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It’s that time of year when the predictions and prognostications start rolling off the presses. But there’s only one place where broadcasters will have a chance in 2021 to review, face to face, one of the most important and transformative years ever and examine the coming one when what we’ve learned and what has changed could alter and move business in the year to come. It’s Forecast 2022 — the one opportunity to discuss in person the impact of a new FCC, of a midterm election set to spend record dollars in advertising, of the future of cross-ownership, of diversity in marketing and branding and what that could mean for radio and television, and so much more. It’s your one chance to drill down and ask questions — questions that often come in response to answers to other questions. Spontaneous. Enlightening. Provocative. The way it is when you’re in the room together. The way it is at Forecast 2022. All wrapped up with the industry’s premiere networking event, the Broadcast Leadership Reception.

 

Register for this event, on Tuesday in New York, today!

 

 

Take it from Gordon Borrell … You’ve Got To Be There! Gordon Borrell, CEO, Borrell Associates Register today!

 

Colorado Public Radio logo

Colorado Public Radio and a local community college will exchange radio signals in Colorado Springs.

CPR and Pikes Peak Community College said that early next year, the college’s station KEPC will change call letters to KXRE and air on 102.1 FM and 1490 AM, while CPR’s “Indie 102.3” will air on 89.7 in Colorado Springs and 93.3 in Pueblo.

“Indie 102.3 began broadcasting in Colorado Springs in April 2020 and has seen steady audience growth in the region,” said CPR President/CEO Stewart Vanderwilt, who made the announcement with PPCC President Lance Bolton.

“We’re excited to expand its reach through this trade while also establishing a paid internship program for students from Pikes Peak Community College.”

PPCC students will have the opportunity to intern with KRCC, the news station operated by CPR in southern Colorado.

Bolton said CPR gets a stronger signal, and the students get new internship opportunities at KRCC.

“Meanwhile, the college’s station, now called Xtra Music 102.1, will continue to play the maximum variety of tunes that our campus community loves.” That station is run by faculty and operated by students. Its interns are enrolled in the Broadcast and Electronic Media Program at the school.

CPR and station KRCC will also provide engineering assistance to PPCC’s tower and infrastructure.

The post A Radio Station Swap in Colorado Springs appeared first on Radio World.

The seven-day filing window for applications for new noncommercial educational FM station construction permits closed Tuesday evening. Almost 1,300 applications were received.

The FCC’s Media Bureau now will look for mutually exclusive (MX) groups of applications – those that conflict with one another – as well as “singletons,” those that do not. Then the bureau will release public notices to identify MX groups of applications and explain the procedures for filing settlement agreements and technical amendments. MX applicants will have an opportunity to resolve conflicts through settlements or technical amendments.

The commission also placed a temporary freeze on the filing of any amendments to NCE FM new station applications submitted in this filing window until Nov. 29.

The window is only for proposals in the FM reserved band, Channels 201 to 220, which is 87.9 to 91.9 MHz, and individual entities could only apply for up to 10.

The post Almost 1,300 Applications Received in NCE FM Window appeared first on Radio World.

With the aim of providing financial assistance to those in broadcasting who need it most, the Broadcasters Foundation of America has launched its annual year-end giving campaign in which more than $1.8 million in aid will be awarded to broadcast colleagues. The 501(c)3 charity is dedicated exclusively to delivering financial aid to broadcasters and their families whose lives have been upended by illness, accident or catastrophe.

This year’s call for donations follows nearly two years of cancelled fundraising events, most caused by the COVID-19 pandemic. According to the organization, more broadcasters than ever have reached out for monthly or emergency relief.

[Read: Broadcasters Foundation Offers Aid for Texas Broadcasters]

“Requests for assistance have escalated at a significant rate over the past several years,” said Jim Thompson, co-president of the Broadcasters Foundation. “Combined with the cancellation of several fundraising events due to the pandemic, personal and corporate donations are vital to continuing our charitable mission of disbursing financial aid to those in your industry who need it most.”

Over the past 20 years, the Broadcasters Foundation has distributed more than $15 million to broadcasters in need. Since 2017, the organization has awarded more than 500 emergency grants and increased monthly grants 75%. Donations are made through several funds including the Guardian Fund, which handles individual donations, the Angel Initiative, which takes in corporate contributions, and the Legacy Society, which handles bequest request.

“Our grant recipients are hard-working broadcasters from across the country and from all size markets, who have been hit by challenging, often life-altering circumstances,” said Scott Herman, chairman of the Broadcasters Foundation of America. “With the support and generosity of the people in our industry, we can help … colleagues and their families get through their toughest times.”

To donate or learn more, contact the Broadcasters Foundation at 1-212-373-8250, info@thebofa.org or at www.broadcastersfoundation.org.

 

The post Giving Campaign Aims to Distribute $1.8 million to Broadcasters appeared first on Radio World.

On November 5, it became known that audience measurement services in Orlando and Tampa, Fla., and in Washington, D.C., will be delivered to Univision Communications exclusively by a company that continues to fuel its desire to compete head-on with Nielsen in the U.S. broadcast TV marketplace.

With its stock stuck in the mid-$3 range across 2021, the thirst for providing an alternative to Nielsen is apparent for Comscore. And, it is slowly succeeding, as it has a new expanded agreement with the owner of television stations in eight small to mid-sized U.S. markets.

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KINGSTON, N.Y. — For 18 years, he was President/CEO of Buntin Out-of-Home Media. Since 2018, he has led his own consultancy, focused on business innovation.

As of December 31, this 1989 SUNY Albany graduate who has never worked inside a radio station will replace Area President Kristen Delaney at the nation’s largest audio content and distribution company — an appointment that speaks volumes of the type of leadership iHeartMedia seeks in 2021.

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John Bisset shares a clever use for toothpicks.

Joan Warner comments on the state of the digital radio rollout in Australia.

Audio company In:Quality offers codecs with a twist.

Debate over WMAS specifics heats up.

Mark Lapidus digs into a report about the state of audio, published by Audacy.

And Delilah talks with Radio World about her hopes for the radio station that she recently acquired in Oregon.

Read it here.

The post Inside the Nov. 10, 2021 Issue of Radio World appeared first on Radio World.

He’s largely known across the radio industry as the former President/COO and equity investor and partner in the Dick Clark-founded United Stations Radio Networks (USRN). Most recently, he was President/CEO at national radio entity Key Networks.

Now he’s teaming up with the Managing Partner of Gen Media Partners for the launch of a new radio content and service provider and producer.

Introducing G Accelerate. It will see Friedland and Higgins each hold a stake in the operation, while Higgins will lead it as President/CEO.

“G Accelerate Networks will be laser-focused on bringing in new business from both existing and new radio content and service providers, producers, and programs that are looking to accelerate their revenue potential, as well as increase their affiliated stations and national footprint,” GMP says.

Explaining the creation of G Accelerate, Higgins said, “Too many radio content producers are getting lost and not getting the attention and dedicated sales and affiliate services required to keep them top-of-mind with stations and thriving financially. Warren and I are committed to changing that result for those clients that join us at G Accelerate. We welcome the opportunity to provide them with the effort, resources, and passion required to deliver growth and success.”

G Accelerate Networks will tap into and work with Gen Media Partners’ G Networks, Hispanic Radio Networks (HRN), Gen Media Partners Radio Reps, and other GMP offerings “to assist in growing their revenues and affiliations.”

With an eye towards its expansion, Friedland stated, “G Accelerate will also be looking for select equity investments and acquisitions in content and service provider companies whose vision and mission lines up with or complements Gen Media Partners. We’ve known Jim for many years, and he was always the shining star of the companies lucky enough to have worked with him. His vast executive experience and client relationships with both creatives, producers, agencies, and advertisers is unmatched in the network business. We are thrilled to be a part of his new venture.”

 

To learn more about G Accelerate Networks, content creators and radio stations may contact Jim Higgins at Jim.higgins@genmediapartners.com.

Following Tuesday’s closing bell on Wall Street, Des Moines-based Meredith Corporation shared that its Board of Directors has approved the distribution of one share of Meredith Holdings Corporation (“New Meredith”) common stock for each share of common stock of the company as it exists today, and one share of “New Meredith” Class B common stock for each share of soon-to-be “Old Meredith” class B stock held as of November 19.

This effectively put the Meredith/Gray Merger Marathon at Mile 26, with the finish line clearly in sight. In fact, Meredith has a date within the next month when it expects the closing to occur.

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Nexstar Media Group has appointed a 25-year broadcast management and sales veteran to the role of VP/GM of its operations in DMA No. 90 — Champaign-Urbana-Springfield, Ill.

He’s already on-site at the stations, reporting to Nexstar Broadcasting SVP/Regional Manager Traci Wilkinson.

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The PreSonus R80 is one of two new studio monitors released by the company.

PreSonus has launched its second-generation R65 V2 and R80 V2 active AMT studio monitors, replacing the original R-series monitors, which have been discontinued.

The new monitor speakers feature more control than the original R-series according to PreSonus, incorporating the analog Acoustic Tuning controls: low-cut, mid-frequency and high-frequency — from its Eris line. A three-position Acoustic Space switch allows users to compensate for speaker placement against a wall or in a corner. Also onboard is an upgraded 140 W (75 W LF, 65 W HF) Class A/B power amplifier.

[Check Out More Products at Radio World’s Products Section]

The new R65 V2 and R80 V2 monitors feature a custom-designed, 6.8-square-inch Air Motion Transformer (AMT) tweeter with a thin (< 0.01 mm) folded Kapton membrane intended to aid accurate transient reproduction. According to the company, the AMT tweeter also enables R-series V2 monitors to handle 8 to 13 times the projection area of more traditional tweeter designs, while the monitor’s housing design constrains the projection area to the horizontal axis.

The R80 V2 features an eight-inch, custom-woven, composite woofer, while the R65 V2 has a 6.5-inch woofer of the same design. The R80 V2’s overall frequency response is rated at 40 Hz to 22 kHz, while the R65 V2 delivers 45 Hz to 22 kHz.

Balanced XLR and 1/4-inch TRS and unbalanced RCA input connections are in back, and safety features include RF shielding, current-output limiting, over-temperature protection and subsonic protection.

PreSonus R65 V2 and R80 V2 studio monitors are available at $329.95 and $429.95, respectively.

Send your new equipment news to radioworld@futurenet.com.

Info: www.presonus.com

 

The post PreSonus R-Series V2 Monitors Debut appeared first on Radio World.

The Bureau enters into a Consent Decree with Larry Ryan d/b/a/ Eifel Tower Broadcasting

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Patrick Broadcasting LP enters into consent decree to resolve political file investigation

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Mad Dog Wireless, Inc. enters into consent decree to resolve political file investigation

The National Association of Broadcasters has made the following point many many times. But is making it yet again: Broadcasters bear an unfair burden in regulatory fees from the Federal Communications Commission.

The association filed reply comments in an FCC proceeding on this topic.

[Related: “CTA Loathes the Idea of FCC Collecting Fees From Unlicensed Spectrum Users”]

It explained yet again why it thinks it is “patently unfair” that radio and TV companies must “absorb significant fee increases year after year to not only pay for the costs of regulating broadcasters but also for commission activities that are primarily for the benefit of other entities in the telecommunications ecosystem.”

“To bring the commission’s failure into focus, this year alone, broadcasters will be responsible for nearly $3.5 million dollars in commission costs to oversee the Universal Service Fund (USF), in addition to nearly 20% of all broadband costs, even though broadcasters do not benefit directly from the commission’s broadband activities,” it wrote.

It said the commission must ensure that its fee methodology “accurately reflects the benefits received by the payors of its fees.” It called on the FCC to add a broadband fee category. And it said users of unlicensed spectrum have failed to justify why they should be “universally exempt” from regulatory fees.

[Read the comments.]

 

 

The post Fix Your Fee Problem, the NAB Again Tells the FCC appeared first on Radio World.