment choices today and to safeguard broadcast radio for tomorrow.

“Our focus at this year’s IBC is to help broadcasters understand the opportunities and challenges of digitizing radio — across all platforms,” explains Bernie O’Neill, project director for WorldDAB. “We’ll give them the facts and information needed to develop an informed radio distribution strategy that will balance the budget as well as safeguard their audience and business models.”

Meanwhile, a Saturday morning “Tech Talk” at the Conference will explore voice interfaces that deliver interactive personalized radio, a cloud-based live production and playout system, controlled straight from a browser, as well as tools to help stations respond to an ever-demanding, interactive audience.

The Digital Radio Mondiale Consortium also has two sessions, themed “DRM — Smart Radio For All,” looking at the practical implementation of DRM in various parts of the world. Friday’s event features the Gospell receiver, while on Saturday, Nautel hosts a session on the latest DRM implementation news on its booth.

[Read: Elber Showcases Latest Gear]

At the exhibition, as in previous years, radio suppliers are mainly centered in Hall 8, though there’s always plenty of interest across other halls. This year’s exhibitors include GatesAir, Inovonics, On-Hertz, The Telos Alliance, WaveArt, WorldCast Systems and Wheatstone Corp., plus other leaders such as DEVA, Digigram, 2wcom, WinMedia, Tieline RCS, Broadcast Bionics and transmission provider Arqiva.

IBC 2019 runs from Sept. 13–17, at the RAI Convention Center in Amsterdam.

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The post Industry Professionals Head to Amsterdam for IBC2019 appeared first on Radio World.

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