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Radio World

IBC Sneak Peek: RCS Brings Streaming to IBC

Radio World
5 years 9 months ago

RCS calls Revma an affordable and complete online professional streaming solution. With guaranteed reliability, 24/7 support, professional audio processing and integrated listener reports, it adds.

The customizable streaming package has an Administration portal with user management. Listener reports are designed for radio people, per stream or aggregated for all sources.

The company says that Revma is compatible with the most popular audio ad-providers for alternate ads for a station’s online streams. Multiple audio outputs can provide any quality and format — HLS, MPEG-DASH, HTTPs, F-MP4. In addition it has no cross-platform restrictions, infinite scale for any number of sources and listeners

IBC Stand: 8.C32

Info: www.rcsworks.com

The post IBC Sneak Peek: RCS Brings Streaming to IBC appeared first on Radio World.

RW Staff

Centralized MPX Over IP Transmission

Radio World
5 years 9 months ago

 

The author is sales and marketing manager at 2wcom.

Anke Schneider

Time has flown since the introduction of IP, and today, even most rural regions are connected to the internet. In addition, the cost has shifted in terms of satellite and IP bandwidth, even if it varies from country to country.

With this in mind, MPX over IP offers radio stations operating a VHF network the possibility to choose their best transmission approach, depending on coverage and costs. This results in significantly more possibilities for signal distribution, leading to increased flexibility in network management.

Some general points and main advantages:

  • The technology offers potential of savings in terms of bandwidths costs. If satellite is not economical, especially if the required kbps increases due to a high number of individual RDS configurations, plain MPX over IP is the cost-saving alternative. The situation is completely different when distribution via IP is a cost driver. Then encapsulation of the MPX signal in a transport stream for satellite distribution is the economic way to go. System simplification is possible because studio and transmitter locations are directly connected and the multiplex signal is only generated at the studio site. Two scenarios are given for signal generation.
An overview of an MPX over IP transmission system.

Scenario 1: A complete multiplex signal consisting of mono, stereo, pilot and RDS is transmitted to the regional transmitter sites.

Scenario 2: The multiplex signal consists only of mono, stereo and pilot. The RDS signal is generated for regionalization at the local transmitter sites.

  • In the best case (scenario 1), users can dispense with a sound processor, RDS encoder and stereo generator at transmitter sites. This reduces purchase and energy costs and means less effort is required to maintain the system and the minimization of failure points.
  • When digitizing the signal, it is possible to adjust transmission bandwidth configurations, according to audio quality and bandwidth requirements. The signal bandwidth and the resolution of the digitized MPX signal are crucial for the quality. However, most transmitters already achieve very good quality with a signal-to-noise ratio (SNR) > 70 dB.
  • For synchronization, it is recommended to use the Pulse Per Second (1PPS) signal derived from GPS. In combination with a 10 MHz clock, synchronization of all receivers in a network is possible. Requirements: The total delay must be greater than the longest transmission time between the encoder and a transmitter location, but less than 1 second (≤ 900 milliseconds). This compensates the effects of runtime differences of the various transmission types and simplifies mixed operation (IP/satellite). To allow 1pps synchronisation, especially for VHF single-frequency network (SFN), it is indispensable to choose MPX via IP distribution because audio, ancillary data and pilot tone must be distributed as one signal. If capacity is not an issue, the network operator can also centralize system monitoring. Special receivers equipped with multiplex for monitoring and controlling output can be used to rebroadcast the signal for monitoring. In addition, it can be stored for future reference. Due to stringent regulatory requirements for MPX distribution, more complex monitoring devices offer precise measurement parameters for MPX signal peak deviation and power.

IP Packet Handling

General problems like IP packets in the wrong order (packets were sent over different routes), packet jitter or even duplicate packets should be solved by a larger buffer and intelligent buffer management.

[Read: IBC Exhibitor Viewpoing: Werner Drews, 2wcom]

Mechanisms need to be available to deal with potential packet losses caused by transport failures or incorrectly configured routers/switches. This is important because the UDP [User Datagram Protocol] normally used in these situations only supports sending IP packets, not re-requesting of lost packets. The following mechanisms can be used to tackle this problem:

  • For cable and DVB network using MPEG-TS: A proven mechanism is the Pro-MPEG error protection, which can also be chosen for other data types. The error protection is based on the fact that sent packets are organized in a matrix structure at the encoder in order to calculate correction packets over the rows and columns.
  • An alternative for IP networks: In this case, the RUDP [Reliable User Datagram Protocol] can guarantee reliable IP packet delivery even with very high packet losses. It protects against random packet losses as well as burst packet losses. In addition, RUDP requires less bandwidth and shorter delay times than conventional forward error correction mechanisms, such as Pro-MPEG FEC. (Note: RUDP needs a duplex IP link and unicast/multiple unicast.)

If bandwidth economy does not play a role, MPX over IP codecs that offer dual streaming can be used to increase transmission robustness. If the primary stream is interrupted, the decoder switches to the second stream. Furthermore, a redundant setup including cable and satellite can ensure distribution of the MPX signals.

CONCLUSION

MPX over IP offers broadcasters three major advantages.

First, by directly connecting the studio and transmitter site, the equipment required is reduced, resulting in less time and money spent on system support.

Second, the technology distributes the multiplex signal in excellent quality, while hardware and software redundancy ensures transmission robustness.

Last, operators can utilize respective technology for distribution, which offers the best bandwidth economy as well as optimal regional coverage.

The post Centralized MPX Over IP Transmission appeared first on Radio World.

Anke Schneider

Adventures in 1970s AM: Visit to the Big Station

Radio World
5 years 9 months ago

Most cities in the early 1970s had one: a big, old-line, middle-of-the-road radio station. In Toledo, Ohio, ours was WSPD(AM), and it had been the first station to sign on in our city. It boasted the best signal. I had been told that its ratings dwarfed all the other AM stations in town. Most folks would not make the switch to FM for five or 10 more years so AM had little competition.

I worked about five miles away from this juggernaut over at WOHO(AM), a respectable number two in the ratings, but far behind WSPD. While WSPD played easy-listening stars like Patti Page and Perry Como, we played slammin’ top 40 during the week and oldies on the weekend. Yes, I was one of the WO-HO “good guys,” shouting silly stuff, slinging jingles and taking requests.

One day I was asked by our sales secretary to drop off a commercial tape at WSPD on my way home. I agreed and called a buddy there whom I’ll call “Glen,” and asked him if I could have a tour when I stopped by.

[Read: Adventures in 1970s AM: The Big Kahuna]

Even though I was in the radio business, I didn’t know any more about WSPD than a typical listener on his way to work in the car. WSPD sounded impressive on the air, with disk jockeys who were older than the WO-HO “good guys,” and who all came from the deep-voice school of announcing.

WSPD resided in its own building as was common for AM stations then, this one a faux-colonial with pillars in front and a nicely manicured lawn. I parked my car in the lot and headed up the walk to the entrance where engraved upon the glass door was the legend: “WSPD, the Voice of Toledo.” Stepping through a glass vestibule, I entered the reception area which was quite nice with a black and white tiled floor. A young woman sat at the front desk, putting postage on outgoing letters. I introduced myself and told her that I was there to see Glen, and she summoned him through the intercom.

Glen arrived promptly, accepted my tape and walked me down a hall to the main part of the station which is where I experienced my first moment of culture shock. I felt like I had exited a plush hotel and entered a shabby office of low-rent hustlers. These sales guys were all talking loudly on their phones and teasing the secretaries. The carpet was worn, there were no decorations on the cheaply paneled walls and the stench of cigar smoke hung over everything.

“Wow,” I said to Glen. “This is not what I pictured” He nodded his understanding and said “Wait until you see the studios, Ken.” Taking another turn down the hall we reached the main studio, visible through a large plate glass window. Inside I saw the air talent, whom I was told was the station’s afternoon drive time disk jockey “R.T.”

Surprisingly he was wearing an enormous caftan with a lovely floral print which barely covered his large bulk. His thinning hair was styled in what we now refer to as a “comb-over” as he waved us into the control room. Glen made introductions and Ron stood up and offered his hand and said “Hi, guy! Sit down for a while!” My friend Glen said “I’ll leave you to chat and I’ll be back in 10 minutes.” So R.T. and I talked between records as I watched him stack his commercial carts, check items off the log and occasionally answer the phone. He was quite friendly and larger than life, but looked nothing like the image in my mind of a dignified gentleman in a dark suit and tie.

While R.T. worked I began to take note of the equipment, which looked like it was left over from the early ’50s. The microphone was WWII-vintage and the turntables went back even further. Our equipment at WOHO was state-of-the-art by comparison. On the walls were autographed pictures of some big stars: Rosemary Clooney, Glenn Miller, The Ink Spots and several others that hadn’t had a hit in 20 years.

So much for my mental image of “the big station.” I felt like the curtain had been pulled back and the Wizard of Oz was just an old guy in a mumu.

Ken Deutsch is a writer who lives in sunny Sarasota, Fla., and has a book of these tales available, Up and Down the Dial.

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The post Adventures in 1970s AM: Visit to the Big Station appeared first on Radio World.

Ken Deutsch

Switzerland Confirms FM Switch off Date

Radio World
5 years 9 months ago

Bernard Maissen, deputy director for the Federal Office of Communications, has announced that Switzerland’s radio programs “will only be available on the FM Band until the end of 2024 at the latest.”

Credit: Wiki Commons

OFCOM said in a release that Maissen based his decision on the radio industry’s existing agreement and legal provisions. As per studies available to OFCOM, at the end of June only 17% of listeners tuned into radio using FM.

TIMELINE

According to the organization, in December 2014, the Digital Migration Working Group (AG DigiMig) stated that radio broadcasters intended to phase out VHF broadcasting by 2024.

It said that SRG and more than 80 percent of private radio stations agreed to this decision in 2015. And in October 2017, the Federal Council adopted the radio industry’s target and provided the legal framework for VHF switch off.

Maissen then announced the country would extend VHF radio licenses expiring in December 2019 until 2024, with the possibility of shortening the duration if the radio industry wishes.

Simultaneously, OFCOM would examine whether individual VHF transmitters in peripheral areas with insufficient DAB+ coverage could continue to operate for a limited period after 2024.

FIGURES

GfK research institute collects figures every six months on behalf of OFCOM and the AG DigiMig. Its results show the Swiss listening to an average of 65 minutes of digital radio per day out of 100 radio minutes.

This, says OFCOM, demonstrates a digital radio usage increase of 16% in three and a half years: from 49% in autumn 2015 to 65% in spring 2019. At the same time, VHF usage fell 16 percentage points from 51% to 35%.

While DAB+ has mainly replaced FM in the home and at work, the reports also reveal that FM is still more frequently used in car (56%). In spring 2019, listeners tuned into radio in the car via DAB+ for 38 out of 100 radio minutes. OFCOM points out, however, that the share of in-car DAB+ listeners is rising.

Findings also show that in the first half of 2019, the Swiss purchased some 136,400 DAB+ radios (excluding cars). According to GfK’s semi-annual surveys, consumers in Switzerland have bought a total of 4.3 million DAB+ devices since 2000.

Swiss Radio Day took place in Zurich on Aug. 29.

The post Switzerland Confirms FM Switch off Date appeared first on Radio World.

Marguerite Clark

IBC Sneak Peek: Rohde & Schwarz Introduces TMV9evo and THV9evo

Radio World
5 years 9 months ago

Rohde & Schwarz is introducing the new TMV9evo and THV9evo DAB+ VHF Band III transmitters, which complete the firm’s range of DAB+ transmitters.

Designed to help network operators reliably run their networks, Rohde & Schwarz says its DAB+ transmitters reduce operating costs, thanks to significant energy savings and build-in performance analysis capabilities.

TMV9evo is an air-cooled transmitter available from 350 W, while the THV9evo is liquid-cooled and available from 1.3 kW.

According to the company, the transmitters offer energy efficiency of up to 49% in all Band III frequencies, and minimize transmitter room cooling costs. In addition, it points out that the efficiency rate reduces system error level and maintenance requirements.

The company emphasizes that the unit is easy to operate, has a long lifespan and boasts a thermal design for continuous operation at 45°C. It adds that it’s possible to carry out complex analyses directly on the transmitter system, which, it says, reduces infrastructure complexity and decreases operating efforts for the system engineer.

IBC Stand: 7.B21

Info: www.rohde-schwarz.com                                                                                                    

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The post IBC Sneak Peek: Rohde & Schwarz Introduces TMV9evo and THV9evo appeared first on Radio World.

RW Staff

IBC Sneak Peek: AEQ Announces Atrium

Radio World
5 years 9 months ago

AEQ’s new digital audio mixer Atrium is specifically designed for on-air audio production at radio and television stations.

According to the company, Atrium is able to manage up to 1000 audio channels of local content and is AoIP-controllable through one or several control surfaces, each with up to more than 90 motorized faders with pages for snapshots or memories.

The mixer features a set of pre-configurable touchscreens, encoders, indicators and keys. This, says the firm, allows users to dynamically adapt each function according to specific requirements, maintaining the necessary information visible so operation is simple and safe.

What’s more, Atrium’s AoIP capabilities mean users can manage signal inputs/outputs as well as control elements on different, even distant equipment.

The new mixer incorporates tools that provide redundancy at all levels, as well as snapshots, physical and virtual control, automatic mixing and level adjustments.

IBC Stand: 8.C55

Info:  www.aeq.eu

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The post IBC Sneak Peek: AEQ Announces Atrium appeared first on Radio World.

RW Staff

IBC Sneak Peek: Inovonics Adds to DAB+ Range

Radio World
5 years 9 months ago

Inovonics is unveiling the INOmini 661 DAB+ monitor-receiver at IBC2019.

Specifically designed for the European market, Inovonics says the new INOmini 661 DAB+ monitor-receiver complements its 662 DAB+ SiteStreamer for remote monitoring.

Replacing the model 660, the INOmini 661 DAB+ monitor-receiver boasts many new enhancements at an attractive price, the company adds.

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Improvements include a larger LCD Display. better resolution, flashing red alarm message. It also features independently adjustable analog L/R and digital-AES audio outputs as well as additional measurement metrics added for more information. Firmware is field upgradeable via USB.

IBC Stand:8.B38

Info: www.inovonicsbroadcast.com

The post IBC Sneak Peek: Inovonics Adds to DAB+ Range appeared first on Radio World.

RW Staff

IBC Exhibitor Profile: Jay Tyler, Wheatstone

Radio World
5 years 9 months ago

IBC2019 is almost here. Between now and then Radio World will conduct several short Q&As with manufacturers about their plans and offerings, to help you get the most out of the big annual trade show. Jay Tyler is director of sales for Wheatstone.

Radio World: How has business been for the company since last year’s IBC Show? 

Jay Tyler: One word: Up! Business is changing and we are seeing the last of the analog studios leap into the world of IP audio.

Radio World: What are you hearing from your customers about their business outlook this year? In what areas should we expect growth or the most interesting projects?

Tyler: Customers are still saying budgets are tight but that they have to keep progressing technology-wise or they will be left behind. We see people installing modern infrastructures as a way to leverage technology, and they are reducing cost with these systems.

Radio World: Within the last year or so the two large station ownership groups have emerged from bankruptcy. Are you seeing any increase in equipment sales or interest? What is your feeling for the overall health of the radio industry?

Tyler: If you were an outside investor, you might think that radio is not where you’re going to make a quick buck. But for those of us in the industry, we are seeing an increase in spending due to the fact that many broadcasters held off upgrading their studios for years and kept some equipment longer than they should have.

[Read: IBC Exhibitor Viewpoint: Werner Drews, 2wcom]

Radio World: You’ve been active in the equipment manufacturing market for years. What’s the biggest problem or challenge facing manufacturers right now? Does the trade row between the United States and China greatly affect you?

Tyler: I think the biggest problem manufacturers are facing is obsolete parts. The manufacturers of the parts we use in audio equipment is changing too, so at Wheatstone we have a full-time person who deals with finding new parts to replace the old ones and making sure they work with our current designs. The whole electronics industry has felt the pain of “trade wars” but we have adjusted and moved on and business is getting back to normal.

Radio World: What new goodies will your company be showing? Why should attendees visit your booth?

Tyler: We are showing at IBC for the first time our Glass LXE, which is a multitouch virtual console that is a studio-ready standalone UI into the WheatNet-IP audio network. We are showing a new AoIP appliance called SwitchBlade that anyone replacing ISDN lines or looking to expand the studio beyond the usual four walls will be interested in. We are also showing for the first time this IBC the Strata 32, our new TV audio console that packs 64 channels and the latest IP audio innovations into a very compact frame. We’ll have the new X5 FM audio processor, which is really something and all I can say is you’ll just have to hear it for yourself. Finally, we’ll show our VoxPro 7.0 audio recorder/editor, which has a few new moves that we didn’t have last year. Wheatstone is in stand 8.C91.

Radio World: Going by the interest on our website, AoIP technology is on the top of the list for product acquisition and upgrades. Is that something you are seeing and if so, how are you addressing that?

Tyler: We have been full on AoIP for over 10 years and we just see it as a continuing area of interest for all broadcasters. I think broadcasters are getting a sense that if they’re not AoIP, they’ll be left behind because so much of what they will be able to do to keep up with changes going on around them will start with AoIP.

Radio World: What do you anticipate will be the most significant technology trend at the 2019 IBC Show?

Tyler: More interoperability and control layers for AES67.

Radio World: You’re a show veteran, how has the show changed since your first visit?

Tyler: We are seeing many more visitors from Africa, Middle East and North America than years past and people wanting to extend AoIP outside the facility to connect cities and sites around the world.

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The post IBC Exhibitor Profile: Jay Tyler, Wheatstone appeared first on Radio World.

RW Staff

2019 Fall Product Planner

Radio World
5 years 9 months ago

This ebook is nuthin’ but gear. It features editorial coverage of dozens of new products as introduced by the industry’s leading manufacturers in recent months, culled from Radio World coverage of the NAB Show, Radio Show, IBC, CES and other relevant trade expositions. You’ll find consoles, codecs, monitors, antennas, broadcast software, service providers and lots more. Technology ranges from analog to digital, including the latest in IP, with specs and company website information. You could almost build a whole radio station with the latest gear from these pages.

Sponsored by 2wcom, AudioScience, Bext, Comrex, Davicom, DJB Radio, Dielectric, ENCO Systems, Henry Engineering, Inovonics, Studio Technology, The Telos Alliance, Tieline  and Titus Labs.

The 2019 Fall Product Planner is free. Read it here.

 

The post 2019 Fall Product Planner appeared first on Radio World.

RW Staff

Community Broadcaster: In It Together

Radio World
5 years 9 months ago

The author is membership program director of the National Federation of Community Broadcasters. NFCB commentaries are featured regularly at www.radioworld.com.

This fall, the good folks at marketing consultancy Hearken will host their first Engagement Innovation Summit. It is one of those rare moments to bring together public-interest media of all kinds to talk about audience engagement and, more importantly, how to involve the communities we serve in bold ways.

Hearken is, in so many respects, the conscience of journalism. Jennifer Brandel and team have prodded everyone from commercial to nonprofit media groups to think differently about our work and the communities we cover. Whether it is working with journalism organizations abroad or showing up at the National Federation of Community Broadcasters’ Regional Summit in Grand Rapids, Hearken is ever present. The firm’s message is important: journalism must listen more, and newsrooms can help to cultivate a more engaged community in the process.

[Read: Community Broadcaster: Turning It Up]

Given the media landscape, such conversations could not come at a better time.

Countless case studies share the woes facing media organizations. Growing numbers of content providers, polarized coverage and income inequality all are contributing to less revenue. Layoffs and further audience attrition are the outcomes ultimately. On top of that, the public is saying more and more that the news cycle has them beleaguered and tuning out coverage.

For community media, often on the periphery of the journalistic ecosystem, these trends create calamity as well as opportunity. Shrinking donations for community radio mean we have to be more responsive in how we create content and develop our storytelling. Finding ways to reengage people in media and discovering what is important to their neighborhoods must be a priority for all of community media.

The times also demand that community radio stations be very frank when evaluating how their engagement work aligns with their strategic goals. Are we realizing our full potential? I ask because, in my professional life, I hear of many stations that say they simultaneously involve wide swaths of their communities, are diverse, and provide space to everyone, and yet are also struggling financially for even the most basic needs. In all but a few cases, I encourage stations to take a long look at these two matters — the large community supporting the station and the fact keeping the lights on is a real question — and find avenues to be most relevant. Sometimes, improving fundraising is as simple as asking. More often, it’s talking with the people we serve and exploring how we could more inspire their confidence, trust and investment.

Fortunately, journalism outfits everywhere are trying to solve the puzzle of audience and money, As Hearken shares, listening is proven to pay dividends. Groups like the Membership Puzzle Project offer plenty of examples of media organizations stimulate new conversations with a goal of making journalism sustainable. All of this research, and the October gathering, should give community radio a lot of hope. While big, for-profit newspapers and public radio may feel miles away, many of them are working on the subjects of engagement and membership. Their studies benefit everyone.

Community radio stations are finding our groove in a media saturated and increasingly difficult world. Fortunately, our media fellow travelers are lending the support we all need.

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The post Community Broadcaster: In It Together appeared first on Radio World.

Ernesto Aguilar

Inside WTOP: A Special Radio World Facility Tour Webinar

Radio World
5 years 9 months ago

WTOP and its sister stations Federal News Network and The Gamut recently moved to its new, spectacular studio plant on the D.C./Maryland border. Knowledgeable radio industry visitors are walking away marveling about it.

Now Radio World readers can visit too thanks to this special one-hour, multimedia webinar tour hosted by Radio World Editor in Chief Paul McLane.

We take our video cameras inside — to the Glass Enclosed Nerve Center, the WTOP editor’s desk, the specialized production and support studios, and the technical operations center of this big AoIP-based specialty media facility.

We learn from WTOP Technical Operations Manager Brian Oliger about the design philosophy behind the project, and from RadioDNA President Rob Goldberg about the installation and integration challenges.

WTOP is a special success story. It was again the nation’s top-billing radio station in 2018, according to BIA Advisory Services; it was the only station in the top 10 that is not located in New York, L.A. and Chicago, and the only one not owned by iHeart or Cumulus; and it is consistently the No. 1 station in Nielsen’s 12+ ratings in Washington, a market of almost 5 million people.

Originally airing Aug. 28, this 1.5-hour webinar is now available on-demand. See it here.

The post Inside WTOP: A Special Radio World Facility Tour Webinar appeared first on Radio World.

RW Staff

Inside the September 1st Issue of Radio World

Radio World
5 years 9 months ago

The new edition explores how to do emergency streaming on the cheap, as well as what’s new in broadcast studio furniture and accessories. It remembers the Mosquito Network, previews the fall AES Show and reports on the efforts by U.S.-based shortwave broadcasters to develop affordable DRM receivers.

REGULATION
Why I Believe the FCC Failed on Translator Interference

Engineering consultant Charles M. Anderson lays out his views on an FCC action that touches many users of the FM spectrum in the United States.

TECH EVENTS
AES to Shine in Big Apple

Conference No. 147 for the big audio organization is taking shape, and it again will be collocated with NAB Show New York.

ALSO IN THIS ISSUE:

  • O’Rielly in Middle of C-Band Debate
  • “Don’t Be Afraid of AoIP”
  • Podcasting: Community Broadcast Rocket Fuel

 

The post Inside the September 1st Issue of Radio World appeared first on Radio World.

RW Staff

Inside the August 14th Issue of Radio World

Radio World
5 years 9 months ago

Randy Stine reports on current contention about the fate of the C-band. Fred Jacobs explains why he is paying close attention to the latest SiriusXM app. ConnectedTravel explains its vision for the dashboard, and why radio should care. All this and much more. (Oh, and Legos, too!)

FACILITY DESIGN
What Do You Get When You Combine Legos and Radio?

WLGO is a miniaturized radio studio, created by a passionate broadcast pro.

ROOTS OF RADIO
Broadcast History Cards Provide Peek Into Past

Available online, these images offer a trail of tantalizing bits of info over many decades of radio.

ALSO IN THIS ISSUE:

  • VB-Audio Software: France’s Best Kept Secret
  • Bad Electrolytic Capacitors Can Cripple Your Exciter
  • Summer of Products

 

The post Inside the August 14th Issue of Radio World appeared first on Radio World.

RW Staff

Maryland Gas Explosion Site Was Birthplace of HD Radio

Radio World
5 years 9 months ago

The gas explosion that left 22 businesses homeless in Columbia, Md., last Sunday also wiped out a little bit of radio technical history.

The office and shopping complex that was so seriously damaged was also where HD Radio was invented and commercialized. Technology developer USA Digital Radio was based there in the early days of HD Radio.

“The entire system used today and approved by the FCC was developed there,” said Glynn Walden, the veteran broadcast engineer who was a key player in development of the in-band, on-channel digital radio technology.

“There were about 50 employees there. This was the home of USA Digital Radio during the development of HD Radio, which became iBiquity.” Walden’s office, other staff and leadership offices, and technical laboratories were located there at the time. The company later moved elsewhere and subsequently became part of DTS and then Xperi, which today maintains offices in another part of Columbia.

“All of the [IBOC] system that was approved by the FCC was developed in that building,” Walden continued. “The only real changes have been the implementation of the multicasting and data, which were part of the original design but were later added through the use of importers and exporters.”

The first IBOC test transmissions were done in the early 1990s. USA Digital Radio’s investors included radio broadcast groups seeking a way to deploy digital technologies that could coexist on the part of the spectrum where their existing AM and FM assets were licensed. The company filed a petition for rulemaking with the FCC in 1998, and the commission began the regulatory approval process the next year.

According to news accounts, the Lakeside Office Building and shopping center where the explosion occurred was home to a nail salon, day spa and an office for the Social Security Administration, among others. Residents at least a mile away reported their houses shaking from the explosion. No injuries were reported but parts of the complex were entirely wiped out.

Based on news photos, Walden believes that the second-story office space that USADR/iBiquity had occupied then was near the center of Sunday’s blast and probably totaled.

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The post Maryland Gas Explosion Site Was Birthplace of HD Radio appeared first on Radio World.

Paul McLane

IBC Sneak Peek: Win-Group Offers Scalable Solutions 

Radio World
5 years 9 months ago

Win-Group Software says the WinMedia radio and TV automation software, on show at IBC2019, unifies the content chain by managing all aspects of media from acquisition and production, through to distribution, marketing, planning and dissemination.

The company promotes the software as a “complete solution,” which allows users to ingest and produce content for radio, TV, web and mobile in a single system.

By adding the WinCam module, the company offer its own visual radio system for radio broadcasters and easy-to-use camera management for visual radio.

WinCam allows users to handle up to eight cameras or inputs and broadcast the results on platforms such as YouTube and Facebook Live.

In addition, Win-Group offers the WinMam integrated newsroom computer system that is designed to let users manage library, logger, voice track or playlist functions via internet.

Finally, the firm’s WinSales web-based CRM manages all client sales activities. WinSales is a scalable solution that promises to streamline booking and billing operations by providing real-time online booking, tailor-made customer relationship management and a wide range of planning, management, billing and reporting options.

IBC Stand: 6.A26

Info: www.winmedia.org

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The post IBC Sneak Peek: Win-Group Offers Scalable Solutions  appeared first on Radio World.

RW Staff

Emergency Streaming on the Cheap

Radio World
5 years 9 months ago

It can be a dreaded call: “The STL is down,” or “The stream isn’t functioning.” Usually the goal is to get something back up — fast. It may not be perfect audio, but good (and reliable), and at least you are back on the air. Consultant and projects engineer with Chicago’s Scope+Focus, Len Watson, has been down this road and offers a solution: If you can locate an old computer (desktop, laptop, Windows, Linux) you can put together an audio backup that can be fired up in little time, and for about zero dollars. Translation: You’re a hero to the GM.

For two different clients, Len has found old laptops in storage, and pressed them into backup service. One of these computers is a really old AMD Sempron (see Fig. 1) which actually took Windows 10. Len also converted a Lenova T42 (that’s not a typo) with Windows 10 and it works, too.

Fig. 1: Len Watson of Scope+Focus put together this emergency streamer kit.

Once you’ve secured that computer, head to Icecast and SourceForge and get Icecast 2 and the Icecast GUI and BUTT respectively. Install Icecast, customizing the XML file, changing passwords, etc. Then load BUTT (it stands for Broadcasters Using This Tool); and customize it, selecting the stream rate and format. You’ll also want to enter the same password you gave Icecast.

Note, too, that BUTT will record an archive on the local hard drive if you want. Now, run audio and Ethernet to the computer and you have a cheap standby streamer. Icecast will tell you what the address is, and you can make it public or private.

In short, it will “find its way” to the web. You may have to open a couple of ports in a firewall, but it’s aggressive in getting through. If your back’s against the wall, you’re on the air with just that. If you drag Icecast and BUTT into the startup menu (for Windows, run shell:startup), the machine will begin streaming when it boots up.

Here’s a neat idea for contract engineers. Len has set up an HP ProBook 450G as a loaner/rental for his clients. The equipment pouch includes the computer, power supply, Digidesign Mbox2 audio interface, a couple of Ethernet cables and a number of audio adapters. It kept one station on for about six days.

Of course, you can make it better. Adding a used Mbox2 will improve the sound over an onboard sound card. They’re about $25 to $35 shipped on eBay. Len suggests you don’t buy an Mbox1.

Another tip — changing the name of Kastor.exe to .ex_ will disable Icecast’s internal audio recorder/importer so it won’t go hunting for something to record.

Len also cautions to be prepared for the “Nag Screen” that pops up looking for donations to SourceForge. You can close it out but they’re just looking for 20 bucks. If this kept a station on the air, have the GM send ’em some money — it’s worth it!

If you don’t want a lot of control of the stream — fewer format choices and having to adjust audio with the computer’s software slider — you can go with NCH’s Broadwave Streaming Tool. It will set you up nicely, too. It’s a pay program, but NCH makes a pretty trustworthy suite of audio and video tools.

If you’re using this setup to get your signal to the transmitter, you may want to install a VPN for security, too.

Here’s the SourceForge link: https://sourceforge.net/projects/butt/

The link for Icecast: http://icecast.org/download/

Other helpful links include the Mbox2 driver download page: https://tinyurl.com/8b3gmdc; and the NCH Software Broadwave Streaming Audio Software page: https://www.nch.com.au/streaming/index.html.

Although not designed for full-time use, having one of these set up and ready to go as a backup is cheap, yet invaluable, insurance. Thanks, Len, for the great ideas.

***

 

Sealing conduit is a must to avoid vermin, water and trash from incursion. Although foam or putty are satisfactory, removing the “plug” to get other wires into the pipe can be messy. Plus, rodents will chew right through the foam unless you include a stainless steel or copper wool component.

Consulting Engineer Charles “Buc” Fitch, P.E. offers another idea especially for unused pipe or conduit — use a pipe stopper. These are cost-effective seals that you insert in the conduit or pipe and when you hand tighten the nut, the rubber gasket expands to seal the opening. Of course, these are ideal when you are capping off an end, because if you have cable entering the pipe or conduit, you will need to carve a small notch in the plastic to permit the cable to pass, but it will keep the rodents and snakes out.

These handy devices can be found at Newman Tools —http://www.newmantools.com/cob/nylon.htm.

But you’ll also find them at the big box stores as well as plumbing suppliers. Buc advises if you buy these plugs locally, to take a small piece of the pipe with you, to insure you get the right inner diameter size.

One last thought from Buc — if you have those metal coax feedthrough ports for coax at your transmitter site, these stoppers are ideal for plugging unused ports, and they are a lot quicker to remove than the rubber boots held in place with a hose clamp!

Contribute to Workbench. You’ll help y our fellow engineers, and qualify for SBE recertification credit. Send Workbench tips and high-resolution photos to johnpbisset@gmail.com.

Author John Bisset has spent 50 years in the broadcasting industry and is still learning. He handles Western US Radio Sales for the Telos Alliance. He holds CPBE Certification status with the SBE, and is a past recipient of the SBE’s Educator of the Year Award.

The post Emergency Streaming on the Cheap appeared first on Radio World.

John Bisset

IBC Sneak Peek: DEVA Broadcast Brings DB4005 to IBC

Radio World
5 years 9 months ago

DB4005 is the latest monitoring product from DEVA Broadcast.

The company explains that the unit makes use of sophisticated DSP algorithms and provides SDR FM tuner-based signal processing. “Its powerful digital filters are a guarantee of precision and enable the FM signal to be accurately and repeatedly analyzed with each device,” the company adds.

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A standout feature of the DB4005 is the MPX input, which allows users to monitor external composite signals, regardless of whether they are from a composite STL receiver/stereo FM encoder, or from an off-air source. In addition, the Loudness Meter allows for measurements to be shown as defined by ITU BS.1770-4 and EBU R128 recommendations — the DB4005 supports both standards.

DB4005 is easy to use and packs a host of features. These include TCP/IP connectivity, audio streaming, and automatic alerts for operation outside of predefined ITU-R ranges, as well as GSM connectivity.

IBC Stand: 8.D79

Info: www.devabroadcast.com 

The post IBC Sneak Peek: DEVA Broadcast Brings DB4005 to IBC appeared first on Radio World.

RW Staff

Radio Show Announces Tech Program

Radio World
5 years 9 months ago
Gary Cavell

The organizers of the upcoming Radio Show have released information for “Tech Tuesday,” a day featuring sessions and a keynote dedicated to engineers and technical personnel attending the show.

Scheduled for Sept. 24, consultant/engineer Gary Cavell, recipient of the 2019 NAB Radio Engineering Achievement Award at the spring show, will deliver the keynote. He said, “I’m excited and honored to be presenting the keynote address at the first-ever Radio Show Tech Tuesday. Frankly, there is so much to talk about it’s hard to pick a topic. I’ve decided to focus on how technology is evolving in radio, on some of the technology projects being pursued by NAB PILOT, and perhaps most importantly, the value of continuing education and mentoring for radio engineers.”

[Read: Radio Show Adds Gary Vee and Anderson to Line Up]

Radio World Editor in Chief Paul McLane will head up a session entitled, “What’s Next in Radio Tech.” Joining him will Michele Laven of iHeartMedia, Steve Shultis of New York Public Radio, Nick Piggott of RadioDNS, engineering consultant Bert Goldman and Joe D’Angelo of Xperi.

Another session will look at the possibility of digital AM broadcasting. The NAB’s Vice President of Advanced Engineering David Layer will discuss the topic with Dave Kolesar of WTOP(FM)/WFED(AM) and Russ Mundschenk of Xperi.

On-site radio equipment companies and Tech Tuesday sponsors presenting breakout sessions include Comrex, Dielectric, ENCO, GatesAir, Nautel, RCS and The Telos Alliance.

The Radio Show is Sept. 24–26 in Dallas.

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The post Radio Show Announces Tech Program appeared first on Radio World.

Brett Moss

Wayne Pecena Elected as SBE President

Radio World
5 years 9 months ago

The Society of Broadcast Engineers has announced the results of its 2019 election for the national board of directors, disclosing that Wayne Pecena has been chosen as the next president of the SBE, replacing Jim Leifer, who becomes the immediate past president.

Pecena, a member of SBE’s Chapter 99 in College Station, Texas, is the assistant director of educational broadcast services at Texas A&M University, where he also serves as the director of engineering for public broadcast stations KAMU FM/TV. Pecena will serve a one-year term as the society’s president.

[Read: Security Is a Lot of Nonstop Work]

“I look to continue the strategic planning implementation work that began under Pres. Leifer, while insuring that the future certification, continuing education and professional service needs of all SBE members are met as our industry and technology continues to change,” Pecena said.

Three other officers were elected to one-year terms: Andrea Cummis (Chapter 15, New York; Roseland, N.J.) was voted vice president; Kevin Trueblood (Chapter 90, Southwest, Fla.; Ft. Myers, Fla.) will become the secretary; and Ted Hand (Chapter 45, Charlotte, N.C.) was voted to the position of treasurer.

Six individuals were also elected to serve two-year terms on the board of directors: Mark Fehlig (Chapter 40 San Francisco; Walnut Creek, Calif.); Charles Keiler (Chapter 53 South Florida; Ft. Lauderdale, Fla.); Geary Morrill (Chapter 91 Central Michigan; Saginaw, Mich.); Jason Ornellas (Chapter 43 Sacramento, Calif.); Chris Tarr (Chapter 28 Milwaukee); and Dan Whealy (Chapter 96 Rockford; Waterloo, Iowa).

The newly elected officers and board members will begin their terms on Oct. 16, where they and the previously elected board members will continue to develop policy and programs for its members.

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The post Wayne Pecena Elected as SBE President appeared first on Radio World.

Michael Balderston

Battle Lines are Drawn in LPFM Interference Rules Order

Radio World
5 years 9 months ago

Proponents for and against changes to the LPFM interference complaint process continue to debate the merits of the proposed changes — with one technical consulting firm pointing out that use of one particular measurement radio could usher in a series of “dire unintended consequences.”

In May the Federal Communications Commission adopted new proposals to streamline the rules relating to interference caused by FM translators and adopted specific proposals to expedite the translator complaint resolution.

[Read: FCC Finalizes FM Translator Interference Rules]

Among those changes were the decision to allow FM translators to resolve interference issues by changing channels, to standardize information that must be submitted, to establish new interference complaint resolution procedures, and to establish a new outer contour limit (outside of which within which interference complaints will not be considered).

But in the weeks since then, organizations have called on the FCC to reconsider its stance. The LPFM Coalition said that the FCC rulemaking fails to meet certain statutory requirements within the Communications Act  and the Local Community Radio Act of 2010.

Among other concerns, the coalition said that the rulemaking fails to provide improvements for LPFM stations, that it ignores multiple listener interference complaints if they come from a single building, and that the new rules require that interference complaints contain data points that measure underlying interference using a calculation rubric that excludes any measure of interference, a move that the coalition said “is essentially a rule that negates itself.”

That calculation, known as an undesired-to-desired ratio (U/D ratio) for determining interference, was also brought up in a separate filing by the technical consulting firm Skywaves Consulting LLC.

That consulting firm said the imposition of standard U/D ratios using standard FCC contour methodology could usher in a series of  “dire unintended consequences.”

Skywaves said the use of a contour-based U/D study for each complaint is certainly useful for complaints outside the protected contour. But using it within a protected contour is a mistake.

“The U/D ratio decreases within the protected contour as you approach the protected transmitter. Therefore, it appears that the new rule would eliminate from consideration all complaints of co-channel and first-adjacent channel translator interference within a protected station’s protected contour,” the Skywaves filing said.

“This is clearly not an intended result, and this portion of the rule should be reworded to make it clear that the U/D ratio criterion applies only outside the protected contour,” the firm said.

According to counsel for the LPFM Coalition, the commission should stay the specific rulemaking aspects that it specified and either rescind those provisions or issue a notice of further rulemaking to fix them.

The low-power station KGIG(LP) in Salida, Calif., agreed with the coalition’s stance, saying that conclusions in the rulemaking conflict with precedent and fact and could contravene the Administrative Procedure Act.

The LPFM Coalition’s stance also has support from REC Networks, which expressed specific concern with the use of a –20 dBu U/D ratio for determining interference. “This standard, coupled with the 45 dBu outer limit, would mean that a station could formulate an interference complaint in areas where the new FM translator only places a 26 dBu contour,” REC Networks said. “This can open the door to more fraudulent and frivolous claims against very distant translators.”

But other organizations disagree of several of those issues.

The National Association of Broadcasters said the LPFM Coalition “simply rehashes previously rejected arguments” that the Local Community Radio Act of 2010 requires equivalent regulation of LPFM and FM translator services.

The NAB pressed the FCC to reject the coalition’s concern over the rule change that now says that translator interference complaints must be based on multiple listener complaints using separate receivers at separate locations (multiple listeners complaints from a single building are now to be counted as a single complaint).

The NAB also said the coalition’s argument fails to meet a necessary list of four standards for a stay. The coalition responded soon after to say the “NAB is wrong on the law” as no mandatory stringent four-prong test applies.

The NAB did not address the U/D issue in its first filing. In a subsequent filing, the NAB said that it agrees with the Skywaves assessment that the order’s requirement of a contour-based U/D study for every interference complaint could unintentionally impede consideration of bona fide translator complaints.

Another view came from a joint group of broadcasters who praised the commission’s order as a balanced approach but they also expressed concern about the U/D threshold.

The order will undoubtedly bring more consistency, predictability and speed to the process for resolving FM translator interference complaints, said a group that includes Beasley Media Group, Cox Media Group, Entercom Communications, iHeart Communications, Neuhoff Corp. and Radio One Licenses, which are licensees of both primary FM stations and FM translator stations.

But the commenters expressed concern that there is a real (though they said rare) possibility that the U/D threshold for actionable complaints could negatively impact legitimate interference complaints based on listeners within a desired station’s protected contour.

According to the joint group of broadcasters, the commission should consider exempting listening locations from the U/D showing if they are within the desired station’s protected contour.

Comments on the issue are being field as part of Media Bureau Docket 18-119.

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The post Battle Lines are Drawn in LPFM Interference Rules Order appeared first on Radio World.

Susan Ashworth

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