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Radio World

IBC Set to Go Ahead as Planned in September

Radio World
4 years 1 month ago

IBC 2021 is set to go ahead as planned in September, with organizers saying they are focused on delivering “a fantastic event” at the RAI in Amsterdam.

However, the fall back dates for December are still in place, and an announcement on that is expected to be made in June. Organizers are asking the industry to keep their options open for both possible sets of dates.

The current dates for the show are Sept. 10–13 with the fall-back option of Dec.3–6.

IBC CEO Michael Crimp said organizers realize this year’s show might be the first large scale event many people have attended in a long time, and the team is putting lots of planning into that. They are working closely with the city of Amsterdam and the RAI, monitoring changes as they evolve.

“The industry is telling us that people are keen to come together again after being apart for a long time. In the coming months, a number of factors will help us decide when the event can happen and in what format. From macro trends such as vaccine roll out and testing, to the willingness of our attendees to travel, we will take all things into consideration as we make those important decisions,” he added.

IBC said it is budgeting for exhibition space to be about 30% less than in 2019, with the two pavilions not being used in 2021.

This year’s event will have more of a festival feel, said Crimp, with a perimeter to the site that will enable them to move around more freely. Attendees will have their temperatures checked before entering the perimeter, and will need to declare that they have recently passed a COVID test.

There will be no onsite registration for people who have not preregistered.

Inside, the halls will have extra wide aisles and one-way for ease of access. IBC intends to use cameras to monitor capacity in each hall. Each exhibitor will be told of their stand capacity, with attendees being scanned-in and out to monitor numbers.

Steve Connolly, head of sales at IBC, said support from the industry continues to be strong, with 30,000-sq. foot of booth space booked so far.

IBC will also run a digital platform for exhibitors alongside the physical event to enable them to promote products and book digital meetings.

The post IBC Set to Go Ahead as Planned in September appeared first on Radio World.

Jenny Priestley

Glover Named to Editorial Post at MPR

Radio World
4 years 1 month ago

MPR News named Sarah Glover as its newsroom’s managing editor.

She is former manager of social media strategy at NBC Owned Television Stations. She has experience as a photographer for the Philadelphia Inquirer and Philadelphia Daily News, and was the first two-term president of the National Association of Black Journalists.

[Visit Radio World’s People News Page]

“During her tenure, she created the NABJ Black Male Media Project, which examines the portrayal of Black men in the media,” MPR stated in its announcement. “She also played a crucial role in the Associated Press Stylebook’s move to capitalize the ‘B’ in Black to describe people and communities.”

She will lead 40 reporters, photojournalists and editors and be responsible for editorial decisions and planning on MPR News platforms.

“As communities across America strive for equity, so does the news industry,” she was quoted in the announcement. “My goal is to build upon the diversity work at MPR and develop an anti-racist and inclusive newsroom that’s a model for the nation. Storytelling is truth-telling, and the role of journalism is vital.”

Mike Mulcahy has been acting as interim managing editor since Laura McCallum took another post.

Minnesota Public Radio is a subsidiary of American Public Media Group.

Send your people news to radioworld@futurenet.com.

 

The post Glover Named to Editorial Post at MPR appeared first on Radio World.

RW Staff

Solid, Innovative Processing for “Regular Guys”

Radio World
4 years 1 month ago

A recent Radio World ebook explored trends in audio processing for radio broadcasters. Among the stories in that ebook was an interview with Ben Barber, president/CEO of Inovonics.

RW: Your take on the most important development in processors?

Ben Barber: Everything needs to be remote controllable and “monitorable.”

With fewer and fewer people actually being onsite, if there is an issue, broadcasters want to know about it right away. All of our newer audio processors are web-enabled, which means you can log into them and control them via their web page and not a proprietary app or program that may run on your PC but not on your smartphone.

With web-enabled products, everything can be controlled from any device with a web browser. You can also get emails, text messages and SNMP alerts as well as stream the audio back over the web.

RW: What should we know about differences in processing for analog and digital OTA, streaming and podcasts?

Barber: Today’s processors are all DSP-controlled and most can sound very good while at the same time controlling peak modulation as well as density. All that is great; but if you start with an MP3, especially at a lower bitrate, there is little you can do to make that source material sound great.

Always start with great audio, which will in the long run save you so many headaches down the road.

RW: What are the implications for managing processing, now that so many people have been working remotely?

Barber: I think what COVID has shown us is the resilience of both broadcast personalities as well as engineering to be able to do “everything” remotely. But just because it can be done begs the question, “Is it best for radio?”

Our medium is a very personal one, where the synergy between hosts is evident on nearly every show. Sure, programs can be done remotely; but in my opinion, if we think this is the new normal and we continue doing everything from scattered offices with little human interaction, then we are not giving our best.

As for processing, its primary purpose is to control peaks in order to protect your transmitter’s modulation, and also to keep you from splattering on your “neighbor.” Our industry should strive to give that processing air chain the best possible content that we can produce; to do that, I think in-person energy is what stimulates the mind, and the product shows it.

RW: What tools are available to mitigate issues involving synchronization of HD Radio and analog signals?

Barber: Back in the day when HD Radio was introduced, the system could be stable if everything was collocated and set up properly.

Unfortunately, the problem was exacerbated by splitting up the system and not keeping the importer and exporter at the same location, nor keeping them time-locked together via GPS. In addition you had latency and packet issues that would wreak havoc on the FM and HD1 alignment.

Though there are new processors and equipment on the market that should keep things in alignment, the majority or equipment still in service still has huge drift issues.

Here’s a picture of FM/HD1 drift over a 20-day period on a local FM/HD1 station.

FM/HD1 drift over a 20-day period on a California station.

This is not a small market off in the corner of some small city or county. They either need to replace all their HD Radio equipment, or get a JUSTIN 808 Time Alignment Processor from Inovonics. Our box goes in-line with the HD1 audio and continuously monitors the alignment of the two audio signals. When the alignment drifts, samples are slowly added or subtracted from the air chain until the FM and HD1 audio is aligned. It’s really that simple to fix.

That picture shows a drift of 20,000 samples which is nearly 0.5 second!

RW: In 2014 when we visited processing in an ebook, we thought radio processors were so powerful and had such incredible algorithms, that it was hard to imagine where further dramatic improvements would come from. How do you answer that today?

Barber: I more or less agree. Today’s DSPs are so powerful that the issue no longer becomes processing power, but the intellectual property of making algorithms function in a way that makes things sound exceptional.

Inovonics’ goal in designing and manufacturing audio processing has been to design a quality product that is innovative and gives exceptional results at an affordable price.

I like to use the analogy of driving a car when comparing audio processors. It would be hard to argue that a McLaren 720S, Lamborghini Aventador or Ferrari 488 are not incredibly magnificent automobiles and take driving to a whole new level; but, for most of us, a solid Mercedes, BMW, Chevy, Ford or Toyota are probably quite sufficient to get the job done of a “daily driver.”

Again, taking nothing away from the supercars of today; but you will see a lot more “regular” cars on the road as we go about our daily tasks. The honest truth? That’s where I see Inovonics fitting into the processor market: a solid, dependable, reliable, innovative audio processor for the “regular” guy.

The post Solid, Innovative Processing for “Regular Guys” appeared first on Radio World.

Paul McLane

DRM Consortium Sees “Excellent Progress”

Radio World
4 years 1 month ago

The DRM Consortium recently concluded its General Assembly. Seventy people from 13 countries participated.

Chairman Ruxandra Obreja said the past year has been the busiest for DRM since the consortium was founded.

She reported “excellent progress” over that time in countries including India, South Africa, Indonesia, Pakistan, Brazil, Russia and Hungary.

[Read: StarWaves Introduces DRM SoftRadio App]

Obreja also cited prototypes, updates and developments announced by receiver and chipset manufacturers including Gospell, RF2Digital, Inntot, Cambridge Consultants, NXP, Fraunhofer IIS and StarWaves.

She also noted the announcement of a project to test the DRM framework within ATSC 3.0 digital television, which would give access to DRM content on various devices and platforms.

And she said interest was strong in the recent trial of DRM for FM in India, which she called a success and which also featured head unit radios with both DRM AM and DRM FM integrated.

 

The post DRM Consortium Sees “Excellent Progress” appeared first on Radio World.

RW Staff

FCC Admonishes Licensees for Missed Deadlines — but Agrees to Cancel Forfeitures

Radio World
4 years 1 month ago

The Federal Communications Commission has taken the unusual step of cancelling two proposed forfeitures — but not without admonishing the licensees for their violations.

In both cases, a Notice of Apparent Liability was issued by the Audio Division of the Media Bureau for the same violation: failing to file a license renewal application in a timely manner.

In the first case, the Bay City Public Schools district in Bay City, Mich., failed to file an application to renew the license of station WCHW(FM) on time. The same error was made by Billy R. Autry, licensee of two Mississippi stations —  WKRA(AM) and WKRA(FM) in Holly Springs, Miss.

[Read: Four Stations Receive Forfeitures for Same Alleged Violation: Late Filings]

The FCC Rules are clear when it comes to submitting license renewal applications: the request must be submitted on the first calendar day four months prior to the expiration of the license.

In Bay City’s case, that meant that the application should have been filed by June 1, 2020, to prepare for the station’s Oct. 1, 2020, license expiration date. That application was not filed until the day before it expired: Sept. 29, 2020.

For Autry, the renewal applications for the two stations should have been filed by Feb. 3, 2020, in preparation for a June 1, 2020 license expiration date. Those applications were not filed until May 20, 2020.

In both cases, the bureau proposed a forfeiture of $3,000 per station. Both licensees were given 30 days to pay the full amount or file a written statement as to why it should be reduced or cancelled.

For the Bay City Public Schools district, it blamed the coronavirus pandemic.

The school wrote to explain that its employees did not have access to the station for four months in early 2020 because of restrictions associated with the COVID-19 pandemic. The district also had the impression that its filing deadline was July 1, 2020, and believed that it had already filed its renewal application on June 29.

It turns out that the licensee had saved the application in the commission’s Licensing and Management System database but it had not formally turned it in. Mistakes that result from unfamiliarity with the FCC’s requirements are still willful violations, the bureau said. “[C]onfusion or difficulties with the commission’s electronic filing system are not grounds for reduction or cancellation of a forfeiture,” the bureau said.

But the disruption caused by the coronavirus pandemic held sway; the bureau moved to cancel the forfeiture and granted the renewal application. But it admonished the licensee for failing to file on time.

In Autry’s case, the bureau proposed a $6,000 fine for failing to renew the two stations’ licenses and gave him 30 days to pay the full amount or explain why the forfeiture should be reduced or cancelled.

Autry responded by saying that he was not aware of the filing deadline because a notification was sent to a former employee of the stations. He also asked the bureau to cancel the proposed forfeiture based on his inability to pay and included copies of federal tax returns for 2017, 2018 and 2019 in support of this request.

Being unaware of a deadline is not enough to excuse the violation, the bureau said. Violations resulting from error or unfamiliarity are still willful violations.

But the bureau will consider a reduction or cancellation of a fine if the licensee can demonstrate a legitimate financial hardship through three recent federal tax returns. After reviewing those, the bureau found that payment of the proposed forfeiture would create such a hardship. As a result, the bureau cancelled the proposed forfeiture and granted the renewal applications — but not before admonishing Autry for his violations.

 

The post FCC Admonishes Licensees for Missed Deadlines — but Agrees to Cancel Forfeitures appeared first on Radio World.

Susan Ashworth

StarWaves Introduces DRM SoftRadio App

Radio World
4 years 1 month ago

Starwaves and Fraunhofer IIS announced an Android app that allows reception of Digital Radio Mondiale transmissions on mobile devices, when used in conjunction with an RF dongle.

“Starwaves enables Android phones and tablets to receive entertainment, text information and emergency warnings via DRM Digital Radio — without costly data plans, independent from cell phone network availability, and based on innovative Fraunhofer technology,” Starwaves said in its announcement.

 

A promo image from the Starwaves website.

 

The company noted that it has been active in DRM radio receivers for years. Johannes von Weyssenhoff is founder of Starwaves, which was founded in Germany in 2005 and subsequently moved to Switzerland. Its early products included Starwaves Prelude, a DRM-DAB receiver, and Carbox, an automotive DRM-DAB with analog shortwave. The company was also involved in Africa’s first DRM trial in the FM band in South Africa.

[Related: “Sinclair, Fraunhofer Will Integrate DRM in ATSC 3.0”]

The new app provides listeners with access to the DRM digital radio standard, across all transmission bands from DRM on longwave to FM band and VHF band-III. The app is available on the Google and Amazon Android app stores.

The app supports DRM features like Emergency Warning Functionality, image slideshows, station logos, and service descriptions including Unicode support.

“To provide all these services, the app only requires a standard off-the-shelf SDR RF dongle that is attached to the device’s USB port,” it said.

DRM’s largest market is India, where it is heard on mediumwave and has recently been tested for possible use on the FM band. The DRM Consortium recently concluded its General Assembly, which also reported on projects in Indonesia and Pakistan as well as a DRM trial on FM in Russia and another on shortwave in Brazil.

The post StarWaves Introduces DRM SoftRadio App appeared first on Radio World.

Paul McLane

Carr Calls Foul on Congressional Democrats

Radio World
4 years 1 month ago

Commissioner Brendan Carr is objecting to what he says is politically motivated pressure for the FCC to reject the sale of a Miami radio station.

Carr, a Republican, cited news reports that members of the Congressional Hispanic Caucus want the commission to reject the sale of WSUA, “Caracol 1260 AM.”

“According to the Democrat representatives, the FCC must block this change in ownership to prevent what they view as a progressive broadcast station from beginning to air conservative viewpoints to Miami’s Hispanic community,” Carr stated in a press release.

He cited quotes in Newsweek’s reporting from Florida Democrats “sounding the alarm” including a quote from Former Rep. Debbie Mucarsel-Powell that “To win in 2022 this must stop!”

[Newsweek: “Florida Democrats Sound the Alarm After ‘Spanish-Language OAN’ Buys Miami Radio Station, Fires Liberal Host”]

Carr called it an attempt by Democrats in Congress to block the sale of the Spanish-language station based on its projected political viewpoints.

“The FCC has no business doing the Democrats’ bidding or using our regulatory process to censor political opinions that Democrats do not like,” Carr wrote.

“What’s worse, the Democrats appear to be treating the FCC as merely an arm of the DNC — expressly pressuring the agency to take action that they believe will increase their electoral odds in Florida in 2022.”

He called it a “deeply troubling transgression of free speech and the FCC’s status as an independent agency” and asked his FCC colleagues to the effort.

Newsweek reported that the buyer plans to change the name of Caracol 1260 AM to América Radio.

 

The post Carr Calls Foul on Congressional Democrats appeared first on Radio World.

Paul McLane

Audioburst Joins Harman Ignite Store

Radio World
4 years 1 month ago
A promotional image from the Audioburst website.

Audio search and delivery firm Audioburst now is available on the Harman Ignite Store connected vehicle platform.

Separately, Harman also opened a hub for Android Automotive developers.

“The Audioburst Android Automotive app is now available through the Harman Ignite Store to augment vehicle infotainment systems, providing drivers and passengers alike with unprecedented personalization and access to the world’s largest searchable library of talk audio content,” the companies announced.

The company’s AI listens to podcasts and radio stations, analyzes and indexes the long-form content and cuts it into short-form audio clips called bursts.

“Keywords, entities, sentiment and additional metadata features are extracted to ensure the most accurate topical segmentation,” the company explains. “The bursts are then grouped together into playlists to provide listeners with a recommended content stream based on trending topics, past behavior, and defined keywords and interests. These can be as broad as ‘Tech’ and ‘Business’ or as specific as ‘Ariana Grande,’ ‘LA Lakers,’ and ‘Pfizer stock.’”

Audioburst CEO Amir Hirsh was quoted saying this approach means drivers don’t have to browse podcasts and radio stations “in futile, and at times dangerous, attempts to find relevant content,” thanks to personalization and discovery capabilities.

Audioburst said its APIs also “provide OEMs with powerful user analytics and unique monetization opportunities.” OEMs can collect info about content consumption that can be used to inform subscriptions or advertisements.

Albert Jordan, VP of the Harman Ignite Store business unit, said the purpose of its platform is to connect drivers and passengers to their favorite apps and media.

Harman International is a subsidiary of Samsung Electronics. Samsung Venture Investment is an investor in Audioburst. Harman says 50 million cars on the road have its audio systems. Its brands include AKG, Harman Kardon, Infinity, JBL, Lexicon, Mark Levinson and Revel.

Reflecting the growing importance of the Android Automotive OS, Harman also announced a Harman Ignite Store Developers Portal, a hub for Android Automotive developers.

“Those developing to the Android Automotive open operating system can deploy automotive apps, which OEMs can then easily scale and manage to drive new digital touchpoints with their customers through the Harman Ignite Store.”

 

The post Audioburst Joins Harman Ignite Store appeared first on Radio World.

Paul McLane

Workbench: Blower Motors and AM Tips

Radio World
4 years 1 month ago
A spare transmitter blower is a great idea. Pre-wiring it is even better!

If you’ve never lost a blower motor in a high-power transmitter, your time probably is coming!

It is a helpless feeling when the transmitter completely shut down. Then add the frustration of trying to find a replacement, not to mention removing the old motor and assembly.

Honolulu contract engineer Dale Machado found a replacement blower and motor assembly to keep on hand, and added to the insurance policy by pre-wiring it. Adding the wiring harness is one less thing to think about when you are off the air.

In the case of three-phase motors, pre-wiring also reduces the chance you’ll miswire the phase, causing the motor to run backwards!

Data points

Consulting Engineer and frequent Workbench contributor Frank Hertel of Newman-Kees RF Measurement and Engineering compiled useful information for engineers working with AM stations. Frank bases the information on his own experience and on documents available from Kintronic Laboratories (www.kintronic.com).

Frank has been called in after lightning hits to repair a number of antenna tuning units at the base of AM towers. Lightning knows no season! Frank’s summary keeps things simple and easy to understand.

First discussed are estimated impedances for a single reference tower that is series-fed, and operating at 1000 kHz (1 MHz) at heights of 150, 90 and 60 electrical degrees. Under these conditions, the values in the first table are typical:

(150 deg. height)     782R      –j13         (Capacitive Reactance

(90 deg. Height)     44R        +j18         (Inductive Reactance)

(60 deg. Height)     11R        –j113       (Capacitive Reactance)

If you are using an isocoupler on your (single) series-fed tower, it is assumed that the isocoupler has a typical capacitance of around 100 pF (or more). Thus, the isocoupler will present its added shunt value, to your single series-fed tower.

When the isocoupler’s shunt value is added in parallel to the impedance of your single series-fed tower, the addition of the isocoupler will shift the single tower’s impedance and typically yield the approximate values in the second table:

(150 deg. Height)      623R    –j315       (Capacitive Reactance)

(90 deg. Height)        45R      +j17         (Inductive Reactance)

(60 deg. Height)        10R      –j105       (Capacitive Reactance)

Frank adds that a single 90 degree height, series-fed tower will normally use a simpler ATU matching circuit. This circuit may be more efficient as a result of needing fewer components and lessened power loss, but this is debatable.

A single series-fed tower that is shorter than 90 degrees will yield a low R value with capacitive reactance. A single series-fed tower that is taller than 90 degrees will yield a higher R value with capacitive reactance.

Finally, it is worth noting that a tower height of slightly more than 90 degrees should yield an R value of approximately 50 ohms with a manageable reactance value.

Spring is in full swing for many readers. If you find yourself doing AM work and needing AM components, visit the Kintronic site.

Unbalanced-to-balanced adaptor

San Francisco contract and project engineer Bill Ruck has built a number of unbalanced-to-balanced adaptors over the years. He is careful to pay attention to absolute phase — if you’re not, the design can invert the audio.

There is an easy fix to this; the input inverting op amp output is connected to Pin 3. The inverted unity gain IC connection is Pin 2. Swapping Pins 2 and 3 will ensure that the output is in absolute phase with the input signal.

Bill prefers to use +/–15 VDC as a power source, but he has also used inexpensive DC-to-DC converters to take a nominal 9 to 12VDC signal and make +/-15VDC.

And Bill has found it wise to add a small capacitor across the op amp feedback resistor in order to limit bandwidth and make the amplifier stable. Although this is not critical, he tries to pick a capacitor value to be equal to the resistance at around 150 kHz.

Storage strap

Over the years, we’ve shown a variety of cable management solutions from brands like Velcro and other hook-and-loop manufacturers. But the one in Fig. 2 serves a dual purpose.

A heavy-duty hook-and-loop cable organizer.

The metal grommet helps organize and hang bundles of remote broadcast cables. In the Technical Operations Center, the grommet secures large bundles of cables, especially of the Ethernet variety. The fastener secures the cables without deforming the wire wrap. This heavy-duty nylon strap is available from Koppy and they come in small, medium and large sizes. There is a quantity discount. Go to https://koppy.co/ .

John Bisset, CPBE, has spent over 50 years in broadcasting and is in his 31st year of Workbench. He handles western U.S. radio sales for the Telos Alliance. He is a past recipient of the SBE’s Educator of the Year Award.

Workbench submissions are encouraged and qualify for SBE recertification. Email johnpbisset@gmail.com.

The post Workbench: Blower Motors and AM Tips appeared first on Radio World.

Paul McLane

User Report: Wheatstone MP-532 Opens Eyes at Leighton

Radio World
4 years 1 month ago

The author is director of engineering, Leighton Broadcasting.

I’ll be the first in line for new audio processing if I think it can give us an edge, but only if it’s truly a step up and not just the same old tech in new packaging.

We serve a predominantly young population here in the college town of St. Cloud, Minn. With 70 other stations competing for those ears, our six stations will take every advantage we can get.

I’d heard about the Wheatstone MP-532 AM/FM/HD multipurpose processor before it was officially released. The inside scoop was that Wheatstone’s Jeff Keith had designed into it a new five-band “windowed” AGC, which he called Windy.

As different program material comes in, it adapts to make sure that the multiband section and the five-band limiter later on are always fed consistent audio. This, I was told, was one of the reasons why the MP-532 could deliver those “airy” highs and deeper lows we’re all hoping for in the business.

It was worth a listen.

I got one of the first MP-532s and put it on our classic rock station, KZPK, K277BS/ZRock (HD2) 103.3 MHz. The installation experience was typical Wheatstone. Super intuitive, with presets that immediately gave us a much-improved sound right out of the box.

Friendly install

I’ll get to the sound in a minute, but first I’d like to pause for a moment and give you a busy engineer’s perspective on audio processing.

Yes, most of us like to tweak processing. But we also have a huge appreciation for a smooth installation experience. I need to get it on the air, make minor adjustments and move on in life. That’s one very strong suit of this processor, its ease of installation.

To be fair, I know my way around Wheatstone processors, having owned X1s, AM-55s, FM-55s, X3s and X5s.

As easy as the setup was, this alone is not a good enough reason to invest in an audio processor. It has to sound good; that’s the core mission for processing, and for radio.

[“Engineer Tony Abfalter Is an MVP”]

So how did the MP-532 do? Impressive. Very impressive.

They weren’t kidding when they said the highs would be airy and detailed and the lows would be deep. The MP-532 has the most articulation and clarity of any audio processor I’ve ever heard. It effectively kicked its predecessor, the FM-55, into the prehistoric dinosaur age and can hold its own next to Wheatstone’s flagship processor, the X5 FM/HD processor, but with a few less features and a lot less dollars.

One nice bonus is that it is a multipurpose processor (that’s what the MP is for), which means it would make an excellent backup for both my AM as well as FM stations. But, it’s really too good to be a backup processor, so I have it running continuous programming on ZRock.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information contact Jay Tyler at Wheatstone in North Carolina at 1-252-638-7000 or visit www.wheatstone.com.

The post User Report: Wheatstone MP-532 Opens Eyes at Leighton appeared first on Radio World.

Tony Abfalter

FM Alert to Add Earthquake Warnings

Radio World
4 years 1 month ago

Global Security Systems has acquired a license to participate in the ShakeAlert earthquake notification system through its Alert FM disaster warning system. Alert FM provides tornado, hurricane, fire and other possibly life-threatening emergency notifications across the United States.

The earthquake information is from the United States Geological Survey’s ShakeAlert earthquake detection and warning system.

[Read: Changes Coming in National Alerting]

Matthew Straeb, EVP/CTO of Global Security Systems, developer and operator of Alert FM, said, “As a long-time provider of emergency notifications for tornadoes, fires, hurricanes, evacuations, and tsunamis, adding early earthquake warning notifications is a tremendous benefit for increasing public safety in all of our communities.”

The ShakeAlert system is active on the West Coast and GSS is implementing AlertFM/ShakeAlert for customers in in California, Oregon and Washington state.

In addition in the following months, according to a release, “Alert FM will integrate automated actions to accompany earthquake early warnings for sirens, accessible devices such as bed-shakers and other consumer electronic devices. … GSS will also pursue partnerships with accessible, hospital, transportation and public utility systems.”

Straeb explained, “We will be seeking partners to integrate our low-cost FM technology to control emergency generators, door openers, production machinery, and other sensitive equipment in concert with alert messages. The benefits are nearly endless in earthquake situations.”

 

The post FM Alert to Add Earthquake Warnings appeared first on Radio World.

RW Staff

NAB Unhappy With Lease Agreement Proposal

Radio World
4 years 1 month ago

The National Association of Broadcasters is unhappy about a planned change to FCC rules involving sponsorship identification of content that came from foreign governments.

General Counsel Rick Kaplan wrote about it on an NAB blog. He said the Federal Communications Commission had good intentions of helping the public better understand when they are watching or listening to content sponsored by a foreign government, and he said NAB agrees with the goal even though there are few broadcast cases compared to pay TV providers and social media.

[“Pai Calls for Transparency on Government Sponsored Broadcast Content”]

But Kaplan and the NAB oppose a provision that broadcasters entering into lease agreements with any programmers must take a series of steps to determine whether they are dealing with a foreign government in the first place.

“You might be wondering if there is an exception for the station leasing time to a long-standing trusted business partner, right? Nope,” Kaplan wrote.

“What if you are leasing time to a local church for services on Sunday mornings? Nope. Surely, it can’t involve leases for the 3:30 a.m. long-form Snuggie infomercial? Sorry, it does, says the FCC.”

Kaplan said “hundreds if not thousands” of stations “are now on the verge of being mandated to undertake steps to prove in advance they are not dealing with foreign governments, even when they each know with certainty they are not.” He called it “old-world regulation at its worst.”

He said there’s no evidence of a “groundswell of foreign propaganda” on the U.S. airwaves or that stations are confused about the origins of what they air.

“The FCC should not simply saddle broadcasters with this needless obligation — or rather, multiple needless obligations — because it can regulate broadcasters but not social media companies,” he argued.

And he said that “with each added regulation, the FCC makes broadcasting a less attractive investment, including for new entrants and historically underrepresented groups.”

He urged the FCC to “fix its proposal before approving it later this week.”

Read the proposed order (PDF).

Read Kaplan’s blog post “Let’s Not Overregulate Broadcasters Yet Again Because We’re Upset With Facebook”

 

 

 

The post NAB Unhappy With Lease Agreement Proposal appeared first on Radio World.

Paul McLane

Hearing Set to Determine Ohio AM License

Radio World
4 years 1 month ago

Vandalia Media Partners is inching closer to receiving an answer on its whether its license renewal application will be granted or denied.

The Media Bureau at the Federal Communications Commissioned announced that a status conference will be held virtually on April 28, at 10 a.m. as part of a hearing on renewing Vandalia’s license. Earlier this month the Media Bureau announced that an administrative law judge will work to determine whether or not to renew the license of AM radio station WJEH in Gallipolis, Ohio.

[Read: AM Station’s Spotty Operational Schedule Puts License at Risk]

The move is in light of the station’s minimal record of operation, the bureau said. Vandalia began broadcasting with the WJEH license on Dec. 31, 2019, and during its tenure as licensee (from December 2019 through 2020), the station was silent for 364 days and operated for two days at an authorized reduced power level of 100 W.

The Communications Act states that if a broadcasting station fails to transmit broadcast signals for any consecutive 12-month period, then the station license expires at the end of that period. This was set up by Congress to relieve the burden of conducting a drawn-out license renewal or revocation proceedings for stations that remain silent for extended periods of time.

The commission subsequently found that some licensees of silent stations respond by resuming operation for a short period of time — in some cases as short as a day — before the one-year-limit hits to prevent automatically license expiration. Others alternate between periods of silence and operations with minimal power levels that only cover a small portion of their service areas.

In cases such as these, the commission cautioned that “a licensee will face a very heavy burden in demonstrating that it has served the public interest where it has remained silent for most or all of the prior license term.”

The method for renewing an application is fairly straightforward. According to the FCC Rules, a renewal is granted if the bureau finds that the station met three key requirements: the station served the public interest, convenience and necessity; there have been no serious violations of the Communications Act of 1934 or FCC Rules; and there are no major violations that would constitute a pattern of abuse.

When these three tenets cannot be met, the renewal application is designated for a hearing. Because of the WJEH’s extended periods of silence and operation at significantly reduced power during its license term, the bureau was unable to find that grant of the renewal application is in the public interest.

A proposed schedule with next steps will be laid out during the virtual conference. The commission said that interested parties can share relevant documents and comments about this case through April 26 via the commission’s Electronic Comment Filing System.

 

The post Hearing Set to Determine Ohio AM License appeared first on Radio World.

Susan Ashworth

TASCAM Releases USB Microphone

Radio World
4 years 1 month ago

The TM-250U from TASCAM is a USB condenser microphone with a supercardioid pattern.

The company says that it is aimed at direct connection computer audio for podcasting, dialog and vocal recording, music recording, conferencing, and other forms of online audio.

[Check Out More Products at Radio World’s Products Section]

The digital audio output is 16-bit/48 kHz. It has mic gain and a headphone output volume control along with a mute switch.

It also ships with a 6-foot USB C-A mic cable, mic holder and a desktop mic tripod.

Info: www.tascam.com

 

The post TASCAM Releases USB Microphone appeared first on Radio World.

RW Staff

NFL, iHeartMedia Launch NFL’s Podcast Network

Radio World
4 years 1 month ago
Getty Images/Yasinguneysu

iHeartMedia has snared a huge sports brand for its latest podcast partnership: the National Football League.

The two organizations announced an “exclusive” partnership to launch the NFL’s podcast network; it will include distribution of NFL Media’s current podcasts plus co-production and distribution of two dozen more.

The announcement was made by NFL Senior Vice President, Media Strategy and Business Development Kevin LaForce, iHeartMedia Digital Audio Group CEO Conal Byrne and iHeartMedia President of Entertainment Enterprises John Sykes.

LaForce was quoted in the announcement, “Podcasts are an increasingly important way to reach fans and a compelling way to tell NFL stories.”

The partnership will have access to NFL Films archival content. Tbe NFL podcasts will be distributed through the iHeartPodcast Network.

Byrne called the deal “an incredible moment for iHeart and the podcast industry, period.”

The post NFL, iHeartMedia Launch NFL’s Podcast Network appeared first on Radio World.

Paul McLane

User Report: Telos Keeps It All in the Family

Radio World
4 years 1 month ago

The author is sound technician for Nicklas Strömberg Produktion AB.

TRELLEBORG, Sweden — The last bit of the sound chain has sometimes been the most awkward.

Long distances, humming copper wires, external interference, heavy rain, lightning and hard-to-reach towers can be challenging. Not to mention the expensive sound processors that have to be placed at the transmitter out in the woods or up on the mountain!

Now, with the technology that transmits a complete MPX signal from the studio-side audio processor to the transmitter, it has become so much easier.

In a recent project for a customer, we replaced seven AoIP codecs, seven sound processors and seven RDS encoders with a single Omnia.9 processor and seven Omnia MPX Nodes.

Having the Omnia.9 in-studio also means that the customer’s Livewire production environment now delivers a completely unbroken digital audio chain from playout server to transmitter, and each transmitter gets fed the same great Omnia.9 sound.

The connections from the studio to the seven sites are of different classes. Point-to-point fiber, radio link and internet via ADSL. Since the MPX Node only requires a 320 kbps data stream, there are no problems with buffering. In an emergency, 4G mobile data also works well, but there can be problems with that, for example, longer latency.

It came as an unpleasant surprise to another client when their old internet-connected AoIP equipment was hacked and destroyed, with dead air as a result. Luckily they already had an Omnia.9 in the studio.

When they called me for help, I quickly ordered an Omnia Audio µMPX FM composite license for their Omnia.9 (basically turning it into an STL), and took my spare MPX Node to their transmitter. Only a short while later, they were on air again, and now they no longer have to worry about data intrusion because the MPX node has a built-in secure firewall.

There are several methods of implementation. In some cases, the customer already has an audio processor but it does not support µMPX. The Omnia MPX Node is also available as an encoder providing an easy end-to-end connection by simply adding two to the workflow. The MPX node encoder can even send redundant streams to multiple MPX Node decoders for multiple transmitter sites.

The easiest implementation is if the sound processor is an Omnia.9, which has the secure µMPX function built in. It can send up to 16 simultaneous streams (or more on a private network that permits multicast), so if it is a large station with 16  transmitters, it can save a lot of money as the air chain no longer needs expensive sound processors at each transmitter. One Omnia.9 in the studio and 16 MPX Nodes is enough. This reduction in technology investment means there will be more money left over for content and staff.

Radio World User Reports are testimonial articles intended to help readers understand why a colleague chose a particular product to solve a technical situation.

For information contact Cam Eicher at The Telos Alliance in Ohio at 1-216-241-7225 or visit www.telosalliance.com.

The post User Report: Telos Keeps It All in the Family appeared first on Radio World.

Nicklas Stromberg

CBS News Radio Remotes With RadioMan

Radio World
4 years 1 month ago

CBS Radio News has been using Jutel’s RadioMan 6 radio automation for making work-from-home viable for its continued pandemic operations

The news programming provider effectively shuttered its New York-based operation in March 2020. It had recently been auditioning and testing the latest version of the automation system.

[Read: Jutel RadioMan Gets New Architecture]

CBS News Radio Digital Media Manager Dustin Gervais said, “The timing of the release of RadioMan 6 couldn’t have been better. Just as we needed to evacuate our broadcast center due to COVID, RadioMan 6 became just the tool we needed to allow anchors at home to broadcast hourly newscasts without expensive codec equipment.” RadioMan handled clips, interviews and voice segments along with providing timing framework from CBS News Radio staffers, on-air talent and contributors from across the country.

Amazon Web Services was used as a production and marshaling node. Jutel’s Olli-Pekka Lukkarinen said, “Final distribution of news was then streamed to the delivery point, where it could be delivered to listeners via Skyview satellite system.”

Send news for Who’s Buying What to radioworld@futurenet.com.

 

The post CBS News Radio Remotes With RadioMan appeared first on Radio World.

RW Staff

Røde Connect Software Augments NT-USB Mini Mics

Radio World
4 years 1 month ago

Augmenting its NT-USB Mini USB microphones, released last year for content creators, podcasters and the like, Røde Microphones has introduced a free recording software package that works solely with the mic — Røde Connect.

Intended for podcasting and streaming use with the NT-USB Mini microphone, which was first introduced at NAMM 2020, the software allows users to connect up to four NT-USB Minis to a single computer, offering additional integration with video call and streaming applications, and more.

[Check Out More Products at Radio World’s Products Section]

Available in versions for Mac and PC, Røde Connect provides a virtual recording interface offering faders, level metering, mute buttons and more. The software includes DSP tools such as a noise gate, compressor and Aphex Aural Exciter and Big Bottom effects.

Users can incorporate audio from remote guests, integrate streaming applications, add music beds and other external audio via virtual channels, and the software additionally provides automatic mix-minus on every channel. There are also dedicated output controls for streaming apps like OBS or Xsplit.

Røde Connect can be downloaded for free at the company’s website.

Info: www.rode.com

The post Røde Connect Software Augments NT-USB Mini Mics appeared first on Radio World.

ProSoundNetwork Editorial Staff

Changes Coming in National Alerting

Radio World
4 years 1 month ago
A screenshot of a cell phone shows actual emergency messages on Jan. 13, 2018 in Honolulu, Hawaii. The background is a composite. (Screen image: Eugene Tanner AFP via Getty Images)

Congress wants better emergency alerting for the United States. So the Federal Communications Commission is working on several ways to accomplish that.

Among other things, the FCC wants to get state governments to improve their own alert coordination efforts. It wants to replace the WEA “Presidential Alert” with a “National Alert” that can be issued by the president or the Federal Emergency Management Agency, an alert that mobile users cannot turn off. And it wants to explore the possibility of alert dissemination via the internet.

The FCC, now under the leadership of Acting Chairwoman Jessica Rosenworcel, is taking public comments on proposed changes to the Emergency Alert System and Wireless Emergency Alert system.

Many of the steps are mandated by Congress, so the question for the commission is not whether to take them but how. The FCC said it’s crucial that emergency alerts include accurate information and that any new procedures be trustworthy.

The EAS, as most Radio World readers know, is the national public warning system through which broadcasters, cable systems and other EAS participants deliver alerts to warn the public of impending emergencies and dangers to life and property.

While best known for local weather and other warnings and tests, the system’s primary purpose is actually one for which it has never been used: to allow the president of the United States to provide immediate communications to the public in a national emergency.

Broadcasters are required to carry presidential alerts; they participate in state and local alerts voluntarily. The FCC, FEMA and the National Weather Service implement EAS at the national level.

The reform push comes at the direction of Congress as part of the National Defense Authorization Act for fiscal 2021. The spending bill included the Reliable Emergency Alert Distribution Improvement (READI) Act, which gave the FCC its charge.

One industry observer said they were “pleased with the elegant solutions the FCC crafted to meet the congressional mandates.”

Focus on the states

For one thing, the commission wants the 50 states and the U.S. territories to do a better job at managing their part of the alerting infrastructure.

The states and territories would be asked to review the composition and governance of their State Emergency Communication Committees. Those SECCs would be required to meet at least once a year and to submit an updated EAS plan annually; the FCC would have to accept or reject each plan within 60 days. The commission also would provide a checklist of information to be included in state plans.

One longtime EAS observer told Radio World they are pleased to see the FCC finally include rules that say state EAS plans are to be administered by the SECCs, something that has been missing from the rules.

The FCC also proposes that state plans, currently posted on its website, would not be publicly available except for names and contact information of SECC chairs.

[“FCC Issues an EAS Enforcement Advisory”]

“Disclosure of the plans, at least in form where each plan is one place and in a uniform and easily searchable format, could highlight potential vulnerabilities that malefactors could exploit, thereby potentially hindering emergency planning efforts,” it wrote.

Another change would enable jurisdictions to report false EAS or WEA alerts to the FCC Operations Center when they occur. The commission said such a system would allow planners to learn from incidents like the false missile alert in Hawaii that was distributed in 2018.

EAS participants are already required to report false alerts, but there’s no system for other stakeholders to report them voluntarily.

Repetition discussion

Congress also told the FCC to modify EAS to provide for the repetition of national security alerts issued by the president or FEMA. The commission devotes several lengthy paragraphs of its NPRM to the repetition issue and its associated mechanics.

The commission said the EAS system is already designed to allow repeated alerts from any originator as long as at least one minute has passed, but it said this capability may not be fully understood in the alerting community. It proposes to keep its rules regarding transmission and retransmission but add language specifying how an originator can repeat a message.

It thinks that automating the repetition of alerts, including setting the repetition intervals, should be achievable with “minimal changes” to alert software programs on the market, though it suspects that many encoder/decoder models would require modifications.

But it proposed that only the president or his or her designee be allowed to repeat the president’s Emergency Action Notification alert. It thinks that requiring EAS participants’ equipment to automatically repeat the alert would present technical impediments that may impair the president’s ability to issue EANs. For instance, requiring a predetermined interval of automatic repetition could cause problems in fast-evolving emergency situations.

It invited comments on a long list of questions including whether automatic (or manual) repetition of national security alerts by participants’ EAS devices is technically feasible. It also asked whether widespread repetition of state and local alerts might cause alert fatigue.

The NPRM also asks whether the FCC should adopt a National Command Authority (NCA) alert originator code for FEMA and whether it should create a National Security Event (NSE) event code for FEMA that would encompass “warnings of national security events, meaning emergencies of national significance, such as a missile threat, terror attack, or other act of war or threat to public safety.”

Veteran EAS observer Gary Timm said broadcasters should watch these developments closely, including the discussion about a methodology for repeating national-level alerts.

“The FCC proposed that the most obvious solution is for the alert originator to simply resend the message as many times as they desire it to be heard again. The other possibility the FCC presented is requiring EAS units to be modified to automatically repeat alerts, which could require money and time to upgrade at every station, if it is even feasible,” Timm said.

EAS experts told Radio World that the originator of an alert for any emergency should have complete control over the number of repetitions, the rate of repetitions, the update of old information to new, and the decision to end repetitions.

Harold Price, president of Sage Alerting Systems, said, “Having the originator reissue the message as needed, the FCC’s primary proposal, is the best path. Trying to automate repetition at the broadcast end adds a lot of cost throughout the EAS ecosystem, could make the system more fragile, and can result in message congestion and overlapping new and old information at a time when clarity is most critical.”

He continued: “EAS has always given any originator the ability to repeat information by simply sending an additional alert. This is a matter of training and procedures at the origination point, and perhaps modifications to alert origination tools to permit the easy reissuing of an alert. This is the best way to address the issue.”

Roy Baum, director of engineering and technology for Alpha Media in Topeka, Kan., said he is “adamantly opposed” to building any automatic repeat function into the existing alert generation system.

“If the emergency message is worth repeating, the entity generating the alert should review it and reissue it with updated information, presidential or otherwise. The current EAS equipment can handle this scenario without any problems,” said Baum, who chairs the Kansas State Emergency Communications Committee.

He said the EAS system was intended to be a “first alert” system, not a “continuous-flow-of-information” system.

“Inflexible”

Adrienne Abbott, Nevada’s state EAS chair, said broadcasters should pay close attention to the FCC’s planned directives to state governments, especially if there is a vacuum in emergency planning in a given state.

“If a state or local official has ever been denied a request for an EAS activation or feels that the broadcasters aren’t giving EAS enough attention, this is an opportunity for those officials to take over EAS,” Abbott said. “To me, this should be a warning to broadcasters to get more involved in EAS and the SECC.”

Larry Wilkins, director of engineering services for the Alabama Broadcasters Association and the state’s EAS chair, thinks that “overall, the EAS system works well” in his state, but said state-level committees can be a weak link.

“Some states just do not have an effective SECC with representatives from all those involved. In Alabama our SECC includes state emergency management, governor’s office, National Weather Service, state broadcasters association, state cable association and radio and television engineers,” Wilkins said.

“The more diversified the list of EAS contributors, the better.”

[“How Alabama Monitors the EAS System”]

Another state chair thinks the FCC is focusing on national-level messaging when errors with local alerts and weather hazards tend to be far more common.

“I would hope that more attention would also be paid to local alerts,” said Mike Langner, SECC chair for the state of New Mexico. “Amber Alerts are frequently issued with insufficient information or in some cases too much irrelevant information. Many states now issue Silver Alerts, and, of course, there are already well established Blue Alerts.”

Langner’s primary concern is a lack of required training so that alert originators know exactly how to do it and how to avoid false ones.

“As I understand it, the failures so far have overwhelmingly been failures of human operators and not failures of the various systems’ hardware and software,” he said.

In addition, Langner says, the level of involvement by radio and TV managers in EAS planning tends to wax and wane.

“As stations are bought and sold and managements’ public service philosophies and practices change, State Emergency Communications Committees should be able to readily change monitoring assignments in state plans to reflect reality on the ground,” he said.

“Currently the system for changing monitoring assignments is cumbersome, requiring a waiver of the old monitoring assignments from the FCC. The system shouldn’t be so inflexible.”

Online alerts

In addition to its NPRM, the commission issued a Notice of Inquiry to explore whether it is technically feasible to deliver EAS alerts through the internet, including through streaming services, and whether and how to use the internet to enhance the alerting capabilities of broadcasters and other current participants.

Several observers said the idea has merit.

“The current EAS rules do not require radio stations that carry EAS alerts, including presidential EAN alerts, to carry the alerts or tests on their internet streams,” one said.

“Should the commission eventually adopt the idea of sending EAS via internet streaming, broadcasters who are streaming their program may have to make routing changes depending where their EAS unit is located, which could be at the station or out at the transmitter site.”

Gary Timm, the Wisconsin SECC chair, said the commission should encourage all broadcaster EAS participants to include alerts on their internet streaming feeds, given that “an increasing number of people are listening to the radio via their internet-connected in-home speakers.”

In many cases, he said, streaming feeds at a broadcast station are upstream of the EAS encoder/decoder in the audio chain.

Adrienne Abbott in Nevada said it is likely there will be concern among emergency alerting experts about overuse of EAS and WEA.

“There also will probably be pushback by some in the EAS community on the additional requirements for reporting false EAS activations,” Abbott said.

Comments in PS docket numbers 15-91 and 15-94 are due April 20 and replies are due May 4. They can be filed in the FCC’s online comment system.

The separate notice of inquiry seeks comment on the feasibility of updating EAS to enable or improve alerts through the Internet, including from streaming services. Comments on that are due May 14, and replies are due June 14.

The post Changes Coming in National Alerting appeared first on Radio World.

Randy J. Stine

The End of the Needless Climb

Radio World
4 years 1 month ago
QCommunications uses drones custom-made by BFD Systems to work in high RF environments.

The author is QCommunications Vice President, Airborne Division — QForce.

Drones, “they ain’t just for kids anymore!”

Farmers are using them to measure crops, real estate developers are using them to survey land and medical professionals are even using them to deliver supplies to unreachable areas in disaster zones.

There’s no question about it, these unmanned aerial vehicles or UAVs make it easier to go where no human can or should go, and in the radio business that’s up a 400-foot or higher tower.

The Needless Climb

One drone = Hundreds fewer climbs. Drones bring with them a technology that allows engineers to ascertain and validate different types of structures, pattern signals and various equipment, all without human intervention other than the pilot on the ground.

Inspection by drone eliminates the “Needless Climb,” a phrase coined by QCommunications to describe an unnecessary and dangerous human journey up the side of an enormous tower to get a picture or investigate an irregularity.

Safety first

Warning signs are placed around the work area, entry points of long driveways and other critical locations.

Without putting a climber on a tower, it’s now possible to confirm that a signal is reaching everybody it needs to reach — or not. The drone can perform different types of inspection services efficiently, accurately, safely and faster than a human without presenting a hazard, not only to the pilot, but to the customer or any else in the area.

Three of the most common and important inspections are:

  1. Pattern verification — confirm antenna functionality, installation, operation and coverage, and enable maintenance trouble shooting.
  1. Thermal line inspection — identify hot spots, burn outs, potential burnouts, blocking in system, or connection joint security.
  1. Structural inspection — directly related to the structure and all components surrounding it as part of the anchoring system.  This inspection provides “points of interest” of any potential structural issues and potential failure points so the station engineers can make the best decision to ensure the structure’s safety. This service can also be used for the installation of any new equipment, can validate locations of new equipment and can indicate if a structure is rated to carry a new load.

Not only safe, but smart

Every drone flight reduces a tower climb, lessens risk to life and arms station engineers with information they need to make better, faster, more intelligent, actionable decisions.

With numerous drone service options for tower owners, station engineers and sales and marketing teams to choose from, the need of climbers outside of installation and hands-on maintenance is a thing of the past. Perhaps the greatest benefit of using drones is “tower surveys,” video inspections of a structure prior to any climbers arriving onsite. Climbers can use the imagery to ensure the structure is safe, thus minimizing injury of death.

The reports are also used as interactive engineering tools to mitigate customer viewership issues.

Historically, data was just used to prove FCC minimum requirements were met. Now it’s so much more than that. Drones identify damage, exactly where it is, and make it easier to fix so the signal is back quicker.

Safe and smart, good with money

Advertising only works if it reaches its audience. On the FM side, advertising is dependent upon how far it can go. If a signal is compromised, not reaching its target, advertising is not being delivered and revenues are not being fully generated.

Salespeople, therefore, have become enormous drone fans. The drone captures the data to provide an actual picture and model of the coverage, not a hypothetical. Salespeople are able to use the reports as sales tools to give advertisers factual, visible data about demographics making success more attainable, sales are increased, and stations can charge more money for advertising.

It’s all about the Base(line)

Have you ever asked yourself: Is my 50-year-old tower as sound structurally as it was 50 years ago? Am I getting all the signal strength I should from it, and do I even know what I should expect from it?

Well, the answer is probably not. There could be mistakes residing on the tower for 20, 30 or 40 years. There could be a bee’s hive, or a bird’s nest, or maybe someone painted over something that shouldn’t have been painted over and signal strength is being compromised, or gradually degrading.

Chances are … you don’t know because no one has been up there in decades, maybe the last time was when a light bulb needed to be replaced.

Send the drone up and take a baseline for everything.  Whether the tower is five decades old, or it’s brand new, a baseline for your RF and structural effects will allow you to move forward confidently and evaluate solutions for problems down the road. You can explore, compare and determine what it takes to fix, and what makes sense to invest capital in, and what doesn’t.

In the past several years, numerous towers have fallen. A birds-eye inspection would have uncovered structural weaknesses that could have been repaired and a tower saved.

Once you’ve a baseline, how often should this be done? It depends on the initial find, the age of the equipment and if everything meets regulations.

In the beginning, we’d recommend every five years, but if something changes, or something happens such as a problem with your signal or you’ve been notified that you’re radiating too much out of the line, then send in the drones, because perhaps a seal is broken and you can’t see it, but a drone can and no one’s safety is put in jeopardy.

The Bottom Line

And here’s the section everyone has been waiting for!

First, reports of this magnitude that supported both engineering and sales didn’t exist until now. Secondly, cost and delivery — about half price of a traditional minimal report by human engineers would cost approximately $60,000 to $75,000 following a week and a half of data collection that would result in about 40 photos.

QCommunications fees are approximately $20,000 to $45,000 and include an interactive HD 4K video and interactive visual and planning tools. QComm also encourages engineers to witness the drone data collection process in real time and see their structure preliminary pattern start to generate on their screens for immediate results. A comprehensive report is then delivered within 10 days.

The post The End of the Needless Climb appeared first on Radio World.

Phil Larsen

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