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Industry News

Deadline to File Webcasting Fee Is on the Horizon

Radio World
3 years 3 months ago
(Getty Images/natrot)

An important deadline is approaching for most radio broadcasters that stream sound recordings.

This annual required fee — known as a minimum fee and related statement of account — must be filed with SoundExchange by Jan. 31, 2022. Stations can pay the fee through the Licensee Direct online filing portal, according to a blog post by the firm Fletcher, Heald & Hildreth that calls attention to the deadline.

Most radio broadcasters must file a report of use informing SoundExchange of the recordings that a station uses. Each report must include sound recording usage information pertaining to two seven-day periods in that quarter with reports due no later than 45 days after the end of the relevant month or quarter.

[See Our Business and Law Page]

If a station owes more than the $1,000 minimum fee for the year, a station must file census reports on a monthly basis. If a station owes less than that minimum, they can file sample reports on a quarterly basis.

The fee for the 2021–2025 license term for commercial and noncommercial webcasters is $1,000. That was increased for the current license term by $500, as determined by the Copyright Royalty Board. In addition, the per performance fee charged in excess of that minimum fee is $0.0022 for 2022 for non-subscription services and $0.0028 for subscription services.

The rates and rules are different for noncommercial educational stations and public broadcasters affiliated with NPR, as the blog post lays out.

Read the full blog post from Fletcher Heald.

The post Deadline to File Webcasting Fee Is on the Horizon appeared first on Radio World.

Susan Ashworth

GBS Inks Deal in Canada With Octave Communications

Radio World
3 years 3 months ago
François Gauthier

GeoBroadcast Solutions announced a partnership with Quebec-based Octave Communications to provide GBS’s MaxxCasting solutions to Canadian broadcasters.

Under the agreement, which GBS said is exclusive, Octave also covers associated MaxxCasting sales, field service and post-sales support.

“Octave and GeoBroadcast have had a long, collaborative relationship in the U.S. based around Octave’s market-leading Nomad HDR/FM Analyzer, which is a key tool supporting the implementation of its MaxxCasting system,” GBS said in the announcement.

Octave is an engineering consulting firm specializing in radio broadcasting, telecommunications and RF analysis measurement software. MaxxCasting is a synchronized booster system for FM broadcasters. GBS says it increases signal quality and PPM watermark decoding, and allows geographic targeting and fencing of radio screen advertising.

François Gauthier is president of Octave Communications.

The post GBS Inks Deal in Canada With Octave Communications appeared first on Radio World.

RW Staff

These Are U.S. Radio’s Top Advertisers

Radio World
3 years 3 months ago

U.S. radio stations have reason to be happy with Procter & Gamble and Uncle Sam right now.

According to a new report from Media Monitors, P&G was the number one parent advertiser on U.S. radio in 2021 based on the number of spots run. The consumer products goods company allocated 9 million spots to radio, more than to local cable or broadcast TV, and aired a whopping 71% more instances year-over-year on radio compared to 2020.

The U.S. government, which held the top spot in 2019 and 2020, fell to number 2.

On a separate list of the top individual radio accounts, job search service Indeed was number one, jumping from the ninth position a year earlier.

Among other findings, Media Monitors said Progressive Insurance aired fewer spots in 2021, and that Babbel, the language-learning service new to the list last year, rose to number three from number five

Across all of radio, local cable and broadcast TV combined, Procter & Gamble was the top parent advertiser for the second year in a row, while GEICO was again the number one advertising account.

The two radio charts are shown below.

The post These Are U.S. Radio’s Top Advertisers appeared first on Radio World.

Paul McLane

Diverse Skill Sets Are More Important Than Ever

Radio World
3 years 3 months ago

In a recent ebook, Radio World asked engineers to talk about how their own organizations have been affected by the pandemic.

Josh Bohn at WAPR(FM) in Selma, Ala., with the station’s modified Continental 816R-3C.

Josh Bohn says most radio broadcast clients of The MaxxKonnect Group are operating their businesses in person again but also continuing to employ a significant level of remote services. “Real-time voicetracking is showing up in places it previously hadn’t, as well as pre-produced shows being loaded remotely in near-real time,” said Bohn.

“A lot of remote functions will continue long-term with radio broadcasters. They have discovered that you don’t need salespeople sitting around a bullpen at the station when they can do the same thing from home, or their vehicle.”

MaxxKonnect is a technical services company that offers wireless connectivity and high-speed internet services, and it does broadcast integration work. Bohn is president/CEO.

The remote broadcasting infrastructures that his clients built out during the pandemic, he feels, will continue to be used in a lot of cases.

“Maybe not as a permanent, full-time solution, but I don’t see companies dismantling remote studios for talent that they built, or talent themselves getting rid of their home studios. It adds a layer of versatility that radio has now fully embraced and will be utilized.

“It’s also allowing broadcasters to downsize studios to save on real estate costs, and put more critical functions in the cloud.”

[Check Out More of Radio World’s Ebooks Here]

MaxxKonnect has quite a few integration projects in the pipeline. “A lot of capital dollars were put on hold during the throes of the pandemic, and companies are reinvesting in their infrastructure.”

General COVID precautions during projects are now part of its routine, including masks, more social distancing and general handwashing.

“With more talent working from home, studio projects are typically less hectic than they were pre-pandemic. Transmitter projects, of which we’ve got at least five scheduled currently, haven’t changed much unless we are directly interacting with the customer’s staff or other crews onsite.”

Bohn, who also owns WIEZ(AM) and its FM translator in Decatur, Ala., sees more cloud solutions being employed, including at his own company.

“Recently, with the assistance of Alex Hartman of Optimized Media Group, we installed redundant VM servers and a RAID server for our MaxxKonnect Group offices and the operations of WIEZ.

“In the near future, my plan is to virtualize many of the dedicated PCs we’ve got in our operation, as well as the DJB Zone automation system I’m running for WIEZ.” Some of his clients are working on similar setups for their back-office functions.

“We’ve also deployed a lot of MaxxKonnect Wireless units for remote studio setups due to the pandemic. Obviously internet access is the key component to any cloud-based solution, so multiple sources of internet are necessary. Diversification of those sources between wireline and wireless helps reduce the chances of any one failure taking out all your internet options.”

So what does a typical “hybrid” radio operation look like now?

“We see them from something as simple as VNC into an automation PC and file drop to insert items, to full-on AoIP via VPN with in-studio level functionality at the remote location,” he replied.

“I don’t know that there is a ‘typical’ hybrid operation in 2021. There are so many options out there when it comes to remote functions now, it makes it easy to be picky and get what you want from the a la carte menu!”

Bohn says good engineering practice after the pandemic looks a lot like it did before the pandemic, with an emphasis on backups, connection diversity and improving reliability.

“Radio needs to stay relevant to stay profitable, and that’s a struggle if you’re off the air or operating in a reduced capacity,” he said.

“Engineers need to continue to be more IT-savvy to understand virtualization, the cloud, network diversity and infrastructure security — and still know how to fix the old tube backup transmitter. Broadcast engineers have always had to have a diverse skill set. That’s only changed in the fact that it’s getting more diverse.”

In the ebook “After the Masks Come Off,” Radio World asked engineers to talk about how their own organizations have been affected by the experiences of the past two years; whether they are applying cloud solutions or other types of virtualization; and what constitutes a typical “hybrid” radio operation now. It features comments from technical leaders at Audacy, Salem Media Group, Alpha Media, VPM, Cogeco Media, Educational Media Foundation, Second Opinion Communications, Burk and Shively. Read “After the Masks Come Off.”

The post Diverse Skill Sets Are More Important Than Ever appeared first on Radio World.

Paul McLane

Librarian of Congress Reappoints CRB Judge

Radio+Television Business Report
3 years 3 months ago

Librarian of Congress Carla Hayden has reappointed a Copyright Royalty Judge focused in economics to a six-year term.

With the decision, this judge will have spent 15 years on the Copyright Royalty Board.

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Adam Jacobson

NYF’s TV & Film Awards Advisory Board Expands

Radio+Television Business Report
3 years 3 months ago

New York Festivals TV & Film Awards has added two individuals to its Advisory Board. One is the CEO of WaterBear Network. The other is the Editor-in-Chief and Chief Sustainability Officer for Mediacorp Singapore.

Ellen Windemuth, of WaterBear Network, is being joined by Mediacorp Singapore’s Walter Fernandez.

They join a 16-member Advisory Board panel. Their experience and expertise provide “a futurist’s view of the evolving television and film industry to NYF’s TV & Film Awards.”

The deadline to enter the 2022 Television & Film Awards competition is February 1.  To view entry details and competition rules and regulations visit HERE. For a complete list of 2022 categories, visit HERE.

All Entries in the 2022 competition will be judged online and screened by NYF’s TV & Film Awards award-winning Grand Jury panel.  Award-winning entries will be showcased at the Storytellers Gala.

To view the 2021 TV & Film Awards winner’s showcase visit: winners.

RBR-TVBR

Sinclair’s Local News OTT Service Gets Samsung App Placement

Radio+Television Business Report
3 years 3 months ago

It’s a free, ad-supported app owned by Sinclair Broadcast Group that offers access to live and on-demand newscasts from its own stations and partner broadcasters from more than 165 DMAs across the U.S.

As of today, it is the latest built-in app to appear on Samsung Smart TVs.

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Adam Jacobson

De Angelis to Create iHeartMedia Promotions Center

Radio World
3 years 3 months ago

Joe De Angelis was promoted by iHeartMedia to the position of senior vice president of promotions for the iHeartMedia Markets Group, a newly created role at the company.

He’ll oversee promotions efforts for the company’s broadcast and digital brands and franchises.

[Visit Radio World’s People News Page]

Part of his mission will be to “align promotional efforts across iHeartMedia markets by creating and spearheading iHeartMedia’s Promotions Center,” where he will be the promotions point person for clients and advertisers, as well as helping to develop promotional strategies to increase brand awareness for iHeartMedia stations.

He reports Scott Hopeck, division president for the iHeartMedia Markets Group, who called De Angelis “a natural leader and an exceptional collaborator” who oversaw marketing and promotions initiatives for the company’s New York City stations and national tentpole events.

De Angelis was director of marketing and promotions for iHeartMedia New York and has been national event brand manager since 2015.

Send your people news to radioworld@futurenet.com.

The post De Angelis to Create iHeartMedia Promotions Center appeared first on Radio World.

RW Staff

WBEZ Parent Agrees To Tabloid Take

Radio+Television Business Report
3 years 3 months ago

For those who believed the Supreme Court’s unanimous decision to uphold the Pai Commission’s “modernization” of its cross-ownership rules by allowing one entity to own a newspaper and a radio or TV station in the same market for the first time since the mid-1970s was a bad thing, a major deal involving a Windy City institution may come as sour news.

Yet, the FCC under former Chairman Ajit Pai may have helped save a Chicago daily while, at the same time, put the wheels in motion on a unique collaboration between a newspaper and Chicago Public Media — a model that could help save print publications in other markets from extinction.

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Adam Jacobson

Graham Media Group Reveals CEO Succession Plan

Radio+Television Business Report
3 years 3 months ago

In the face of a pandemic and ensuring the company’s broadcast TV stations covered COVID-19 with all the resources they needed, Emily Barr has delivered for Chicago-based Graham Media Group’s local television stations, found in Houston, Detroit, San Antonio, Orlando, Jacksonville, and in Roanoke, Va.

She’s also become a familiar figure on Capitol Hill, thanks to her role as the NAB’s Television Board Chair. Now, Barr is ready to perhaps relax, as the fourth-ranked executive on Broadcast Television’s Best Leaders rankings for 2021 has announced her retirement.

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Adam Jacobson

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